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409 stories by "Luke Jennings"

Dad Dancing review slaves to the rhythm by Luke Jennings

Battersea Arts CentreThe fathers of three contemporary dancers were invited to learn more about their daughters craft the results are quite something Continue reading...

SOURCE: The Guardian at 8:05pm on November 1, 2014

Ashton mixed programme review dizzy heights and missed cues by Luke Jennings

Royal Opera House, LondonAn evening of Frederick Ashton masterpieces tests the Royal Ballet Continue reading...

SOURCE: The Guardian at 7:05pm on October 25, 2014

Theo Clinkard: Ordinary Courage review a nuanced examination of loss by Luke Jennings

Laban theatre, LondonThe veteran dancer turned choreographer has created a powerful and painterly piece inspired by his mothers death Continue reading...

SOURCE: The Guardian at 7:05pm on October 11, 2014

Manon; Strike! dance festival review by Luke Jennings

Royal Opera House; Wiltons Music Hall, LondonFrancesca Hayward presents us with a Manon for our times, while Jo Meredith proves why she is one of British dances best-kept secrets Continue re…

SOURCE: The Guardian at 7:05pm on October 4, 2014

Juliet & Romeo review Mats Eks vivid spin on Shakespeare by Luke Jennings

Sadlers WellsMats Ek evokes the divided world in which the star-crossed lovers are raised in his thrilling adaptation Continue reading...

SOURCE: The Guardian at 7:05pm on September 27, 2014

BalletBoyz: The Talent review forget about the boyz, just give us the ballet by Luke Jennings

Linbury Studio, Royal Opera HouseOnly at the end of this triple bill do Nunn and Trevitts dancers soar beyond gender Continue reading...

SOURCE: The Guardian at 7:05pm on September 20, 2014

Northern Ballet: Dracula review lashings of gothic coupling by Luke Jennings

Javier Torress Count may be a touch too wholesome, but theres plenty of heaving bosoms and dripping fangs to entertain Continue reading...

SOURCE: The Guardian at 7:01pm on September 13, 2014

NMC: Casting Traces review this is how good all new dance should be by Luke Jennings

Circus Street Market, BrightonNew Movement Collective have raised the bar with their superb take on Paul Auster Continue reading...

SOURCE: The Guardian at 7:06pm on September 6, 2014

Mariinsky Ballet: Swan Lake review memorable flashes of brilliance by Luke Jennings

Royal Opera House, LondonOksana Skorik shows great potential, though for impeccable Russian flair look no further than Yorkshire's Xander Parish Continue reading...

SOURCE: The Guardian at 7:08pm on August 9, 2014

Mariinsky Ballet: Romeo and Juliet review old-school virtuosity by Luke Jennings

Royal Opera House, LondonLavrovsky's creaky Romeo and Juliet is made mesmerising by the Mariinsky's star dancers Continue reading...

SOURCE: The Guardian at 7:06pm on August 2, 2014

Rambert Event; Of Saints and Go-Go Boys review by Luke Jennings

Rambert Building; Toynbee Studios, LondonWatching Rambert's dancers up close from just a few feet away proves a revelationDance performance that occurs outside the conventional theatre space…

SOURCE: The Guardian at 7:07pm on July 19, 2014

Le Coq d'Or; Anatomy of an Afternoon review by Luke Jennings

Coliseum; Purcell Room, LondonThe Diaghilev festival celebrates the centenary of a Russian fairytale with fun and wit, while a sphinx-like Paul White impresses in a solo work by Martin Del A…

SOURCE: The Guardian at 7:05pm on July 12, 2014

Nederlands Dans Theater: Sehnsucht/Schmetterling review let's get 'profound' by Luke Jennings

Sadler's Wells, LondonThe bluffer's guide to making 'meaningful' cutting-edge ballet at a moment's noticeHey guys! In today's fast-moving dance world, you could be called on to create a cutt…

SOURCE: The Guardian at 7:05pm on July 5, 2014

4D review Sidi Larbi Cherkaoui showcases the evolution of the duet by Luke Jennings

Sadler's Wells, LondonSidi Larbi Cherkaoui presents four duets extracted from longer works, and offers a winning alternative to neo-classicist choreographyIn classical ballet the duet, or pa…

SOURCE: The Guardian at 7:05pm on June 28, 2014

Witness review Jo Fong's absorbing portrait of three female dancers by Luke Jennings

Place theatre, LondonFong's fascinating film examines the identity crisis female dancers face, but gives us no answersWith a career that spans a quarter of a century, Jo Fong is something of…

SOURCE: The Guardian at 7:05pm on June 21, 2014

Romeo and Juliet review teenage kicks from Rojo and Acosta by Luke Jennings

Royal Albert Hall, LondonThe English National Ballet's stars shine on a bigger stageLast Wednesday, English National Ballet opened its run of Romeo and Juliet with a commanding central perfo…

SOURCE: The Guardian at 7:05pm on June 14, 2014

Royal Ballet: The Dream/Connectome/The Concert review laughs, science and a familiar formula by Luke Jennings

Royal Opera House, LondonAlastair Marriott's Connectome clothes a dated approach in scientific trappings, but Steven McRae shines in Ashton's Dream and Jerome Robbins provides light reliefFr…

SOURCE: The Guardian at 7:05pm on June 7, 2014

Thick and Tight, 70/30 Split review collisions on the dance floor by Luke Jennings

Lion & Unicorn Theatre, LondonHitler dancing with Cath Kidston? Meetings between unlikely couples add up to a night to rememberDaniel Hay-Gordon and Eleanor Perry are London-based freela…

SOURCE: The Guardian at 7:05pm on May 31, 2014

Rambert review now it's taking the Mick by Luke Jennings

Sadler's Wells, LondonWhy is Rambert so generously rewarded when, as this quadruple bill illustrates, the company hasn't produced anything bold in years?What exactly is the function of Rambe…

SOURCE: The Guardian at 7:04pm on May 24, 2014

Royal Ballet: Sweet Violets/Serenade/ DGV review from ecstasy to agony by Luke Jennings

Royal Opera House, LondonJoy is hard to sustain when fate is fickle and Jack the Ripper is waiting in the wings in the Royal Ballet's triple billSerenade was first performed in 1934 at White…

SOURCE: The Guardian at 7:05pm on May 17, 2014

Kidd Pivot: The Tempest Replica review a perfect storm by Luke Jennings

Hippodrome, BirminghamConceptual deftness meets exhilarating dance-making in Crystal Pite's revelatory take on Shakespeare's last playIn the six years of its existence, International Dance F…

SOURCE: The Guardian at 7:05pm on May 10, 2014

Lord of the Flies; Ex Nihilo/The Human Edge review by Luke Jennings

Theatre Royal, Plymouth; Linbury theatre, Royal Opera House, London Matthew Bourne brings little savages indoors as Mayuri Boonham invokes Hindu deitiesLord of the Flies was originally set o…

SOURCE: The Guardian at 7:05pm on May 3, 2014

Birmingham Royal Ballet triple bill review Quatrain, Kin, Les Rendezvous by Luke Jennings

Crescent theatre, BirminghamAn 'incandescent' Jenna Roberts in Alexander Whitley's whip-smart Kin steals the showIt's always impressive when a working company dancer choreographs a new balle…

SOURCE: The Guardian at 7:08pm on April 26, 2014

Rodin review 'it demonstrates all the failings of Eifman's style' by Luke Jennings

Boris Eifman's odd production at the Coliseum allows no nuance, although it is executed with panacheSiberian-born Boris Eifman is one of Russia's most popular choreographers. In 1977, aged 3…

SOURCE: The Guardian at 7:05pm on April 19, 2014

The Winter's Tale review " 'a ballet to keep' by Luke Jennings

For Christopher Wheeldon and for British ballet, everything was hanging on his new full-length work The Winter's Tale. Happily, for the most part it's a ravishing successThere was a moment d…

SOURCE: The Guardian at 7:05pm on April 12, 2014
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