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2,878 stories by "Lyn Gardner"

Bins, bogs and beer: why running a theatre is about more than art by Lyn Gardner

Taking over a theatre building for the first time can come as a shock for artistic directors and they soon learn that

SOURCE: The Stage Registration at 3:00am on July 11, 2018

Scaramouche Jones, Bristol by Lyn Gardner

Old Vic, BristolScaramouche Jones, born at midnight on December 31 1899, a strange, pale, white-skinned "oyster" who popped out of his Gypsy prostitute mother in a fishmongers in Trinidad. A…

SOURCE: The Guardian at 7:48pm on July 9, 2018

Lyn Gardner: Don't be ashamed of your day job, you can be a waiter and an artist by Lyn Gardner

"Please don't feel ashamed of having a day job to support your dream of working in the arts. A lot of people

SOURCE: The Stage Registration at 2:00am on July 9, 2018

Mind the Gap: the company that's raised the bar for theatre with learning-disabled artists by Lyn Gardner

Mind the Gap has become a world leader in creating work with, and not just for, learning-disabled actors and theatremakers. Lyn Gardner

SOURCE: The Stage Registration at 12:32pm on July 6, 2018

Why today's play publishers 'are like greyhounds straining in the slips' by Lyn Gardner

Competition to find the next hot emerging playwright can be fierce among theatre publishers hoping for a long and rewarding relationship. But

SOURCE: The Stage Registration at 7:30am on July 3, 2018

Lyn Gardner: Theatre can be life-changing, no matter how short the play is by Lyn Gardner

Some theatre is like a haunting. It is a prickle down the spine, a sense that you are watching something uncanny, something

SOURCE: The Stage Registration at 2:00am on July 2, 2018

The Lieutenant of Inishmore, Garrick, London by Lyn Gardner

Garrick, LondonNot exactly your usual West End fare (after the bloody splatterfest, you might be feeling a little too queasy to face dinner à deux), Martin McDonagh's play is a hugely enj…

SOURCE: The Guardian at 10:32am on June 27, 2018

Lyn Gardner: Yes, regional theatre is imperilled. What it needs is financial security by Lyn Gardner

Money makes all the difference. Back in the 1990s, when I was travelling the country reviewing regional theatre, the evidence of years

SOURCE: The Stage Registration at 2:00am on June 25, 2018

The Secret Diary of Adrian Mole Aged 13¾ review " quaint, charming musical by Lyn Gardner

Curve, LeicesterSue Townsend's tormented teenage hero makes a jaunty appearance in this smart, low-key musical adaptationIt is more than 30 years since Sue Townsend created Adrian Mole, the …

SOURCE: The Guardian at 8:48am on June 24, 2018

Lyn Gardner: Ignore graduate salaries " arts enrich lives, if not your wallet by Lyn Gardner

News that creative arts graduates earn 15% less than the average university leaver five years after graduation " and so may expect

SOURCE: The Stage Registration at 2:00am on June 18, 2018

Catherine Johnson on life after Mamma Mia! by Lyn Gardner

She wrote Mamma Mia! Now she's back " with another story about a wedding. Lyn Gardner meets the down-to-earth Catherine JohnsonCatherine Johnson is downing an energy drink that promises to p…

SOURCE: The Guardian at 7:04pm on June 17, 2018

Lyn Gardner: Theatre is about people, not places by Lyn Gardner

Last week I was invited to speak on a panel about space and place at the International Theatre Engineering and Architecture Conference

SOURCE: The Stage Registration at 2:00am on June 11, 2018

Quarantine: the theatre company making ordinary people part of the conversation by Lyn Gardner

As theatre company Quarantine hands over the stage to ordinary people, joint artistic director Richard Gregory tells Lyn Gardner how deaf performers,

SOURCE: The Stage Registration at 12:00pm on June 8, 2018

Lyn Gardner: In appointing Longhurst as AD, the Donmar has chosen a great storyteller with flair by Lyn Gardner

It would have been nice, of course, to see another woman appointed to head up a major theatre. But never mind, it's

SOURCE: The Stage Registration at 8:46am on June 7, 2018

Lyn Gardner: Children are as big a diversity problem for theatre as any other group by Lyn Gardner

I spent part of last week at the Edinburgh International Children's Festival. It's one of an increasing number of children's arts and

SOURCE: The Stage Registration at 2:00am on June 4, 2018

The Lieutenant of Inishmore | Theatre review by Lyn Gardner

Curve, LeicesterIt's the early 1990s, the Northern ­Ireland peace process is taking its faltering first steps, and INLA man Mad Padraic is hard at work pulling out the toenails of ­Bel…

SOURCE: The Guardian at 7:06pm on June 1, 2018

Eric and Little Ern " review by Lyn Gardner

Vaudeville, LondonIt's hard not to warm to the sweet silliness of Ian Ashpitel and Jonty Stephens's tribute to Morecambe and Wise"Where would you be without me?" asks Eric Morecambe. "Be a c…

SOURCE: The Guardian at 11:18am on May 30, 2018

Confidence review " Tanya Burr stars in choppy seaside comedy by Lyn Gardner

Southwark Playhouse, LondonThe YouTube star plays a girl trying to escape a failing resort in Rob Drummer's ill-pitched revival of Judy Upton's playOne wag has worked out that if every follo…

SOURCE: The Guardian at 7:54am on May 28, 2018

Lyn Gardner: Every playwright " even Alan Bennett " needs a champion by Lyn Gardner

Peter Hall was once at a party where a woman collared him and said: "What would poor Samuel Beckett's career have been

SOURCE: The Stage Registration at 2:00am on May 28, 2018

Creation (Pictures for Dorian) review " woozy walk on the Wilde side by Lyn Gardner

Attenborough Centre, BrightonInviting guest performers of all ages to serve as art objects, Gob Squad's show is a meditation on beauty and decay Beauty, creativity and decay are neatly entwi…

SOURCE: The Guardian at 10:36am on May 24, 2018

Winsome Pinnock: 'I used to think we needed change " now we need a revolution' by Lyn Gardner

As her 1986 drama Leave Taking is revived at the Bush, the playwright talks about the pain of being neglected, the barriers faced by writers of colour " and her new play about London'I am a …

SOURCE: The Guardian at 1:42pm on May 23, 2018

Fat Blokes review " angry and joyful cabaret created by plus-size men by Lyn Gardner

Home, Manchester Scottee's show is an act of 'fat rebellion' with a cast who share their stories and consider their identities through dance A large bearded man is dancing centre stage. Sudd…

SOURCE: The Guardian at 9:18am on May 23, 2018

#BeMoreMartyn review " heartfelt tribute to a best friend lost in terror attack by Lyn Gardner

Hope Mill, ManchesterThis verbatim piece about Martyn Hett, one of the victims of the Manchester Arena bombing, is a joyous meditation on friendshipVictoria Melody once described funerals as…

SOURCE: The Guardian at 9:24am on May 22, 2018

Lyn Gardner: On leaving the Guardian " and where next for criticism by Lyn Gardner

Every night that I am at the theatre, I marvel at the talent on display. And I often muse why one particular

SOURCE: The Stage Registration at 2:00am on May 21, 2018

Shift review " circus squad put each other to the test by Lyn Gardner

Norfolk and Norwich festivalThe breakdancing Barely Methodical Troupe prove truly inventive as they transform each other into human marionettesEveryone gets tied up in knots at times. Or wan…

SOURCE: The Guardian at 6:04am on May 18, 2018
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