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139 stories by "Maddy Costa"

Orpheus - review by Maddy Costa

Battersea Arts Centre, LondonWithin 10 minutes of their show beginning, Little Bulb Theatre have narrated in its entirety the melancholy tale of Orpheus, the poet-musician whose song could t…

SOURCE: The Guardian at 12:24pm on April 21, 2013[SHARE]

Mies Julie " review by Maddy Costa

Riverside Studios, LondonSouth African playwright-director Yael Farber has taken the bones of August Strindberg's 1888 play, in which an aristocratic woman has sex with a manservant, and sti…

SOURCE: The Guardian at 2:54pm on March 12, 2013[SHARE]

Arinze Kene: 'At home, I'm Nigerian. I go out and I'm a British kid' by Maddy Costa

Former EastEnders actor Arinze Kene is fast becoming one of Britain's most exciting young playwrights. He tells Maddy Costa why he has turned his gaze on the riots that rocked the 1980s Cont…

SOURCE: The Guardian at 1:59pm on February 25, 2013[SHARE]

How far should theatre push us? by Maddy Costa

The main aim of a new festival in Bristol is to make audiences witness often shockingly sordid encounters. Should other companies take more risks and follow suit?The In Between Time festival…

SOURCE: The Guardian at 11:40am on February 20, 2013[SHARE]

Feast: the Young Vic goes Yoruba by Maddy Costa

It spans 300 years, takes in five countries " and needed 10 writers. Maddy Costa on an ambitious attempt to dramatise the culture and belief system of YorubaThere's a party going on. Damon A…

SOURCE: The Guardian at 2:30pm on January 30, 2013[SHARE]

Playwright Rebecca Lenkiewicz: 'I had evil thoughts as a child' by Maddy Costa

Rebecca Lenkiewicz makes emotionally charged dramas about marginalised women. She tells Maddy Costa how adapting The Turn of the Screw brought back haunting memories of her ownOn a grey afte…

SOURCE: The Guardian at 2:59pm on January 20, 2013[SHARE]

Best theatre of 2012, No 7: Ganesh versus the Third Reich by Maddy Costa

Back to Back's tale of the elephant-headed deity journeying into Nazi Germany to reclaim the swastika made for unmissable viewingAn argument is brewing in the rehearsal room. Scott wants Mar…

SOURCE: The Guardian at 11:02am on December 13, 2012[SHARE]

Playwright Nick Payne: master of the multiverse by Maddy Costa

Nick Payne might only be 28, but he's already dazzled audiences on both sides of the Atlantic. As his hit play Constellations transfers to the West End, he talks to Maddy Costa about science…

SOURCE: The Guardian at 8:45am on November 2, 2012[SHARE]

Medea: the mother of all roles by Maddy Costa

Diana Rigg played a memorable Medea " now her daughter Rachael Stirling is taking it on. She talks to Maddy Costa, while other actors recall their own immersion in one of theatre's toughest …

SOURCE: The Guardian at 2:04pm on October 2, 2012[SHARE]

Medea: the mother of all roles by Maddy Costa

Diana Rigg played a memorable Medea now her daughter Rachael Stirling is taking it on. She talks to Maddy Costa, while other actors recall their own immersion in one of theatre's toughest p…

SOURCE: The Guardian at 2:04pm on October 2, 2012[SHARE]

Benedict Andrews directs Chekhov: 'My actors cannot hide' by Maddy Costa

Cate Blanchett called him 'brutal' and a critic branded him 'my nightmare' " now he's messing with Chekhov. Maddy Costa meets Benedict Andrews, director of Three SistersBenedict Andrews can …

SOURCE: The Guardian at 1:39pm on September 10, 2012[SHARE]

Curtains " review by Maddy Costa

Landor, LondonThe first act of Curtains is so delicious, it is a struggle to figure out why it is making its London debut in a cramped room above a south London pub and not in the West End. …

SOURCE: The Guardian at 1:27pm on August 3, 2012[SHARE]

The Boy Who Fell Into a Book " review by Maddy Costa

Soho, LondonIt's 10.30pm and nine-year-old Kevin should be fast asleep, not reading. "All this reading," Dad grumbles, "just gives you dreams." The sly precision of that phrase is typical of…

SOURCE: The Guardian at 12:12pm on July 26, 2012[SHARE]

A Curious Incident on stage: the National does Mark Haddon's novel by Maddy Costa

As the bestselling tale of a 15-year-old amateur detective is adapted for the theatre, the team behind it talk about the challenges of adapting a novel about Asperger's syndromeChristopher B…

SOURCE: The Guardian at 2:01pm on July 25, 2012[SHARE]

Vieux Carré " review by Maddy Costa

King's Head, LondonIt's no Streetcar Named Desire or Cat on a Hot Tin Roof, but this 1977 flop by Tennessee Williams rises above its reputation. The Wooster Group brought it to the Edinburgh…

SOURCE: The Guardian at 10:42am on July 20, 2012[SHARE]

The Tiger Who Came to Tea " review by Maddy Costa

Lyric, Shaftesbury Avenue, LondonIf there were a checklist for what comprises great children's theatre, David Wood's adaptation of Judith Kerr's note-perfect picture book would tick a lot of…

SOURCE: The Guardian at 12:55pm on July 18, 2012[SHARE]

The Trojan War and Peace " review by Maddy Costa

Scoop, LondonAlmost everything about this dramatisation of the Trojan war is true to the spirit of ancient Greece: the uncomfortable seats, the imposing surroundings, the splicing of burlesq…

SOURCE: The Guardian at 1:00pm on July 16, 2012[SHARE]

Mack and Mabel " review by Maddy Costa

Southwark Playhouse, LondonDirector Thom Southerland has a long history with Mack and Mabel: he worked on it first in 2005, as an assistant on a stripped-back production in Newbury that tran…

SOURCE: The Guardian at 10:38am on July 13, 2012[SHARE]

Singing in the rain: Regent's Park musicals hit the high notes by Maddy Costa

Once home to nothing more innovative than A Midsummer Night's Dream, Regent's Park theatre is not only producing some of London's best musicals " it's beating the West End at its own gameAlt…

SOURCE: The Guardian at 5:04am on May 30, 2012[SHARE]

How we made ... Harvey Fierstein and Antony Sher on Torch Song Trilogy by Maddy Costa

The writer and star of the groundbreaking show on the drag queen no one could resistHarvey Fierstein, playwrightAs soon as I started writing, other writers stopped wanting me acting in their…

SOURCE: The Guardian at 2:07pm on May 28, 2012[SHARE]

Romeo and Juliet " review by Maddy Costa

Shakespeare's Globe, LondonGrupo Galpão's rough-and-tumble production of Romeo and Juliet has been at the Globe before, 12 years ago, and you can see why the Brazilians were invited back.…

SOURCE: The Guardian at 10:09am on May 22, 2012[SHARE]

Three Kingdoms: the shape of British theatre to come? by Maddy Costa

The play has split critics. But between rankled newspaper reviewers or enthusiastic bloggers, who is right?There are plays that divide critics, and then there is Three Kingdoms. Depending on…

SOURCE: The Guardian at 9:35am on May 16, 2012[SHARE]

Amy Lamé: 'Morrissey had better not turn up' by Maddy Costa

Will the Smiths singer come to her Unhappy Birthday? Maddy Costa meets the woman who has turned her Smiths obsession into a play'Being a Morrissey fan is not the easiest thing in the world,"…

SOURCE: The Guardian at 2:30pm on May 7, 2012[SHARE]

RSC's King John throws women into battle by Maddy Costa

Shakespeare lived in a man's world " but the RSC is recasting his 'battle play' King John with women in the thick of the actionLike many 21st-century women, theatre director Maria Aberg does…

SOURCE: The Guardian at 1:29pm on April 16, 2012[SHARE]

How we made: Alan Ayckbourn and Christopher Godwin on Absurd Person Singular by Maddy Costa

'The rehearsals were hysterical. Sometimes they just fell apart because it was so funny'Alan Ayckbourn, directorMy play Absurd Person Singular, now 40 years old, was a step in the direction …

SOURCE: The Guardian at 2:12pm on March 19, 2012[SHARE]
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