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409 stories by "Luke Jennings"

It's not Christmas without a Nutcracker by Luke Jennings

Up and down the land this winter, Clara and the prince of her dreams will dance through a flurry of snowflakes to Tchaikovsky " and packed houses. So what makes this annual ballet fixtu…

SOURCE: The Guardian at 4:12am on December 24, 2017

The Little Match Girl review " a Christmas cracker by Luke Jennings

Lilian Baylis Studio, Sadler's Wells, LondonCorey Claire Annand bewitches as a freezing waif in Arthur Pita's quirky, imaginative update of the Hans Christian Andersen classicTo 19th-century…

SOURCE: The Guardian at 4:24am on December 17, 2017

Matthew Bourne's Cinderella " review by Luke Jennings

Sadler's Wells, LondonThe challenge facing any choreographer of the Cinderella story is Prokofiev's score. Written during the second world war, it has a sombre undertow which lends its roman…

SOURCE: The Guardian at 5:04pm on December 14, 2017

Luke Jennings's best dance of 2017 by Luke Jennings

Ballet felt a little flatfooted as contemporary dance caught the shape-shifting spirit of our times' Observer critics' reviews of the year in fullIn 2017, the best dance asked the hardest qu…

SOURCE: The Guardian at 3:48am on December 10, 2017

Project Polunin: Satori review " straight from the hurt by Luke Jennings

Coliseum, LondonSergei Polunin's intense three-part show, featuring Natalia Osipova and guests, is far from perfect but it resonates with an authentic emotional chargeSergei Polunin's Satori…

SOURCE: The Guardian at 3:48am on December 10, 2017

Shut Down review " mad about the boys by Luke Jennings

The Place, LondonAlpha males and new men collide in Charlotte Vincent's witty study of what it means to be a 21st-century guyVincent Dance Theatre's new work, Shut Down, is about men. "…

SOURCE: The Guardian at 3:33am on December 3, 2017

Men in Motion; Kyle Abraham: Pavement review " Putrov looks to the past by Luke Jennings

Coliseum; Sadler's Wells, LondonThe pick of male ballet talent struggle to shine on Ivan Putrov's bare stage, but Kyle Abraham sends his dancers soaringMen in Motion, Ivan Putrov's celebrati…

SOURCE: The Guardian at 3:18am on November 26, 2017

bODY_rEMIX/gOLDBERG_vARIATIONS; Gustavia; Susan and Darren | Dance review by Luke Jennings

Sex on crutches? It can only be the work of Canadian controversialist Marie ChouinardMarie Chouinard is a 55-year-old Canadian choreographer whose work is known for its sexually voyeuristic …

SOURCE: The Guardian at 2:12am on November 26, 2017

Meg Stuart: Until Our Hearts Stop review " like a form of competitive gymnastics by Luke Jennings

Sadler's Wells, LondonSix dancers strip and grapple with abandon in this Bauschian take on intimacy. Then it's time for audience participation…Meg Stuart is an American choreographer based…

SOURCE: The Guardian at 3:33am on November 19, 2017

Royal Ballet triple bill review " yet more sexual violence by Luke Jennings

Royal Opera House, LondonThis mixed programme " including the latest new piece to include a rape scene " suggests the Royal Ballet's commissioning policy needs a total overhaulThis Royal Bal…

SOURCE: The Guardian at 3:48am on November 12, 2017

Theo Clinkard: This Bright Field review " up close and emotional by Luke Jennings

Laban theatre, LondonClinkard's dancers often perform just inches from the audience in this unashamedly joyous workThere's a deceptive simplicity to Theo Clinkard's choreography. It's never …

SOURCE: The Guardian at 3:24am on November 5, 2017

The Judas Tree review " genius marred by misogyny by Luke Jennings

Royal Opera House, LondonNot even the Royal Ballet's finest can make the brutal subject matter of the choreographer's final work palatableKenneth MacMillan choreographed The Judas Tree for t…

SOURCE: The Guardian at 5:06am on October 29, 2017

Song of the Earth/La Sylphide; Concerto/Le Baiser de la fée/Elite Syncopations review " beyond our Ken by Luke Jennings

Milton Keynes theatre; Royal Opera House, LondonRevivals of classic MacMillan prove a mixed bag but the choreographer at his best is still a joyThis is the 25th anniversary year of the death…

SOURCE: The Guardian at 4:06am on October 22, 2017

Until the Lions review " lean, thrilling and beautiful by Luke Jennings

Roundhouse, London Akram Khan dances what is likely to be one of his last roles in his supremely potent retelling of the MahabharataIn 1987, 13-year-old Akram Khan was cast in Peter Brook's …

SOURCE: The Guardian at 2:42am on October 22, 2017

Rocío Molina: Fallen from Heaven review " a feminist flamenco scream by Luke Jennings

Barbican, LondonAt once lyrical, raunchy and impeccably danced, Molina's fiercely provocative work is unforgettableIt's said of many flamenco artists that they have reinvented the form, but …

SOURCE: The Guardian at 3:24am on October 15, 2017

Company Wayne McGregor: Autobiography review " dance as philosophical process by Luke Jennings

Sadler's Wells, LondonWayne McGregor turns his life story into dance in a mesmerising, inimitable show based upon his own genetic codeOn Wednesday night there was a "suspect package" alert a…

SOURCE: The Guardian at 3:54am on October 8, 2017

Charlotte Spencer: 'We'll be harnessing a more feral part of ourselves' by Luke Jennings

The choreographer on her love of open-air experience, from the Alpine peaks of her childhood to the urban wastelands of her latest dance projectCharlotte Spencer, 35, is a choreographer whos…

SOURCE: The Guardian at 3:33am on October 1, 2017

Acosta Danza: Debut review " Carlos Acosta is still keeping good company by Luke Jennings

Sadler's Wells, LondonTeam skills, not star turns, are to the fore on the first UK tour by the dancer's new Cuban troupeAcosta Danza is the creation of Carlos Acosta, the Cuban-born dancer w…

SOURCE: The Guardian at 3:33am on October 1, 2017

DeadClub review " a Lynchian meditation on mortality by Luke Jennings

The Place, London WC1David Rosenberg and Frauke Requardt's latest surreal exploration of our fears and desires entertains as much as it unsettlesDirector David Rosenberg and choreographer Fr…

SOURCE: The Guardian at 3:18am on September 24, 2017

Hofesh Shechter Company: Grand Finale review " the ultimate danse macabre by Luke Jennings

Sadler's Wells, LondonIn a bracing return to form, Hofesh Shechter's existential anguish and his often beautiful choreography fight to the deathTen years ago, during a question and answer se…

SOURCE: The Guardian at 4:24am on September 17, 2017

The Boy in the Striped Pyjamas review " pirouetting SS officers? by Luke Jennings

West Yorkshire Playhouse, LeedsNorthern Ballet's adaptation of John Boyne's Holocaust novel is strongly performed but profoundly misconceivedA ballet that takes the Holocaust as its subject …

SOURCE: The Guardian at 3:33am on September 10, 2017

Edinburgh dance review: The Narrator; Dollhouse; Velvet Petal: Bedroom; Folk by Luke Jennings

Zoo Southside; Dancebase; Summerhall, EdinburghCécile da Costa hurls her fury at fate, Bill Coleman suffers like a medieval martyr, and Edinburgh proves that the most vital work is happenin…

SOURCE: The Guardian at 3:48am on August 27, 2017

Trajal Harrell: Hoochie Koochie review " strike a pose and light a fuse by Luke Jennings

Barbican, LondonThe New York-based choreographer shows how his daring fusions have transformed the face of dance in an entrancing gallery displayThe African American choreographer Trajal Har…

SOURCE: The Guardian at 3:54am on July 23, 2017

Available Light review " a masterclass in movement by Luke Jennings

Palace theatre, ManchesterLucinda Childs's collaboration with Frank Gehry and John Adams remains illuminating 35 years onAvailable Light was created in 1983 as a collaboration between choreo…

SOURCE: The Guardian at 3:42am on July 9, 2017

8 Minutes review " tripped by the light fantastic by Luke Jennings

Sadler's Wells, LondonAlexander Whitley follows an inspiring theme, with immersive sounds and visions, but the choreography is rather less earth-shattering Photons, particles which transmit …

SOURCE: The Guardian at 3:24am on July 2, 2017
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