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409 stories by "Luke Jennings"

Marzo review " whimsy levels are set high by Luke Jennings

The Pit, Barbican, LondonDewey Dell's weird, manga comics-inspired show is an intriguing curio that overstays its welcomeDewey Dell are an Italian experimental performance group that, since …

SOURCE: The Guardian at 4:03am on January 29, 2017

Giselle review " Xander Parish steals the show by Luke Jennings

Coliseum, LondonEnglish National Ballet guest artist Xander Parish " British star of the Mariinsky " is world-class. Isn't it time he was lured back to London?Mary Skeaping's production of G…

SOURCE: The Guardian at 3:48am on January 22, 2017

Royal Ballet: Woolf Works review " a compellingly moving experience by Luke Jennings

Royal Opera House, LondonWayne McGregor's ambitious triptych based on the multi-dimensional works of Virginia Woolf was a gamble that has paid off in exhilarating styleWhen the final curtain…

SOURCE: The Guardian at 10:24am on January 20, 2017

Blak Whyte Gray review " rich and melancholy joy by Luke Jennings

Barbican, LondonHip-hop dance crew Boy Blue Entertainment tackle the nature of identity in an awesome three-part showBoy Blue Entertainment is a hip-hop dance company founded in 2002 by the …

SOURCE: The Guardian at 4:06am on January 15, 2017

Beauty and the Beast review " Northern Ballet give their all by Luke Jennings

Grand theatre, LeedsDominique Larose's serene Beauty leads the way in David Nixon's timely take on the fairytaleNorthern Ballet's Beauty and the Beast is a traditional fairy story choreograp…

SOURCE: The Guardian at 4:06am on January 8, 2017

The Red Shoes review " Bourne choreographs with lightest of touches by Luke Jennings

Sadler's Wells, LondonBourne's deft and sumptuous new adaptation of The Red Shoes sticks closely to Powell and Pressburger's film, but is still finding its feet dramaticallyMatthew Bourne's …

SOURCE: The Guardian at 3:24am on December 18, 2016

Up & Down review " nothing tender about Eifman's night by Luke Jennings

Coliseum, LondonBoris Eifman's reworking of F Scott Fitzgerald is beautifully danced but stunningly insensitiveBoris Eifman is one of Russia's most prolific choreographers. In 1977, aged 30,…

SOURCE: The Guardian at 3:18am on December 11, 2016

Luke Jennings: best dance of 2016 by Luke Jennings

Times were tough but inventive, with fine work from old hands and female dance-makers forcing change' Observer critics' reviews of the year in fullThis has been a year in which experience ha…

SOURCE: The Guardian at 3:12am on December 4, 2016

Swan Lake/Loch na hEala " thrillingly wild and free by Luke Jennings

Sadler's Wells, LondonMichael Keegan-Dolan has moved Swan Lake to the middle of Ireland and made it a thing of wonderThere are so many new versions of Swan Lake, and almost all of them are u…

SOURCE: The Guardian at 3:12am on December 4, 2016

Sexbox review " free love gets a dance workout by Luke Jennings

Hackney Showroom, LondonImpermanence Dance Theatre are going on a sexploration, delving into the ideas of Wilhelm Reich and the pioneering electronic music of Ursula BognerImpermanence Dance…

SOURCE: The Guardian at 3:12am on December 4, 2016

Hetain Patel: American Man review " Nutcracker with a difference by Luke Jennings

Lilian Baylis Studio, Sadler's Wells, LondonHetain Patel swaggers, sashays and speaks out in his deeply unsettling satire on misogynyHetain Patel is a performance artist from Bolton whose ne…

SOURCE: The Guardian at 3:36am on November 27, 2016

Rambert: The Creation review " impeccable, if a little coy by Luke Jennings

Sadler's Wells, LondonRambert dance Haydn beautifully, but was the Garden of Eden quite this decorous?Mark Baldwin, artistic director of Rambert, is not a man to shrink from a challenge. Jos…

SOURCE: The Guardian at 3:54am on November 20, 2016

Wayne McGregor triple bill; Virgin Territory " review by Luke Jennings

Royal Opera House; the Place, LondonWayne McGregor celebrates a decade at the Royal Ballet with dystopias and dreamy la-la lands. And Charlotte Vincent patrols the pre-teen battlegroundIn ce…

SOURCE: The Guardian at 3:31am on November 13, 2016

BalletBoyz: Young Men review " far too many sorrowful cradlings by Luke Jennings

Sadler's Wells, LondonChoreographer Iván Pérez's attempt to conjure up the horrors of trench warfare is overlong and over-beautifiedThe suffering of the young men who fought in the first…

SOURCE: The Guardian at 3:31pm on November 12, 2016

Stepmother/Stepfather review " all horribly entertaining by Luke Jennings

Jerwood Dance House, IpswichArthur Pita's latest is a little bit Snow White, a little bit HellraiserArthur Pita is one of today's most original choreographic voices. He's an accomplished fas…

SOURCE: The Guardian at 3:42am on November 6, 2016

Anastasia review " method in her madness by Luke Jennings

Royal Opera House, LondonFine performances lift this Royal Ballet revival of MacMillan's strange ballet about the woman who claimed to be a lost RomanovIn 1967 Kenneth MacMillan choreographe…

SOURCE: The Guardian at 3:42am on October 30, 2016

Jérôme Bel: Gala review " doing what comes naturally by Luke Jennings

Sadler's Wells, LondonJérôme Bel's mixed ability show is full of charm, if not entirely artlessJérôme Bel is a French choreographer whose work challenges the conventions of dance as …

SOURCE: The Guardian at 3:56am on October 23, 2016

The Tempest review " drowning in the past by Luke Jennings

Birmingham HippodromeDavid Bintley's uninvolving new version of The Tempest is symptomatic of an identity crisis in British balletThe Tempest, David Bintley's new work for Birmingham Royal B…

SOURCE: The Guardian at 3:06am on October 16, 2016

The Classical Farewell; Michael Clark Comp review " dance's elder statesmen bow out by Luke Jennings

Royal Albert Hall; Barbican, LondonCarlos Acosta bids a glorious goodbye, while Michael Clark keeps ploughing his weird and wonderful furrowLast week Carlos Acosta, the greatest male classic…

SOURCE: The Guardian at 3:08am on October 9, 2016

Akram Khan's Giselle review " a modern classic in the making by Luke Jennings

Palace theatre, ManchesterEnglish National Ballet's dancers delight in Khan's 21st-century Giselle. All it needs now is a plot…Akram Khan's new production of Giselle for English National B…

SOURCE: The Guardian at 3:51am on October 2, 2016

OCD Love review " striking fusion of techno, dance and OCD by Luke Jennings

Sadler's Wells, LondonSix dancers move as one in Sharon Eyal's gravely beautiful exploration of the obsessive-compulsive stateL-E-V is an Israeli dance company created by choreographer Sharo…

SOURCE: The Guardian at 3:28am on September 25, 2016

Illicit Worlds of Indian Dance review " high camp and sliding glances by Luke Jennings

Rich Mix, LondonClassical Indian dance meets Bollywood drag in a night of tradition and subversionAkademi was founded in 1979 to promote the understanding of South Asian dance in Britain, an…

SOURCE: The Guardian at 3:36am on September 18, 2016

Alvin Ailey American Dance Theater review " sorrow, sex and the gospel truth by Luke Jennings

Sadler's Wells, LondonThe American troupe's thrilling programmes transform oppression into a night of pure joyThere is a haunting symmetry to the opening-night programme of Alvin Ailey Ameri…

SOURCE: The Guardian at 4:07am on September 11, 2016

Her Name Was Carmen review " stunningly inappropriate by Luke Jennings

St Petersburg Ballet's no doubt heartfelt take on the refugee crisis is undone by poor plotting, weak choreography and some astonishingly ill-judged costumesThe St Petersburg Ballet Theatre …

SOURCE: The Guardian at 3:30am on September 4, 2016

Blushed; Terra Incognita; Pop-Up Duets; Trinity; The Sacrifice of Roaring " review by Luke Jennings

Various venues, EdinburghLove, death and fairytale footwear are explored in the smallest of spaces at the Edinburgh fringeDance always puts up a good front on the Edinburgh festival fringe, …

SOURCE: The Guardian at 3:39am on August 28, 2016
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