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880 stories by "Marianka Swain"

The Father, Tricycle Theatre by Marianka Swain

André is losing time. It's not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she marr…

SOURCE: The Arts Desk at 6:48pm on May 12, 2015

Beyond Bollywood, London Palladium by Marianka Swain

It seems almost redundant to critique a show that so ably " if unconsciously " critiques itself. "The power of Bollywood is it's unique!" cries one character, before squandering that uniquen…

SOURCE: The Arts Desk at 7:15pm on May 11, 2015

The Audience, Apollo Theatre by Marianka Swain

As The Queen gains an audience with the latest royal addition, her theatrical alter ego returns to the West End, with Kristin Scott Thomas inheriting Tony-nominated Helen Mirren's role in Pe…

SOURCE: The Arts Desk at 7:24pm on May 5, 2015

Everyman, National Theatre by Marianka Swain

As we stagger towards electoral chaos, isn't it comforting to think there might be a master plan at work? That Russell Brand's meddling is preordained, or Cameron's 'brain fade' an act of di…

SOURCE: The Arts Desk at 7:20pm on April 29, 2015

Clarion, Arcola Theatre by Marianka Swain

"Fury Over Sharia Law For Toddlers!" No, not a prime example of spoof headline generator Daily Mail-o-matic, but the latest piece of fantastical scaremongering from the Clarion, a 125-year-o…

SOURCE: The Arts Desk at 6:00am on April 23, 2015

Ah, Wilderness!, Young Vic by Marianka Swain

Coming-of-age comedy, moonlit romance and a gentle folk soul: can this really be Eugene O'Neill? The master of darkness makes a surprising departure with semi-autobiographical 1933 work Ah, …

SOURCE: The Arts Desk at 7:20pm on April 21, 2015

Alice's Adventures Underground, The Vaults by Marianka Swain

The 150th anniversary of Lewis Carroll's seminal novel has inspired a raft of commemorative work, from Damon Albarn and Moira Buffini's musical Wonder.land to Holland Park opera and Glastonb…

SOURCE: The Arts Desk at 5:52pm on April 17, 2015

The Glass Protégé, Park Theatre by Marianka Swain

Hollywood has never met a cliché it didn't love; unfortunately, neither has Dylan Costello. His peek behind the curtain of Tinseltown's Golden Age employs every stock type imaginable, from …

SOURCE: The Arts Desk at 5:46pm on April 15, 2015

Olivier Awards 2015: Young Vic triumph heralds the era of the giant-killer by Marianka Swain

The Young Vic's victory parade came as no surprise after a bumper year, but, in an impressive night for studio and publicly funded theatre, the egalitarian 2015 Oliviers also showered affect…

SOURCE: The Arts Desk at 5:32am on April 13, 2015

theartsdesk Q&A: Choreographer Stephen Mear by Marianka Swain

From Singin' in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals i…

SOURCE: The Arts Desk at 5:00am on April 11, 2015

Dead Sheep, Park Theatre by Marianka Swain

While seven-way debate rages, broadcaster and debuting playwright Jonathan Maitland takes us back 25 years to a radically different political landscape: a time of regents, and of regicide. I…

SOURCE: The Arts Desk at 7:04pm on April 2, 2015

Bad Jews, Arts Theatre by Marianka Swain

Joshua Harmon's provocative 2012 piece is the Rocky of comedies. His evenly matched sparring partners, a pair of viscerally antagonistic cousins confined in close quarters after a familial l…

SOURCE: The Arts Desk at 9:17pm on March 25, 2015

Harvey, Theatre Royal Haymarket by Marianka Swain

If insanity is doing the same thing over and over and expecting different results, repeatedly unfunny Harvey isn't just a study of madness, but a punishing example of it. Mary Chase's dusty&…

SOURCE: The Arts Desk at 8:52pm on March 23, 2015

Buyer & Cellar, Menier Chocolate Factory by Marianka Swain

This is, stresses our guide, a work of pure (read: non-libellous) fiction, except that its "preposterous" premise is rooted in even more preposterous truth. In 2010, diva extraordinaire Barb…

SOURCE: The Arts Desk at 9:16pm on March 19, 2015

Stevie, Hampstead Theatre by Marianka Swain

Writing about writers: exploring what you know, or the very definition of stifling egoism? Either way, it can be a terrible trap for the playwright, with craft becoming not just the subject …

SOURCE: The Arts Desk at 6:34pm on March 16, 2015

The Armour, The Langham Hotel by Marianka Swain

The Langham has marked its 150th anniversary in theatrical fashion by commissioning an original drama spanning several decades " and floors " from emerging company Defibrillator, whose Tenne…

SOURCE: The Arts Desk at 6:56pm on March 6, 2015

The Rise and Shine of Comrade Fiasco, Gate Theatre by Marianka Swain

The quest for liberation is popular dramatic terrain, but the Gate Theatre's 'Freedom Burning' season shifts focus to the aftermath. What do you do when the fight is over, and how can you be…

SOURCE: The Arts Desk at 6:10pm on March 2, 2015

Lippy, Young Vic by Marianka Swain

How do we respond to a tragedy of infinite mystery? We investigate, we speculate, and we seek to impose meaning, to produce a story that safely contains unfathomable horror. However, those h…

SOURCE: The Arts Desk at 7:00pm on February 27, 2015

Muswell Hill, Park Theatre by Marianka Swain

Has there ever been a successful dinner party on stage? It seems no sooner has the table been set than domestic disharmony erupts: opposing personalities obligingly clash, the veil of marita…

SOURCE: The Arts Desk at 6:15pm on February 19, 2015

Boa, Trafalgar Studios by Marianka Swain

Casting existing partners is no guarantee of artistic success " for every Burton/Taylor, there is a Bennifer. Hannah Price has taken a risk, too, by pairing the revered Dame Harriet Walter w…

SOURCE: The Arts Desk at 7:40pm on February 9, 2015

Little Light, Orange Tree Theatre by Marianka Swain

The Orange Tree's renaissance continues with this searing piece from playwright of the moment Alice Birch, who follows up last year's subversive Revolt. She Said. Revolt Again with an interr…

SOURCE: The Arts Desk at 10:20am on February 8, 2015

The Last of the De Mullins, Jermyn Street Theatre by Marianka Swain

Even the most begrudging acquaintanceship with thematic foghorn Downton Abbey will have affirmed that the Edwardian era heralded momentous social change. Provocatively embedding this revolut…

SOURCE: The Arts Desk at 7:16pm on February 5, 2015

Di and Viv and Rose, Vaudeville Theatre by Marianka Swain

Is there any bond more powerful than shared history? If life is the sum total of our experiences, then those who experienced with us will always hold a piece of us " and none more intimate t…

SOURCE: The Arts Desk at 6:41pm on January 29, 2015

Hello/Goodbye, Hampstead Theatre by Marianka Swain

If the London property boom continues post-election, the fight for living space may well develop into all-out war. But what begins as skirmish in Peter Souter's 2013 play, promoted from the …

SOURCE: The Arts Desk at 6:48pm on January 27, 2015

Blind Date, Jermyn Street Theatre by Marianka Swain

Dating in the internet age is rife with complications, and yet Dave Simpson's amiable romcom manages to eschew nearly all of them. Bar its online matchmaking set-up, this is a chaste, big-he…

SOURCE: The Arts Desk at 6:34pm on January 26, 2015
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