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737 stories by "Lyndsey Winship"

'Dance is not a museum': how ballet is reimagining problematic classics by Lyndsey Winship

Historical ballets are rife with offensive colonial politics but choreographers and dancers are finding creative ways to change them for today's audiences A 19th-century worldview informs mu…

SOURCE: The Guardian at 3:24pm on January 9, 2020[SHARE]

English National Ballet: Le Corsaire review " firecracker dancing by Lyndsey Winship

Coliseum, LondonWhile its story of slavery and exotica is dubious, ENB's virtuoso dancers sparkle as much as the fake jewels Perhaps because ballet as an art form is so unreal, it's easy to…

SOURCE: The Guardian at 11:24am on January 9, 2020[SHARE]

Singalong or keep stumm … what's the etiquette for musicals? by Lyndsey Winship

As karaoke versions of musicals take off, we chat to punters at two West End shows " strictly during the interval, of course " to gauge opinion on audience participation 'It'll have them sin…

SOURCE: The Guardian at 9:33am on December 27, 2019[SHARE]

Circus 1903 review " Christmas offering oozes old-school charm by Lyndsey Winship

Royal Festival Hall, London In a culture of special effects, it is the moments of connection, creativity and wonder that matter Circus 1903 " in pictures Playing its second year as an altern…

SOURCE: The Guardian at 9:54am on December 22, 2019[SHARE]

Radio & Juliet / Faun / MсGregor + Mugler review " Radiohead, gangs and OTT dazzle by Lyndsey Winship

London ColiseumEdward Clug strips back Shakespeare, Sidi Larbi Cherkaoui riffs on Nijinsky and Wayne McGregor teams up with Manfred Thierry Mugler in this rich Russian triple bill What do y…

SOURCE: The Guardian at 10:06am on December 8, 2019[SHARE]

Svetlana Zakharova review " Bolshoi ballerina cuts chic shapes as Chanel by Lyndsey Winship

Coliseum, LondonA stylish riff on Coco Chanel's place in ballet history and a regal mocking of Handel make a double bill where style outshines insight The indomitable Boshoi ballerina Svetla…

SOURCE: The Guardian at 1:54pm on December 4, 2019[SHARE]

Royal Ballet: Coppélia review " hello, dolly! by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward sparkles in this twee revival, a luminous presence in an inconsequential story about a lifesize doll There are ballets of magical otherworldliness,…

SOURCE: The Guardian at 9:48am on November 29, 2019[SHARE]

Alston at Home review " master of dance creates a world of grace by Lyndsey Winship

The Place, LondonOn their final tour, Richard Alston Dance Company take it back to where it all began with a moving survey of their 25-year history It is a season of farewells for the Richar…

SOURCE: The Guardian at 7:48pm on November 28, 2019[SHARE]

Balletboyz's Romeo and Juliet film takes star-cross'd lovers to the street by Lyndsey Winship

Shot on location with lashings of fighting and flirting, Romeo and Juliet: Beyond Words is a vibrant, up-close take on one of the Royal Ballet's best-loved gems It's been an ongoing quandary…

SOURCE: The Guardian at 1:33pm on November 26, 2019[SHARE]

Blackface and Fu Manchu moustaches: does ballet have a race problem? by Lyndsey Winship

From the Chinese scene in Nutcracker to the Moor in Petrushka, are some ballets now offensively outdated? We ask big names in dance if they should be preserved, changed " or binned It's Chri…

SOURCE: The Guardian at 11:48am on November 20, 2019[SHARE]

Acosta Danza review " Cuba moves in a new direction by Lyndsey Winship

Sadler's Wells, LondonCarlos Acosta's Havana-based troupe makes no wrong steps in charming, evocative and sharply technical mixed bill It's only three years since Cuban ballet star Carlos Ac…

SOURCE: The Guardian at 8:42am on November 20, 2019[SHARE]

Dorrance Dance review " tip-top tap gets into the groove by Lyndsey Winship

Sadler's Wells, LondonMichelle Dorrance's superb pieces range from rubber-legged slapstick to brilliantly musical moves Michelle Dorrance may be a dancer, but musicianship is the bedrock of …

SOURCE: The Guardian at 7:33am on November 15, 2019[SHARE]

Emanuel Gat: Works review " moving, mysterious dance is a delight by Lyndsey Winship

Sadler's Wells, LondonRelationships between the Israeli choreographer's idiosyncratic dancers play out on stage in a surreal and touching show There's a man in a dress, another wearing a kil…

SOURCE: The Guardian at 8:33am on November 12, 2019[SHARE]

Ballet Cymru review " fuelled by sheer positivity by Lyndsey Winship

Lilian Baylis Studio, LondonIt's hard not to warm to this bright Welsh company, but some of the more experimental works were confused in design and execution It takes a lot of grit and pluck…

SOURCE: The Guardian at 9:42am on November 11, 2019[SHARE]

The Sleeping Beauty review " the Royal Ballet take your breath away by Lyndsey Winship

Royal Opera House, LondonYasmine Naghdi conquers physics in a fairytale production with intricate and intense performances What is the appeal to adults of an old-fashioned fairytale? This on…

SOURCE: The Guardian at 11:06am on November 8, 2019[SHARE]

Northern Ballet review " dancing with dreams and facing fear by Lyndsey Winship

Linbury theatre, LondonWorks by Kenneth Tindall, Mlindi Kulashe and Morgann Runacre-Temple give these dancers a chance to get their bodies around abstraction Trends for favoured composers i…

SOURCE: The Guardian at 7:54am on November 7, 2019[SHARE]

Rambert2 review " exciting and fearless fresh-faced dancing by Lyndsey Winship

Sadler's Wells, LondonA group of young prestige dancers from all over the world throw themselves utterly into a uneven triple bill The deal with Rambert's sister company, Rambert2, is that y…

SOURCE: The Guardian at 8:33am on November 5, 2019[SHARE]

Birmingham Royal Ballet review " noirish style and tragic love by Lyndsey Winship

Sadler's Wells, LondonGuests Ballet Black steal the show with Cathy Marston's masterful The Suit, while newcomer Jack Lister offers little substance but plenty of style In an unusually benev…

SOURCE: The Guardian at 8:42am on October 30, 2019[SHARE]

Teneisha Bonner obituary by Lyndsey Winship

Athletic star dancer who dazzled as Spinderella in the hit West End show Into the Hoods In the sometimes macho world of hip-hop dance, a form that demands explosive power and immense strengt…

SOURCE: The Guardian at 9:33am on October 28, 2019[SHARE]

Georgia Vardarou: a dance-maker creating room for thought by Lyndsey Winship

The vision of this Greek choreographer " tipped as a major talent of the future at London's Dance Umbrella festival " is 'beautifully different' To write about contemporary dance is to somet…

SOURCE: The Guardian at 1:36pm on October 25, 2019[SHARE]

Royal Ballet mixed bill review " a trio of 60s flashbacks by Lyndsey Winship

Royal Opera House, LondonLauren Cuthbertson and Reece Clarke's masterclass in clarity is the highlight in a night of Macmillan, Ashton and Petipa It's a seemingly random selection that makes…

SOURCE: The Guardian at 8:12am on October 23, 2019[SHARE]

Silent Lines review " cosmic ninjas in Maliphant's Milky Way by Lyndsey Winship

Sadler's Wells, LondonLighting patterns sweep across Russell Maliphant's dancers, who move with seamless fluidity You won't find steps in Russell Maliphant's choreography, so much as one sea…

SOURCE: The Guardian at 12:36pm on October 21, 2019[SHARE]

Oona Doherty review " a swaggering, graceful ode to working-class men by Lyndsey Winship

The Yard, LondonIn Hope Hunt and the Ascension Into Lazarus, the Northern Irish dancer embodies a group rarely explored in dance A car revs up outside the theatre and Oona Doherty tumbles ou…

SOURCE: The Guardian at 9:54am on October 15, 2019[SHARE]

Ten minutes to face the apocalypse! A dance-off for dark times by Lyndsey Winship

The finalists of Boris Charmatz's Danse Élargie competition squared up to today's doom and gloom There are questions about the validity of scoring art (hey, some of us have made a living…

SOURCE: The Guardian at 12:06pm on October 14, 2019[SHARE]

Fabula Collective review " beautiful yearning bodies inspire belief by Lyndsey Winship

Sadler's Wells, LondonConvincing struggles to find solace, choreographed by ex-Wayne McGregor dancers, are enhanced by spectacular lighting The new British-Japanese Fabula Collective arrive …

SOURCE: The Guardian at 8:18am on October 9, 2019[SHARE]
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