FALSE SOLUTION: 54% " BITTERSWEET
BITTER Written and directed by Oren Safdie, the idea of a young neophyte attacking a successful architect in his studio, in the manner that the play took, seemed too out of the ordinary and …
BITTER Written and directed by Oren Safdie, the idea of a young neophyte attacking a successful architect in his studio, in the manner that the play took, seemed too out of the ordinary and …
BITTER “Sight” has been largely inspired directly by the experiences of those CRE serves, and although the result is heartfelt, the heavy hand of committee design weighs down thi…
SWEET In her emotionally astute staging, director Robin Larsen sets her dream cast loose upon Albee’s fascinating, frustrating material, which ranges from the boozily meandering to the…
SWEET A curiously fascinating examination of how we should live as opposed to the way we often do. Now onstage at the Fremont Centre Theatre in Pasadena, SeaGlass Theatre presents Wake throu…
SWEET Artistic Director Barbara Beckley has made a great choice in bringing The Lion in Winter to our community. This play is a must see, masterly mounted, and very well cast by Patricia Cul…
SWEET Suffice it to say that Norway's Teater Manu has created a successful way to share Norwegian theatre by and for the deaf in an artful and interesting way. The actors bring new perspecti…
SWEET This unconventional love story about body image and peer pressure is sometimes harsh and brutal but often quite brilliant. Sandro Monetti – Thespian Thoughts SWEET Fat Pig's fine…
BITTERSWEET Abdullah hasn't penned a polished play. The mercifully short appearance of a faux comical dreadlocked character named Leafy Green (Peete) is an outlandish, unnecessary distractio…
BITTER Instead, Lazar and his cohorts have kicked Chekhov aside and substituted their own sensibilities for his. Subtle realism has been replaced by vaudeville shtick. In other words, the di…
BITTERSWEET Rachel Bonds' new drama about small-town concerns is promising but needs fleshing out. Paul Hodgins – OC Register SWEET Regardless of the flaws, Bonds does prove that she i…
SWEET Diane Paulus' direction of “The Gershwins' Porgy and Bess” is mesmerizing. It features a cast of strong actors, abundant laughs amidst serious moments, and some of the most…
SWEET This one hour play, adapted by Timothy Sprague, captures the complex essence of the original piece. Dialogue and song have been included which has enhanced the organic unfolding of thi…
SWEET A song, a dance, betrayal, and contagious laughs should be remedy enough to get the most paranoid germaphobe out of their sickbeds and into the ZJU funhouse. Christine Palau – No…
SWEET “Premeditation” — as with several other plays developed by Fernandez and her director and husband Jose Luis Valenzuela (who happens to be a UCLA professor) — ac…
BITTERSWEET Daniel Beaty brings this story to the Mark Taper Forum in his solo show “The Tallest Tree in the Forest,” a respectful and intelligent if dramatically disappointing r…
BITTER Even though Moses' nicely-vulnerable Yolande is the show's lead, all characters orbit around Guillory's blustery turn as Du Bois. It is unfortunate that Smith's writing is unab…
SWEET The Christian boy band known as the Altar Boyz have returned to L.A. for the first time in five years in a no-frills production that proves that even without a fancy set, pricy costume…
BITTER For a while, the piece is intriguing, and one struggles to discern some idea or purpose that would pull together the disparate elements and bring some sort of unity. But after a time,…
SWEET Director Sara Botsford elicits fine performances from her well-balanced cast. F. Kathleen Foley – LA Times SWEET Gracefully segueing from what initially seems like a breezy roman…
BITTER Soon, even the murderous villain, Super-Nova (Jeff Alan-Lee), tosses in his similarly vague musings, the end result being a play that runs completely off of the rails after a thorough…
SWEET "The Yellow Boat" a play with music by David Saar is billed as based on a true story which makes it even more poignant and heart breaking. Patricia Foster Rye – Pat Rye Reviews S…
BITTERSWEET Perhaps the problem, aside from the material, is in Bening's decision to direct herself. Aside from a vocal quality onstage that always seems a bit flat and somehow forced, Benin…
SWEET Details aren’t really the point. And I don’t want to spoil the surprises in store for those interested in viewing the show. Let me instead simply point out the cast–i…
SWEET It's hard to imagine what would ever drive someone to the point where they would want to be consumed by another human being but Taste treats this bizarre scenario with an unflinching h…
SWEET The performances, particularly of the two leads, are confident, nuanced and memorable. And the rich sensory feast Kubzansky and her team have served up " which also includes lighting b…