In Toronto, the head of the country's largest opera company faces one of his greatest challenges: With less than a fifth of funding coming from the government, Alexander Neef must persistent…
One goes to an Opera Atelier production knowing what to expect, this Figaro, however, is different
The bel canto 'comedies' require a lot of elements to come together, and this surprisingly unambitious production doesn't quite have them
Director of Toronto's first performance of the opera sees the story as an expression of its librettist's political ideals