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737 stories by "Lyndsey Winship"

English National Ballet: The Forsythe Evening review " feel the funk by Lyndsey Winship

Sadler's Wells, LondonThe energy is infectious as William Forsythe blends classical ballet with soul, house and R&B, from James Blake to Barry White Choreographer William Forsythe has no…

SOURCE: The Guardian at 8:33am on April 1, 2022[SHARE]

Phoenix Dance Theatre review " tender and tense performances mark 40 years by Lyndsey Winship

Peacock theatre, LondonThe Leeds-based company come out fighting with family stories, purposeful dancing and a boxing-themed finale In 1981, Phoenix Dance Company was a group of three men in…

SOURCE: The Guardian at 3:54pm on March 30, 2022[SHARE]

Fishnets out, waacking in! Julia Cheng on how she has transformed Cabaret by Lyndsey Winship

How did this one-woman whirlwind go from dance school reject to Olivier-nominated choreographer of Cabaret? Via Bruce Lee, hip-hop and a kick up the butt It all started in a Luton youth club…

SOURCE: The Guardian at 3:54am on March 28, 2022[SHARE]

Royal Ballet review " Kyle Abraham's fresh style connects to the real world by Lyndsey Winship

Royal Opera House, LondonThe versatility of the modern ballet dancer is showcased in a triple bill featuring works by Crystal Pite and Christopher Wheeldon Without seeming as if he's trying …

SOURCE: The Guardian at 8:24am on March 25, 2022[SHARE]

Boris Charmatz / Serafine1369 review " resistance, endurance and an invisible violin by Lyndsey Winship

Sadler's Wells, LondonAt the Dance Reflections festival, both choreographers bewilder with experimental works that explore time and personal space A double-bill in the Dance Reflections fest…

SOURCE: The Guardian at 5:48pm on March 23, 2022[SHARE]

Lucinda Childs and Ruth Childs review " still challenging after 50 years by Lyndsey Winship

Royal Opera House, London Seminal works from the 1970s are revived by choreographer's niece and focus on the simple beauty of minimalist movements In the 1970s, Lucinda Childs was part of Ne…

SOURCE: The Guardian at 8:33am on March 20, 2022[SHARE]

He's Dead review " was Tupac Shakur depressed? by Lyndsey Winship

Battersea Arts Centre, LondonInspired by the pain that is audible behind the machismo of the rapper's music, Malik Nashad Sharpe has created an intriguing show Was Tupac Shakur depressed? Th…

SOURCE: The Guardian at 7:12am on March 18, 2022[SHARE]

Dancers and dissidents: how ballet became a political football between east and west by Lyndsey Winship

As the conflict in Ukraine intensifies, Russia's dance corps are under scrutiny. But ballet has long been the "secret weapon" in Russia's diplomatic arsenal When the independent Russian TV s…

SOURCE: The Guardian at 12:42pm on March 17, 2022[SHARE]

Swan Lake review" ambitious production provides more hits than misses by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward brings intelligence and sensuality to her debut in the dual role of an uneven but stylish production As highly anticipated debuts go, this one had …

SOURCE: The Guardian at 9:33am on March 17, 2022[SHARE]

'It's like Heathrow control room': creating Wondrous Stories, Birmingham 2022's opening ceremony by Lyndsey Winship

Motionhouse artistic director Kevin Finnan reveals the challenges in preparing a spectacular start to a festival '"In the 60s, choreographer Yvonne Rainer came out with this whole manifesto:…

SOURCE: The Guardian at 9:48am on March 14, 2022[SHARE]

'It's offensive in the best possible way': Eric Underwood on his leap into acting with Clybourne Park by Lyndsey Winship

The former Royal Ballet dancer and model is set to make his theatrical debut in Bruce Norris's knotty, Pulitzer prize-winning play. He explains how he found his voice on and off stage Twenty…

SOURCE: The Guardian at 6:42am on March 1, 2022[SHARE]

Well, slap my shoe! A lederhosen classic and a polka only five men can do by Lyndsey Winship

What do you get if you cross a 1,000-year-old Bavarian shoe-slapping dance with an all-male Italian folk routine that was on the brink of extinction? A sweaty, joyous double-bill! When Aless…

SOURCE: The Guardian at 3:12am on February 28, 2022[SHARE]

Mark Bruce: Phantoms review " a broodingly cinematic dance triple bill by Lyndsey Winship

Wilton's Music Hall, LondonThe choreographer draws on Tarantino, the White Stripes and grizzly folklore in an evocative and brilliantly scuzzy show Mark Bruce has always been driven by music…

SOURCE: The Guardian at 10:03am on February 25, 2022[SHARE]

Lost Dog: A Tale of Two Cities review " the best of times by Lyndsey Winship

The Place, LondonBen Duke directs a triumphant theatre-dance interpretation of the Dickens classic that offsets complexity with out-loud laughs Choreographer Ben Duke and his company Lost Do…

SOURCE: The Guardian at 7:37am on February 24, 2022[SHARE]

NDT2 review " dancing clean enough to eat your dinner off by Lyndsey Winship

Sadler's Wells, LondonThe incredible young dancers of NDT's satellite company easily navigate a triple bill of Hans van Manen, Marco Goecke and Johan Inger, fleet and varied NDT2 is a compan…

SOURCE: The Guardian at 9:03am on February 17, 2022[SHARE]

Donuts review " in sync with the delicate dynamics of friendship by Lyndsey Winship

The Place, LondonFusing funk styles with contemporary dance, Jamaal Burkmar's original voice and feelgood choreography is warm, fun and very watchable The programme notes for Jamaal Burkmar'…

SOURCE: The Guardian at 10:06am on February 16, 2022[SHARE]

Snow Maiden review " The Russian State Ballet of Siberia's stilted fairytale by Lyndsey Winship

New Theatre, OxfordThere's a general sense of wasted potential in a show that has flashes of brilliance, yet feels light on vitality with an underwhelming score The Russian State Ballet of S…

SOURCE: The Guardian at 9:03pm on February 11, 2022[SHARE]

Acosta Danza: 100% Cuban review " Carlos's mesmerising movers by Lyndsey Winship

Sadler's Wells, LondonThe company mix worldwide influences into Cuban dance and though not all these cocktails hit the mark, they make for an intoxicating evening Carlos Acosta doesn't curre…

SOURCE: The Guardian at 7:54am on February 10, 2022[SHARE]

Tanztheater Wuppertal Pina Bausch: Kontakthof review " the miseries of mating by Lyndsey Winship

Sadler's Wells, LondonTender, brutal and humorous, the choreographer's 1978 piece about gender wars and sexual mores still feels acutely contemporary It was 40 years ago that choreographer P…

SOURCE: The Guardian at 7:06am on February 4, 2022[SHARE]

Compagnie 111: aSH review " godlike serenity and transcendent movement by Lyndsey Winship

Barbican, LondonKuchipudi dancer Shantala Shivalingappa is hypnotically precise in a piece about renewal and transformation inspired by the Hindu god Shiva The Hindu god Shiva is an inspirat…

SOURCE: The Guardian at 6:54am on January 28, 2022[SHARE]

'Bam! Incredible energy' " how a group of performers with learning disabilities are changing dance by Lyndsey Winship

For 30 years, pioneering company Corali has subverted audience expectations. Now it's helping queer-dance duo Thick & Tight with a work about poet Edith Sitwell We've all got our teas?" …

SOURCE: The Guardian at 12:12pm on January 13, 2022[SHARE]

Gandini Juggling: Life review " Merce Cunningham tribute is a little gem by Lyndsey Winship

Sadler's Wells, LondonCombining juggling and contemporary dance, this is a complex and accomplished homage to the late choreographer There have been many tributes to the great choreographer …

SOURCE: The Guardian at 6:36am on January 13, 2022[SHARE]

A 10-year triumph: how Tamara Rojo transformed English National Ballet by Lyndsey Winship

The dancer, choreographer and artistic director has shown great ambition and had an astonishing impact at the company Right now, Tamara Rojo is putting the finishing touches to the first bal…

SOURCE: The Guardian at 9:54am on January 12, 2022[SHARE]

Raymonda reborn: Tamara Rojo on ditching the sexism, Arab stereotypes, and 32 one-legged jumps by Lyndsey Winship

The ENB director has pulled the story forward to the Crimean war, based the female lead on Florence Nightingale " and adapted the choreography for today's more slender dancers When people ta…

SOURCE: The Guardian at 5:03pm on January 4, 2022[SHARE]

Matthew Bourne's Nutcracker! review " a pink, chewy fizz of a show by Lyndsey Winship

Sadler's Wells, LondonBourne's reworked version has a darker edge but it's still full of wit, energy and colour, with a sensuous thrill It's nearly a decade since Matthew Bourne's Nutcracker…

SOURCE: The Guardian at 10:33am on December 16, 2021[SHARE]
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