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139 stories by "Maddy Costa"

Michael Frayn: the snowball effect by Maddy Costa

Michael Frayn has written journalism, novels, plays, a memoir " and he's still tapping farce's anarchic energy. He tells Maddy Costa why he loves a challengeMichael Frayn is momentarily puzz…

SOURCE: The Guardian at 4:30pm on March 6, 2012[SHARE]

Uninvited Guests let the audience call the shots by Maddy Costa

Fancy playing a banker or a murderer? Maddy Costa meets a company that has found a novel way of making audiences feel good about bad newsIt's a truism that what sets theatre apart from cinem…

SOURCE: The Guardian at 4:46pm on February 21, 2012[SHARE]

Jaime Winstone and Russell Tovey: the start of something beautiful by Maddy Costa

Jaime Winstone and Russell Tovey are old friends, and about to co-star in a new play about a one-night stand. They talk to Maddy Costa Continue reading...

SOURCE: The Guardian at 4:30pm on January 23, 2012[SHARE]

The Taming of the Shrew: 'This is not a woman being crushed' by Maddy Costa

An exercise in misogyny " or a love story about a man liberating a woman? As the RSC stages The Taming of the Shrew, Maddy Costa asks actors and directors how they read the playA man acquire…

SOURCE: The Guardian at 4:30pm on January 17, 2012[SHARE]

The Taming of the Shrew: 'This is not a woman being crushed' by Maddy Costa

An exercise in misogyny or a love story about a man liberating a woman? As the RSC stages The Taming of the Shrew, Maddy Costa asks actors and directors how they read the play Continue read…

SOURCE: The Guardian at 4:30pm on January 17, 2012[SHARE]

Festen " review by Maddy Costa

Pit, LondonFor Romanian director Vlad Massaci, Thomas Vinterberg's 1998 film Festen is more than the tale of a family detonated by revelations of parental abuse: it's a metaphor for social a…

SOURCE: The Guardian at 10:20am on November 11, 2011[SHARE]

The Changeling " review by Maddy Costa

Southwark Playhouse, LondonThe problem directors of Middleton and Rowley's play face is how to fuse its parallel plots: the seething, seedy tragedy of Beatrice-Joanna and the three men she e…

SOURCE: The Guardian at 1:45pm on November 8, 2011[SHARE]

Ontroerend Goed: Are you sitting uncomfortably? by Maddy Costa

They've blindfolded, betrayed and baffled audiences. Are the Belgian collective now taking immersive theatre a step too far?Alexander Devriendt was at a standup show with his girlfriend a co…

SOURCE: The Guardian at 4:44pm on November 7, 2011[SHARE]

A British Subject - review by Maddy Costa

Arts Theatre, LondonThose of a churlish disposition might describe A British Subject as a vanity project. The play details the dogged humanitarian efforts of actor Nichola McAuliffe and her …

SOURCE: The Guardian at 1:30pm on November 7, 2011[SHARE]

Camille by Maddy Costa

Hackney Empire, LondonA child is on stage, its rigid body rocking as it speed-chants a poem. A man and woman are arguing about love, and a bored housewife is regretting her move to…

SOURCE: The Guardian at 1:25pm on November 4, 2011[SHARE]

Mike Bartlett: Earthquakes everywhere by Maddy Costa

Climate change, religious unrest, war in the Arab states " playwright Mike Bartlett likes nothing better than a big theme. He tells Maddy Costa why excess is his watchwordEvery piece of thea…

SOURCE: The Guardian at 5:00pm on October 18, 2011[SHARE]

Edward Bond's Saved: 'We didn't set out to shock' by Maddy Costa

With its swearing and its baby-stoning, Saved shocked Britain in 1965. Will the play do so again? Maddy Costa talks to the original cast " and asks Edward Bond why he finally allowed a reviv…

SOURCE: The Guardian at 4:31pm on October 9, 2011[SHARE]

Conor McPherson: drawing on supernatural resources by Maddy Costa

He rattled audiences with plays about ghosts and devils. Now Conor McPherson has found new inspiration " in transcendental German philosophyTo say Conor McPherson is fascinated by the supern…

SOURCE: The Guardian at 5:00pm on September 28, 2011[SHARE]

Franz Ferdinand's Tempest puppet show by Maddy Costa

Franz Ferdinand and a Bavarian puppeteer are shaking up The Tempest in The Isle is Full of Noises. Maddy Costa reportsAs rehearsals for The Tempest go, the scene in London's Sausage Studios …

SOURCE: The Guardian at 5:00pm on September 6, 2011[SHARE]

The God of Soho " review by Maddy Costa

Shakespeare's Globe, LondonIt's a mark of the chutzpah of playwright Chris Hannan, director Raz Shaw, and indeed everyone involved in The God of Soho, that the big song-and-dance number at t…

SOURCE: The Guardian at 1:00pm on September 2, 2011[SHARE]

The Beauty Queen of Leenane " review by Maddy Costa

Young Vic, LondonYou can scent the outcome of Martin McDonagh's 1996 debut play as surely as visitors to the home of Mag and Maureen Folan can smell pee in the kitchen sink. This tale of a c…

SOURCE: The Guardian at 1:30pm on July 27, 2011[SHARE]

On the Record " review by Maddy Costa

Arcola, LondonThe timing of this production from Ice & Fire, theatre's answer to Amnesty International, could hardly be more felicitous. While the phone-hacking scandal continues to dominate…

SOURCE: The Guardian at 1:25pm on July 25, 2011[SHARE]

Edinburgh festival 2011: 'The day I set fire to my venue' by Maddy Costa

Edinburgh fringe veterans share their past experiences and highlight their picks for 2011Mark Ravenhill, playwrightIn 1987, I set fire to my venue. It rained all the time, so my clothes were…

SOURCE: The Guardian at 4:45pm on July 17, 2011[SHARE]

Damian Lewis: Top of the cops by Maddy Costa

He made his name playing troubled soldiers and driven detectives. Why has success left Damian Lewis so unsatisfied? He talks heroism and home life with Maddy CostaSubtlety and restraint ar…

SOURCE: The Guardian at 4:29pm on June 27, 2011[SHARE]

Open House: Something from nothing by Maddy Costa

Director Chris Goode is opening a play next week. But he doesn't know what it's about. Or who's writing it. He explains all to Maddy CostaTheatre, as its makers like to emphasise, is a colla…

SOURCE: The Guardian at 4:59pm on June 7, 2011[SHARE]

The Four Stages of Cruelty " review by Maddy Costa

Arcola, LondonPublished in 1751 for distribution among London's lower orders, William Hogarth's illustrations of the Four Stages of Cruelty contained a blunt moral message: don't stick an ar…

SOURCE: The Guardian at 12:08pm on June 2, 2011[SHARE]

Kafka's Monkey " review by Maddy Costa

Young Vic, LondonIf Kathryn Hunter's performance as ape-turned-variety-performer Red Peter were merely physically impressive, it would be startling enough. From the moment she lopes on to th…

SOURCE: The Guardian at 8:40am on May 31, 2011[SHARE]

Many Moons " review by Maddy Costa

Theatre 503, LondonAlice Birch's debut full-length play sets itself up as the gentlest of romances. Ollie is nervous, fearsomely intelligent, and finds people more mysterious than the conste…

SOURCE: The Guardian at 1:19pm on May 23, 2011[SHARE]

'The cast all abused me': the pain of playing Shylock by Maddy Costa

What's it like to play Shakespeare's most controversial character? As a new RSC production opens, Patrick Stewart, Antony Sher and other former Shylocks reveal allPatrick Stewart Bristol Old…

SOURCE: The Guardian at 4:31pm on May 8, 2011[SHARE]

London Snorkelling Team " review by Maddy Costa

Roundhouse, LondonIt's not that the London Snorkelling Team don't take music seriously. Their squiggly compositions, inspired by the characterful jazz of Raymond Scott, 1950s/60s lounge exot…

SOURCE: The Guardian at 2:15pm on April 13, 2011[SHARE]
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