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409 stories by "Luke Jennings"

Smother review " subverting hip-hop's macho cliches by Luke Jennings

Theatre Royal, BathSame-sex relationships are the centrepiece of this engaging, important work by Andrea Walker's 201 Dance CompanySome of the smartest, most approachable dance theatre in th…

SOURCE: The Guardian at 4:12am on June 25, 2017

Rain review " a brief shower is enough by Luke Jennings

Sadler's Wells, LondonAnne Teresa de Keersmaeker weaves a compelling spell to Steve Reich's music, but the resulting downpour is unrelentingRain was created in 2001 by the Belgian choreograp…

SOURCE: The Guardian at 3:48am on June 18, 2017

Frederick Ashton Triple Bill review " time's up for these fairy kings by Luke Jennings

Royal Opera House, LondonMusic, choreography and dancing were superb at the Royal Ballet's celebration of Frederick Ashton. But, oh, the costumes…In Marguerite and Armand, which closed the…

SOURCE: The Guardian at 4:04am on June 11, 2017

Mothers review " maternal instincts stripped bare by Luke Jennings

Frauke Requardt's relentless examination of motherhood is at its best in an intricate trio shorn of metaphorMotherhood is a messy business, the German-born choreographer Frauke Requardt tell…

SOURCE: The Guardian at 3:54am on June 4, 2017

Mark Morris: Pepperland review " Beatles with a touch of Broadway shuffle by Luke Jennings

Royal Court, LiverpoolThe celebrated American choreographer swings into town for Sgt Pepper's 50th birthday partyIn May 1967, 50 years ago last Friday, the Beatles released their eighth stud…

SOURCE: The Guardian at 3:54am on May 28, 2017

Royal Ballet mixed bill; Rambert review " Liam Scarlett's new ballet was worth the wait by Luke Jennings

Royal Opera House; Sadler's Wells, LondonScarlett's Symphonic Dances is a fitting centrepiece to a top night at the Royal. And Aletta Collins makes a virtue of repetitionA fine and confident…

SOURCE: The Guardian at 4:54am on May 21, 2017

Plan B for Utopia review " a beguiling joy by Luke Jennings

Attenborough Centre, University of Sussex John Kendall and Solène Weinachter are chalk and cheese " and destined for each other " in Joan Clevillé's delightful duetHow can we make the worl…

SOURCE: The Guardian at 3:24am on May 14, 2017

Mayerling; Material Men Redux " review by Luke Jennings

Royal Opera House; the Place, LondonMacMillan's unsparing story of mayhem and murder at the Austro-Hungarian court is taken to another level by Natalia OsipovaThe role of Crown Prince Rudolf…

SOURCE: The Guardian at 4:02am on May 7, 2017

Northern Ballet: Casanova review " a seductive debut by Luke Jennings

Milton Keynes theatre, and touringThe sex is better than the storyline, but Kenneth Tindall's Casanova is a handsome creationKenneth Tindall's Casanova for Northern Ballet is a lustrous prod…

SOURCE: The Guardian at 4:18am on April 30, 2017

Nuclear War review " a fascinating journey into a world of pain by Luke Jennings

Jerwood Theatre Upstairs, Royal Court, LondonSimon Stephens's experimental 'text for dance' about a woman coping with personal loss teeters on the brink of failure, but is consistently engag…

SOURCE: The Guardian at 3:02am on April 30, 2017

MK Ultra review " Rosie Kay, Adam Curtis and the Illuminati by Luke Jennings

Laban theatre, London; and touringThe choreographer and the film-maker delve into the supposed New World Order in a wildly ambitious new workFor decades, the CIA and the Walt Disney corporat…

SOURCE: The Guardian at 4:06am on April 23, 2017

Jewels review " diamonds are for ever by Luke Jennings

Royal Opera House; The Place, LondonThe Royal Ballet's 50th anniversary revival of Balanchine's classic sparkles despite the occasional flawIt's good to see Jewels back at Covent Garden and …

SOURCE: The Guardian at 8:31am on April 9, 2017

A Midsummer Night's Dream review " when Bottom met Christian Lacroix by Luke Jennings

Opéra Bastille, ParisParis Opera Ballet deliver a beautifully chic but variable production of Balanchine's classic 1962 workGeorge Balanchine didn't make many traditional story ballets. Nar…

SOURCE: The Guardian at 3:42am on April 2, 2017

Sergei Diaghilev: genius of modern ballet by Luke Jennings

Sergei Diaghilev set early 20th-century Paris ablaze with his Ballets Russes " and his impact on the world of dance can still be felt todayIn the tangled narrative of 20th century art, there…

SOURCE: The Guardian at 2:07pm on March 30, 2017

Bausch, Forsythe, Van Manen review " a company awakening by Luke Jennings

Sadler's Wells, LondonEnglish National Ballet's latest triple bill offers a chance for company dancers to shine. Some hesitate, but others seize their momentIn the five years since she was m…

SOURCE: The Guardian at 3:36am on March 26, 2017

Royal Ballet triple bill review " five stars for Crystal Pite by Luke Jennings

Royal Opera House, LondonThe Canadian choreographer cuts to the heart with the Royal Ballet's first new work by a female dance-maker in 18 yearsThe Canadian choreographer Crystal Pite is one…

SOURCE: The Guardian at 5:06am on March 19, 2017

Project Polunin review " a ballet rebel lost in ego by Luke Jennings

Sadler's Wells, LondonSergei Polunin's new triple bill tries to find a way forward outside a traditional career " but extracurricular activities have taken a visible tollSince 2012, when he …

SOURCE: The Guardian at 4:03am on March 19, 2017

Julie Cunningham & Company review " words get in the way by Luke Jennings

Barbican, LondonJulie Cunningham's first works as head of her own company have passion and subtlety, but struggle to compete with a forceful spoken soundtrackWhen dancers become choreographe…

SOURCE: The Guardian at 4:42am on March 12, 2017

Meeting and Vestige review " Wayne Parsons makes his mark by Luke Jennings

Rich Mix, LondonParsons proves himself a distinctive narrative voice with his compelling new work about a fictional celebrityWayne Parsons is a familiar figure on the UK contemporary dance s…

SOURCE: The Guardian at 4:12am on March 5, 2017

Danza Contemporánea de Cuba review " hot and horny in Havana by Luke Jennings

Barbican, LondonSensuality, isolation and identity are explored in three stellar works by this joyous Cuban troupeThere can be few dance companies in the world as handsome and accomplished a…

SOURCE: The Guardian at 3:42am on February 26, 2017

MoveTube: A young Gelsey Kirkland makes Giselle her own by Luke Jennings

The detail, the exquisite control, the lyrical flow ... this clip shows why Kirkland remains a cherished legend of American balletThis is Gelsey Kirkland dancing the Act 1 variation, or solo…

SOURCE: The Guardian at 2:42pm on February 22, 2017

Sexism in dance: where are all the female choreographers? by Luke Jennings

Want to be a ballerina? No problem. But any girl dreaming of a career in choreography had better mind the glass ceiling…As a nation we are well supplied with choreographers. Matthew Bourne…

SOURCE: The Guardian at 9:18am on February 22, 2017

Matthew Bourne's Early Adventures review " fully formed from the off by Luke Jennings

Richmond theatre, LondonWorks from the choreographer's early career show all his trademark wit, originality and eye for detailThe three works comprising Matthew Bourne's Early Adventures wer…

SOURCE: The Guardian at 3:36am on February 19, 2017

Tanztheater Wuppertal Pina Bausch: Masurca Fogo " review by Luke Jennings

Sadler's Wells, LondonThe choreographer's piece inspired by Lisbon is sunny and seductive, but ultimately insubstantialIn 1997 the German choreographer Pina Bausch took the dancers of her co…

SOURCE: The Guardian at 3:36am on February 12, 2017

Les Enfants Terribles review " dark sibling fantasy by Luke Jennings

Barbican, LondonTop dancers, Javier de Frutos choreography, Philip Glass score and Cocteau's twisted tale don't quite add upJean Cocteau's 1929 novel Les Enfants Terribles is the story of a …

SOURCE: The Guardian at 3:48am on February 5, 2017
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