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351 stories by "Mark Cofta"

Review: An Infinite Ache by Mark Cofta

David Schulner's two-person play reveals a seemingly ordinary love story's 50-year arc in 90 minutes, from awkward first date to final bedside goodbye. In Bi Jean Ngo and Griffin Stanton-Ame…

SOURCE: City Paper (Philadelphia) at 6:33pm on February 13, 2013

Theater Reviews: Three Duo-Centric Productions by Mark Cofta

New two-person offerings from the Arden's InterAct, Act II and Luna.

SOURCE: City Paper (Philadelphia) at 6:13am on January 31, 2013

Theater Review: The Beauty Queen of Leenane by Mark Cofta

Beauty Queen isn't easy to take " and it's not to be missed.

SOURCE: City Paper (Philadelphia) at 6:06am on January 24, 2013

Curtain Call: On Dave & Aaron Go to Work. by Mark Cofta

A heartwarming story, an innovative experiment in puppetry, physical comedy and clowning.

SOURCE: City Paper (Philadelphia) at 5:43am on December 20, 2012

Roll out the Carol by Mark Cofta

Local theaters get into the spirit of the season with Scrooge, young Santa and elves on strike.

SOURCE: City Paper (Philadelphia) at 5:46am on November 30, 2012

Review: Pretty Fire by Mark Cofta

I'm always surprised by how small actress Cathy Simpson looks on stage, because her performances become gigantic in my memory.

SOURCE: City Paper (Philadelphia) at 5:49am on November 8, 2012

Review: Pookie Goes Grenading by Mark Cofta

A lot of hyperactivity can't overshadow the clever wordplay and incisive ideas about sexuality, celebrity and art in director Kevin Glaccum's colorful production.

SOURCE: City Paper (Philadelphia) at 5:46am on November 8, 2012

Curtain Call by Mark Cofta

Reviewing Luna Theatre Co.'s Seventy Scenes of Halloween.

SOURCE: City Paper (Philadelphia) at 6:04am on October 25, 2012

Curtain Call by Mark Cofta

Mauckingbird's Much Ado About Nothing posits a world in which the two lead couples are gay men.

SOURCE: City Paper (Philadelphia) at 5:45am on August 16, 2012

Review: Cymbeline by Mark Cofta

Director David O'Connor approaches Shakespeare's seldom-seen romance in "let's tell a story" style. Performers from the Philadelphia Shakespeare Theatre's Classical Acting Academy mingle wit…

SOURCE: City Paper (Philadelphia) at 6:04am on August 9, 2012

All By Myself by Mark Cofta

GayFest!'s solo performers on the benefits of going it alone.

SOURCE: City Paper (Philadelphia) at 6:11am on August 3, 2012

Closing Ceremonies by Mark Cofta

With the Theatre Alliance gone, the future of the Barrymore Awards is murky.

SOURCE: City Paper (Philadelphia) at 6:09am on July 19, 2012

Curtain Call by Mark Cofta

The Philadelphia Shakespeare Theatre's two plays in repertory provide an illuminating contrast. Artistic Director Carmen Khan's elegantly melancholy Twelfth Night and Aaron Cromie's darkly c…

SOURCE: City Paper (Philadelphia) at 6:00am on April 26, 2012

Forget Me Not by Mark Cofta

Few playwrights could find laughs in topics like aging, Alzheimer's and euthanasia, but Bruce Graham succeeds in The Outgoing Tide, receiving a splendid area premiere by the Philadelphia The…

SOURCE: City Paper (Philadelphia) at 6:36am on April 5, 2012

on the nose by Mark Cofta

Fluid and often funny, yet fragile in its sad, glorious ending, this Cyrano succeeds as both swashbuckling adventure and tragic love story. The Arden's production has what Cyrano calls "pana…

SOURCE: City Paper (Philadelphia) at 5:36am on March 22, 2012

Anti-Authority by Mark Cofta

Knowing the inevitable doesn't negate the suspense in Quintessence Theatre Group's superb staging of Jean Anouilh's Antigone.

SOURCE: City Paper (Philadelphia) at 5:17am on March 8, 2012

Savage Garden by Mark Cofta

Knives in Hens isn't pleasant, but it is an engrossing, worthwhile and unique experience.

SOURCE: City Paper (Philadelphia) at 5:57am on February 23, 2012

Review: Charlotte's Web by Mark Cofta

The timeless charms of E.B. White's classic Charlotte's Web speak for themselves, but Whit MacLaughlin's sprightly new staging of Joseph Robinette's straightforward adaptation for the Arden …

SOURCE: City Paper (Philadelphia) at 6:11am on December 22, 2011

Chasing Freedom by Mark Cofta

There's so much to admire about The Whipping Man, Matthew Lopez's Civil War drama playing at the Arden Theatre Co., that its excesses can almost be overlooked.

SOURCE: City Paper (Philadelphia) at 5:53am on November 10, 2011

Venetian Repertory by Mark Cofta

Simplicity and clarity define Quintessence Theatre Group's Venetian Repertory, which rotates two Venice-set classics with the same strong cast.

SOURCE: City Paper (Philadelphia) at 3:52pm on October 28, 2011

Great Debate by Mark Cofta

If the prospect of an old religious trial about belief in God and adherence to rules sounds heavy and grim, give David Ives' version a chance. The playwright best known for comedy makes a po…

SOURCE: City Paper (Philadelphia) at 6:04am on October 21, 2011

Built to Last by Mark Cofta

Young Philly theater companies in need of a place to call home take matters into their own hands.

SOURCE: City Paper (Philadelphia) at 5:50am on October 6, 2011

Hit Me With Your Best Shot by Mark Cofta

PlayPenn gives local playwrights the tools to build (and rebuild).

SOURCE: City Paper (Philadelphia) at 5:59am on July 7, 2011

A Matter of Fact: THEATER REVIEW: InterAct Theatre Co.'s In a Daughter's Eyes by Mark Cofta

"Ripped from the headlines" is better than "pulled out of your ass" " a story is always more engaging when you know it's based on truth. But in the case of A. Zell Williams' new play, In a D…

SOURCE: City Paper (Philadelphia) at 6:02am on June 16, 2011

Good Grief by Mark Cofta

The idea of drama holding a mirror up to nature fits Saturn Returns, though Noah Haidle's reflective play is anything but natural. Through melancholy recitation about memories " "We must bre…

SOURCE: City Paper (Philadelphia) at 6:11am on May 12, 2011
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