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409 stories by "Luke Jennings"

'It's dangerous… a real presence, not just a built object' by Luke Jennings

Royal Ballet principal dancer Edward Watson and the artist Conrad Shawcross take on Titian " with a little help from a raw-steel goddessThere's a point in any experimental production when no…

SOURCE: The Guardian at 7:03pm on June 30, 2012

Der Fensterputzer; Bamboo Blues " review by Luke Jennings

Sadler's Wells; Barbican, LondonPina Bausch's dance cycle World Cities is one of the artistic centrepieces of the London 2012 festival. In collaboration with Sadler's Wells and the Barbican,…

SOURCE: The Guardian at 7:05pm on June 23, 2012

Zoi Dimitriou Company; Tanztheater Wuppertal Pina Bausch " review by Luke Jennings

The Place; Barbican theatre, LondonIn the programme for her new work, You May!, choreographer Zoi Dimitriou announces that she intends to explore the notion of a society "where the old parad…

SOURCE: The Guardian at 7:05pm on June 16, 2012

Tanztheater Wuppertal Pina Bausch; The Prince of the Pagodas " review by Luke Jennings

Sadler's Wells; Royal Opera House, LondonViktor, created in 1986 by the German choreographer Pina Bausch, opened at Sadler's Wells last Wednesday. Inspired by Rome, it's the first of 10 piec…

SOURCE: The Guardian at 7:05pm on June 9, 2012

Matthew Bourne's Early Adventures; Ballo della Regina; La Sylphide " review by Luke Jennings

Sadler's Wells; Royal Opera House, LondonMatthew Bourne's Early Adventures is a triple bill of the dance-maker's work, created between 1988 and 1991. Since then, Bourne's reworkings of balle…

SOURCE: The Guardian at 7:05pm on May 26, 2012

Ballet Preljocaj: Snow White; La Fille mal gardée " review by Luke Jennings

Sadler's Wells; Royal Opera House; both LondonAngelin Preljocaj is one of the grands noms of French choreography. Of Albanian origin, he trained in classical ballet before turning to contemp…

SOURCE: The Guardian at 7:05pm on May 12, 2012

A Streetcar Named Desire; Sweet Violets " review by Luke Jennings

Sadler's Wells; Royal Opera House, LondonWatching the second cast of Liam Scarlett's Sweet Violets at the Royal Opera House last week I was reminded of George Balanchine's dictum that "there…

SOURCE: The Guardian at 7:06pm on April 28, 2012

Anna Karenina " review by Luke Jennings

Coliseum, LondonThe Russian choreographer Boris Eifman arrived in London last week following a New York season that saw him greeted with mixed reviews. According to the online magazine NYC D…

SOURCE: The Guardian at 7:04pm on April 7, 2012

Will they make it to the Royal Ballet? by Luke Jennings

Set in a Palladian villa in Richmond Park, White Lodge is already one of the most fiercely competitive schools in the country. But young British dancers are finding it tougher than ever Cont…

SOURCE: The Guardian at 8:06pm on March 24, 2012

Romeo and Juliet; Men in Motion " review by Luke Jennings

Royal Opera House, London; Sadler's Wells, LondonWhen she was 16, Melissa Hamilton was turned down by the Royal Ballet School. A late starter, she had grown up in Northern Ireland, where goo…

SOURCE: The Guardian at 8:04pm on March 17, 2012

Nederlands Dans Theater 2; Elektro Kif " review by Luke Jennings

Sadler's Wells; Queen Elizabeth Hall, LondonNDT2 is an offshoot of Nederlands Dans Theater, the contemporary dance ensemble that achieved worldwide fame in the latter decades of the 20th cen…

SOURCE: The Guardian at 7:05pm on March 10, 2012

Ballet Black " review by Luke Jennings

Linbury Studio theatre, LondonCreating repertoire for a chamber ballet company is tricky. How do you ring the changes, given sparse resources and a mere handful of dancers? Ballet Black, now…

SOURCE: The Guardian at 7:09pm on March 3, 2012

Hobson's Choice; Exposure: Dance " review by Luke Jennings

Birmingham Hippodrome; Linbury Studio, LondonDavid Bintley created Hobson's Choice in 1989 for the Royal Ballet touring company which was soon to sever its links with Covent Garden and becom…

SOURCE: The Guardian at 7:05pm on February 25, 2012

The Dream and Song of the Earth; The Rodin Project " review by Luke Jennings

Royal Opera House; Sadler's Wells, LondonFollowing Sergei Polunin's abrupt departure from the Royal Ballet, last Monday's opening night of The Dream saw Steven McRae assume the lead role of …

SOURCE: The Guardian at 7:05pm on February 11, 2012

Who's pulling the strings in Russia's ballet revolution? by Luke Jennings

A 'banana millionaire', a pair of Bolshoi defectors, an avant-garde Spaniard and an all-powerful agent are the principals in this power struggleOn 15 December, during a nationwide TV broadca…

SOURCE: The Guardian at 7:05pm on December 31, 2011

MoveTube: A young Gelsey Kirkland makes Giselle her own by Luke Jennings

The detail, the exquisite control, the lyrical flow ... this clip shows why Kirkland remains a cherished legend of American ballet Continue reading...

SOURCE: The Guardian at 11:53am on December 2, 2011

Caravaggio: Exile and Death by Luke Jennings

The Place, LondonMichelangelo Merisi da Caravaggio was a dangerous man. Violent and sexually profligate, he murdered a pimp, escaped from prison, and was the victim of a vendetta, dying befo…

SOURCE: The Guardian at 7:05pm on November 12, 2011

MoveTube: Anthony Dowell dances the Prince's solo from Swan Lake Act I by Luke Jennings

Choreographed by Nureyev, what marks out this astounding performance is its restraintIf there was ever such a thing as "the English style" in ballet, its male exemplar was Anthony Dowell. Lo…

SOURCE: The Guardian at 12:17pm on November 10, 2011

Manon " review by Luke Jennings

Royal Opera House, LondonKenneth MacMillan's Manon, which had its premiere in 1974, is set in one of the most decadent periods in French history: the regency of Philippe d'Orléans, which fo…

SOURCE: The Guardian at 8:06pm on November 5, 2011

MoveTube: from the Dying Swan to Brazilian hip-hop by Luke Jennings

The arms have it " what performers create with them elevates dance beyond language, be it hip-hop or balletOur link to last week's clip of Sarah Lamb and Federico Bonelli is swans. Here is t…

SOURCE: The Guardian at 12:20pm on November 3, 2011

Some Like It Hip Hop " review by Luke Jennings

Peacock theatre, LondonWhen Into the Hoods opened at the Novello theatre in 2008, it was the West End's first hip-hop show and it would mark the evolution of British hip-hop from a street fo…

SOURCE: The Guardian at 7:06pm on October 29, 2011

MoveTube: Sarah Lamb, Federico Bonelli and the new balletic language by Luke Jennings

In this clip of a detached duet from Wayne McGregor's Chroma you can clearly see the classical roots beneath his modern styleLast week we watched a clip of Yuri Soloviev, the Kirov dancer, a…

SOURCE: The Guardian at 6:37am on October 27, 2011

Birmingham Royal Ballet; Beijing Dance Theatre " review by Luke Jennings

Sadler's Wells, LondonCheckmate, the chess ballet choreographed in 1937 by Ninette de Valois, founder of the Royal Ballet, is a revered heritage piece. So revered, in fact, that its turgid p…

SOURCE: The Guardian at 7:05pm on October 22, 2011

MoveTube dance: 'Cosmonaut' Yuri Soloviev reaches for the stars by Luke Jennings

Behind the iron curtain, Russian dancers meant business. In this spectacular piece, Yuri Soloviev leaps almost to his own head heightLast week we saw Alla Sizova dancing in Le Corsaire in 19…

SOURCE: The Guardian at 7:45am on October 20, 2011

Marguerite and Armand/ Limen/ Requiem " review by Luke Jennings

Royal Opera House, LondonThe Royal Ballet's Marguerite and Armand has dated since its creation by Frederick Ashton in 1963. Originally a vehicle for Nureyev and Fonteyn, the piece tells the …

SOURCE: The Guardian at 7:04pm on October 15, 2011
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