Matthew Bourne's Cinderella " review
Sadler's Wells, LondonThe challenge facing any choreographer of the Cinderella story is Prokofiev's score. Written during the second world war, it has a sombre undertow which lends its roman…
Sadler's Wells, LondonThe challenge facing any choreographer of the Cinderella story is Prokofiev's score. Written during the second world war, it has a sombre undertow which lends its roman…
The Observer's dance critic recalls the year's outstanding classical and contemporary performancesTwo British choreographers made my year in 2010: Akram Khan and Liam Scarlett. In April, Kha…
Spanish dancer Tamara Rojo has enjoyed top billing at the Royal Ballet for more than a decade, but she believes her best years are yet to comeIf you walked past Tamara Rojo in the street, y…
Royal Opera House, London; Birmingham HippodromeThe message of Cinderella is one of hope: that virtue will be rewarded, and that the darkest night will be followed by the dawn. Frederick Ash…
Sharp, passionate and insightful, Jennifer Homans offers little hope for ballet surviving as an art formJennifer Homans's history of the art, culture and political context of ballet is like …
Sadler's Wells, LondonThe Jasmin Vardimon Company was founded in 1997, and since then the Israeli-born choreographer has consistently intrigued audiences with her knotty, passionately driven…
Sadler's Wells, LondonA new McGregor piece is always a challenge. There's the sensually complex work on stage to engage with, and there is the equally demanding task of following the choreog…
Sadler's Wells, LondonRambert's new triple bill opens with Christopher Bruce's Hush, a saccharine-dusted slice of whimsy to music by Bobby McFerrin which sees a family of white-faced clowns …
Sex on crutches? It can only be the work of Canadian controversialist Marie Chouinard Continue reading...