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737 stories by "Lyndsey Winship"

Carlos Acosta to create new version of The Nutcracker set in Havana by Lyndsey Winship

The acclaimed dancer, director and choreographer takes on ballet's favourite frosty Christmas show, with his Cuba-based company Acosta Danza "I want to make it snow in Havana," said Cuban ba…

SOURCE: The Guardian at 11:18am on March 4, 2024[SHARE]

How to Build a Universe review " sci-fi dance-theatre show aims high but lands low by Lyndsey Winship

The Place, LondonHumans keep making the same mistakes as five survivors of an apocalyptic event try to build a new civilisation How to Build a Universe is a high-concept show. Imagine you we…

SOURCE: The Guardian at 3:42pm on March 3, 2024[SHARE]

New York City Ballet's Justin Peck: 'Trump's win changed the whole arc of the piece' by Lyndsey Winship

Ahead of a London show, the choreographer talks about his new Sufjan Stevens musical, community in dance, and how election results can affect his moves When Justin Peck was a teenage ballet …

SOURCE: The Guardian at 11:02am on February 23, 2024[SHARE]

Phoenix Dance Theatre review " triple bill swings from tortured to tender by Lyndsey Winship

Leeds PlayhouseBelonging: Loss. Legacy. Love brings together work by Phoenix's new boss Marcus Jarrell Willis, Miguel Altunaga and Dane Hurst Formed in 1981, Phoenix Dance Theatre have had m…

SOURCE: The Guardian at 3:42pm on February 22, 2024[SHARE]

'It's like being on a love boat': the dance trio embraced by Sam Smith and Madonna by Lyndsey Winship

After choreographing the video for Unholy and the queen of pop's Celebration tour, French collective (La)Horde are taking a wildly eclectic show to London That thing about never meeting your…

SOURCE: The Guardian at 6:12am on February 21, 2024[SHARE]

Emma Gladstone obituary by Lyndsey Winship

Dancer and artistic director of the Dance Umbrella festival known for being an innovative force in the industry Emma Gladstone, who has died of cancer aged 63, was a woman of impeccable tast…

SOURCE: The Guardian at 5:32pm on February 11, 2024[SHARE]

São Paulo Dance Company review " by Lyndsey Winship

Sadler's Wells, London In a triple bill by Spanish and Brazilian choreographers, dancers move in ritualistic unison, launch into flight or just inspire wonder In the middle of São Paulo D…

SOURCE: The Guardian at 5:32pm on February 11, 2024[SHARE]

Ockham's Razor: Tess review " circus spin finds light and laughter in Thomas Hardy's tale by Lyndsey Winship

Peacock theatre, LondonThis company's skills cleverly animate the characters in a dreamlike production that does not blunt the novel's tragedy Can you tell a Thomas Hardy story through circu…

SOURCE: The Guardian at 7:02am on February 1, 2024[SHARE]

Diversity: Supernova review " blazing BGT champs go all out by Lyndsey Winship

Royal & Derngate, NorthamptonThe superstar troupe from Britain's Got Talent consistently fill venues across the country " and you can see why It's 15 years since street dance crew Divers…

SOURCE: The Guardian at 9:42am on January 30, 2024[SHARE]

Tamara Rojo: 'Ballet is competing with Netflix " that's what audiences expect' by Lyndsey Winship

The former artistic director of English National Ballet has swapped London for San Francisco, where she's bringing AI and clubbing into the theatre " while passing on the legacy of British d…

SOURCE: The Guardian at 7:42am on January 29, 2024[SHARE]

La Strada review " Fellini's circus becomes a heartfelt ballet by Lyndsey Winship

Sadler's Wells, LondonDancer Alina Cojocaru and choreographer Natalia Horečná bring the 1954 film to the stage but their show loses its way in the second act It's no surprise that a st…

SOURCE: The Guardian at 7:54am on January 26, 2024[SHARE]

'I realised sci-fi horror was the language I was speaking': Dimitris Papaioannou on how Alien spawned his show Ink by Lyndsey Winship

He has staged Greece's Olympic opening ceremony and scenes evoking myths and old masters. Now, the unclassifiable choreographer is taking his cue from Ridley Scott In the 1980s, Dimitris Pap…

SOURCE: The Guardian at 2:06am on January 23, 2024[SHARE]

Manon review " the Royal Ballet brings beauty to sordid snake pits of Paris by Lyndsey Winship

Royal Opera House, LondonKenneth MacMillan's journey into a world of darkness is performed with consummate craft by a superb company In the 1970s Kenneth MacMillan snatched ballet from the l…

SOURCE: The Guardian at 7:32am on January 18, 2024[SHARE]

Les Noces " The Departure review: absorbingly renewed marriage bonds by Lyndsey Winship

Woolwich Works, London On a catwalk-like stage, the ambitious New Movement Collective celebrate Stravinsky's peasant wedding with a twist, adding fresh musical compositions to ramp up the at…

SOURCE: The Guardian at 7:48am on January 14, 2024[SHARE]

Giselle review " English National Ballet keep Romantic magic alive by Lyndsey Winship

London Coliseum Version created by Mary Skeaping in 1971 retains its seductive power, ably driven by principals Katja Khaniukova and Aitor Arrieta One of the strengths of the ballet Giselle …

SOURCE: The Guardian at 12:18pm on January 12, 2024[SHARE]

Pirates! review " buccaneering adventure and fizzing family fun by Lyndsey Winship

The Place, LondonThough often more associated with abstract contemporary dance, Scottish Dance Theatre prove more than adept at bringing tales of daring on the high seas to a younger audienc…

SOURCE: The Guardian at 3:42pm on December 17, 2023[SHARE]

Zoetrope review " skeletons rattle up a surreal Christmas show by Lyndsey Winship

Dance House, CardiffLea Anderson's show for children, staged by National Dance Company Wales, presents the story of evolution as an absurdist cabaret First, a word from the audience (of prim…

SOURCE: The Guardian at 7:32am on December 15, 2023[SHARE]

Edward Scissorhands review " Matthew Bourne's dance blockbuster is a cut above by Lyndsey Winship

Sadler's Wells, LondonTim Burton's film is a natural fit for Bourne's choreography and a bright young cast bring its bittersweet tale to fresh life Matthew Bourne is a canny operator when it…

SOURCE: The Guardian at 10:03am on December 14, 2023[SHARE]

Ballet star Alina Cojocaru: 'When people tell me I'm a natural, I just want to scream' by Lyndsey Winship

The Romanina ballerina's rise has been the result of years of gruelling physical work, not just talent. A decade after leaving the Royal Ballet due to creative differences, she's back with h…

SOURCE: The Guardian at 9:48am on December 8, 2023[SHARE]

Lunar Halo review " Sigur Rós soundtrack arresting images and smooth moves by Lyndsey Winship

Sadler's Wells, LondonCloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial A giant hand reaches down …

SOURCE: The Guardian at 9:24am on December 1, 2023[SHARE]

Rambert: Death Trap review " a double bill of despair from Ben Duke by Lyndsey Winship

Sadler's Wells, LondonThe 2017 piece Goat, made in the aftermath of London terror attacks, loses its way but last year's Cerberus is a powerful account of grief Rambert is a dance company cu…

SOURCE: The Guardian at 10:36am on November 23, 2023[SHARE]

Van Huynh Company: Re:birth review " a swirling portrayal of the exhaustion of exile by Lyndsey Winship

The UK-based Vietnamese dancer and choreographer stages a piece inspired by the horror and dislocation of war with experimental vocals from Elaine Mitchener Choreographer Dam Van Huynh was a…

SOURCE: The Guardian at 6:36am on November 15, 2023[SHARE]

Let it all out! Tears for Fears inspire 'utopian' dance show by Lyndsey Winship

Emmanuel Gat explains why it's easier to choreograph to Pierre Boulez than pop music and how his dancers perform 'with a question mark not an exclamation mark' 'All around me are familiar fa…

SOURCE: The Guardian at 2:12am on November 14, 2023[SHARE]

The Black Saint and the Sinner Lady review " dancers take the audience with them on a wild jazz ride by Lyndsey Winship

Shoreditch Town Hall, LondonThe slinky grooves of Charles Mingus animate the expressive dancers of Clod Ensemble, who sweep up the crowd in a joyful celebration of movement "It's not about w…

SOURCE: The Guardian at 1:06pm on November 12, 2023[SHARE]

Rhiannon Faith: 'A lot of people feel more like they're being watched than seen' by Lyndsey Winship

The dance-theatre creator explains how she builds community through performance and how her new work, Lay Down Your Burdens, explores shame, trauma and anxiety Rhiannon Faith has built her o…

SOURCE: The Guardian at 3:18am on November 6, 2023[SHARE]
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