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1,019 stories by "Mark Fisher"

Strange Tales review " a feast of eerie stories from Chinese folklore by Mark Fisher

Traverse, EdinburghFrom a man sneezing out frog-like creatures to a husband restored to life with the phlegm of a beggar, these supernatural fables are uncanny Being human is a risk. You nev…

SOURCE: The Guardian at 7:24pm on December 4, 2019

The Wizard of Oz review " thrilling staging, tremendous performances by Mark Fisher

Leeds PlayhouseDorothy turns eco-warrior, seeking justice in an unjust world, in this visually exciting production of the children's classic Check out the internet theory that Greta Thunberg…

SOURCE: The Guardian at 2:48pm on December 1, 2019

West Side Story review " hip-swinging, skirt-twirling love story gets gritty by Mark Fisher

Curve, LeicesterThe classic musical gets a bold makeover in this stylish and intimate production directed by Nikolai Foster It's not every show that comes with an endorsement from the local …

SOURCE: The Guardian at 6:54am on November 29, 2019

Oor Wullie review " help ma boab, it's a braw musical! by Mark Fisher

Dundee RepThe Scottish comic-strip transfers to the stage in a witty show addressing cultural anxieties about belonging, driven by a rock, gospel and bhangra score It would be a stretch to c…

SOURCE: The Guardian at 6:48am on November 28, 2019

The Prince and the Pauper review " trading-places twins double the fun by Mark Fisher

New Vic theatre, Newcastle-under-LymeSisters Danielle and Nichole Bird create a dreamlike mirror image in a superbly staged production, alive with music, wit and spectacle It was written as …

SOURCE: The Guardian at 6:12am on November 25, 2019

Jack and the Beanstalk review " bright and cheery but lacking heart by Mark Fisher

Coliseum, OldhamWhat used to be one boy's coming-of-age struggle with a tyrannous ogre is now a free-for-all Boisterous, full-throttled and cheery it may be, but it's hard to locate the hear…

SOURCE: The Guardian at 7:33pm on November 24, 2019

Fibres review " rail against asbestos entwines personal and political by Mark Fisher

Paisley Arts CentreA shipyard electrician and his wife suffer the debilitating effects of a preventable, man-made disease in Frances Poet's play In 1898, factory inspector Lucy Deane Streatf…

SOURCE: The Guardian at 6:42pm on October 23, 2019

I Have Met the Enemy (and the Enemy Is Us) review " ticking bomb of Britain's arms trade by Mark Fisher

Byker Community Centre, NewcastleThis explosive, techno-soundtracked assault on the military machine cuts between war-zone combatants and anxious families in the weapons industry Two men loo…

SOURCE: The Guardian at 4:42pm on October 18, 2019

The Panopticon review " intense and brutal tale of a loveless childhood by Mark Fisher

Traverse, EdinburghAnna Russell-Martin gives a magnetic performance as Anais, the 15-year-old resident of a care home, who dreams of reinventing herself Anna Russell-Martin doesn't crack a s…

SOURCE: The Guardian at 7:06am on October 13, 2019

Macbeth review " ferocity and techno witches in gender-switched tragedy by Mark Fisher

Royal Exchange, ManchesterLucy Ellinson stars as a lean, mean and moody Macbeth in Christopher Haydon's noisy, dystopian production, with Ony Uhiara as a high-spirited wife Let's number the …

SOURCE: The Guardian at 6:03am on September 19, 2019

Composed review " behind the curtain on how theatre is made by Mark Fisher

Northern Stage, NewcastleArts employee Rosa Postlethwaite sets out to satirise the corporate machinery of modern theatre " but deadpan irony gets it in the way Do you remember a time before …

SOURCE: The Guardian at 7:54am on September 18, 2019

Solaris review " love and loneliness collide in best take yet on sci-fi classic by Mark Fisher

Royal Lyceum, EdinburghDavid Greig follows Tarkovsky and Soderbergh with this bold, rewarding take on StanisÅ‚aw Lem's novel about a sentient planet speaking to its visitors If a sentient…

SOURCE: The Guardian at 9:12am on September 15, 2019

One Man, Two Guvnors review " a jolly romp wearing borrowed clothes by Mark Fisher

Derby theatreSarah Brigham's revival of Richard Bean's brilliant and chaotic comedy hoodwinks the audience into its games, but lacks the original's taste for danger Such was the air of spont…

SOURCE: The Guardian at 2:24am on September 13, 2019

Handbagged review " a battle of wills between Thatcher and the Queen by Mark Fisher

New Vic, Newcastle-under-LymeWith modern-day parallels and an excellent ensemble, this play about two powerful women tests the limits of intolerance and compassion How refreshing to be plung…

SOURCE: The Guardian at 3:36pm on September 11, 2019

Tay Bridge review " adventurous story of ghost-train-in-waiting by Mark Fisher

Dundee RepPeter Arnott's brilliant vignettes about a 1879 railway bridge disaster imagine the lives and hopes of passengers stalked by death Peter Arnott has written enough plays to know you…

SOURCE: The Guardian at 2:03am on September 2, 2019

North and South review " strikes and strife in a factory town by Mark Fisher

Pitlochry Festival theatre, Port Na CraigRarely has theatre seemed so much part of the public sphere as in this electrifying adaptation of the Elizabeth Gaskell novel There is a thrilling tr…

SOURCE: The Guardian at 2:36pm on September 1, 2019

Blood and Gold review " mesmerising fairytales about Scottish colonialism by Mark Fisher

Scottish Storytelling Centre, EdinburghDrawing on her dual Scottish and Kenyan heritage, Mara Menzies weaves together an exquisite set of stories about the power of language to liberate and …

SOURCE: The Guardian at 11:12pm on August 23, 2019

Hear Word! Naija Woman Talk True review " a raucous voice of dissent by Mark Fisher

Royal Lyceum, EdinburghThis full-blooded agitprop cabaret comprises 10 monologues about resistance and emancipation, based on true stories about the treatment of women in Nigeria In a week w…

SOURCE: The Guardian at 7:48am on August 23, 2019

How to Be Brave review " one mother's soul-searching BMX odyssey by Mark Fisher

Summerhall, EdinburghLaura Dalgleish is magnetic as a woman marauding through the Newport night after family pressures become too much Theatre is a laboratory where we put a character centre…

SOURCE: The Guardian at 7:48am on August 23, 2019

Stephen Fry's Mythos review " a head-spinning marathon of legends by Mark Fisher

Festival theatre, EdinburghThe avuncular storytelling sage leavens seven-and-a-half-hours of myth-recounting with boyish enthusiasm and silly voices Stephen Fry is lying prostrate on the st…

SOURCE: The Guardian at 7:24am on August 21, 2019

To Move in Time review " hypnotic tale of the time-traveller's strife by Mark Fisher

Summerhall, EdinburghTim Etchells' thought experiment doggedly asks what if you could go back and right the wrongs of your past? Tim Etchells is surely a master of the late-night pub convers…

SOURCE: The Guardian at 5:33pm on August 20, 2019

Scene and heard: the Edinburgh shows fusing music and landscape by Mark Fisher

Drawing from folk music, Celtic myth " and a drunken night out, three plays are imbued with a deep sense of terrain Karine Polwart's Wind Resistance, which makes a welcome return to Edinburg…

SOURCE: The Guardian at 3:36am on August 19, 2019

Before the Revolution review " a beguiling anatomy of Egypt's uprising by Mark Fisher

Summerhall, EdinburghAhmed El Attar's bruising two-hander dives into the long lead-up to 2011 in an attempt to determine what causes mass revolt What causes a people to rise up? Is it a simp…

SOURCE: The Guardian at 3:18pm on August 18, 2019

Oedipus review " Robert Icke's take exerts thriller-like grip by Mark Fisher

Kings theatre, EdinburghAn updating of Sophocles' classic, set on election eve, has such political resonance you can imagine Boris Johnson not far away The play has hardly begun and already …

SOURCE: The Guardian at 7:36am on August 16, 2019

Red Dust Road review " Jackie Kay adaptation loses its way by Mark Fisher

Royal Lyceum, EdinburghSasha Frost sparkles as a curious and vulnerable Kay searching for her birth parents, but this unfocused production fails to capture the intimacy of the soul-searching…

SOURCE: The Guardian at 7:03am on August 15, 2019
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