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122 stories by "Lauren Whalen"

Review: Seminar (Spartan Theatre) by Lauren Whalen

Theresa Rebeck's Seminar feels like a wannabe literary adaptation of "The Paper Chase." Instead of the law students, however, Seminar protaganists are wannabe novelists, living in New York w…

SOURCE: Chicago Theater Beat at 4:36pm on May 28, 2017

Review: La Havana Madrid (Teatro Vista) by Lauren Whalen

La Havana Madrid clearly is a labor of love for Sandra Delgado and Teatro Vista, but is never self-indulgent. Rather, it's a much-needed history lesson for some, a relatable reflection for o…

SOURCE: Chicago Theater Beat at 2:24am on May 8, 2017

Review: My Name Is Annie King (Underscore Theatre) by Lauren Whalen

If phenomenal songs and excellent performances were enough to save a show, Underscore Theatre's world premiere My Name Is Annie King would have a higher rating from me. Unfortunately, the cu…

SOURCE: Chicago Theater Beat at 11:36pm on May 7, 2017

Review: Force Continuum (Eclipse Theatre) by Lauren Whalen

Director Michael Pogue is clearly emotionally invested, but overwhelmed starting with Kia Corthron's heavy, meaningful play. It's unfortunate, because Eclipse Theatre's Force Continuum conta…

SOURCE: Chicago Theater Beat at 3:54am on May 7, 2017

Review: In to America (Griffin Theatre) by Lauren Whalen

In To America is a stark, complex and emotional reminder of what truly makes America great, with stories ranging from heartbreaking to funny and everything in between: scrappy street urchins…

SOURCE: Chicago Theater Beat at 10:24pm on April 9, 2017

Review: The Source (Route 66 Theatre) by Lauren Whalen

Over the course of 85 minutes, I was totally immersed in the action - when the characters jumped, I jumped. I gasped when a knock on the door signaled a turning point in their collective fat…

SOURCE: Chicago Theater Beat at 2:02am on April 2, 2017

Review: truth and reconciliation (Sideshow Theatre) by Lauren Whalen

Sideshow Theatre's truth and reconciliation isn't perfect, but it is incredibly ambitious. On the whole it succeeds, exploring the nuance and humanity behind conflicts small and large. With …

SOURCE: Chicago Theater Beat at 10:36pm on March 26, 2017

Review: Alvin Ailey American Dance Theater (Auditorium Theatre, 2017) by Lauren Whalen

Always teeming with enthusiastic and grateful fans, Alvin Ailey American Dance Theater is a belated Christmas gift to Chicago. Dancers who defy gravity, choreographers who make thoughtful an…

SOURCE: Chicago Theater Beat at 11:32pm on March 23, 2017

Review: Henry V (Babes With Blades Theatre) by Lauren Whalen

Shakespeare's Henry V is one of the more beloved history plays, and Babes With Blades seeks to give the script a modern twist with an all-female cast and realistic stage violence, as Directo…

SOURCE: Chicago Theater Beat at 1:36pm on March 23, 2017

Review: Phantom Pain (Organic Theater Company) by Lauren Whalen

Chicago playwright Barbara Lhota's world premiere Phantom Pain could have been a nuanced portrayal of friendship, race and privilege, but instead is unfortunately a thin one-dimensional ploy…

SOURCE: Chicago Theater Beat at 5:03pm on March 19, 2017

Review: Gentle (TUTA Theatre) by Lauren Whalen

Gentle doesn't appear to have much of a point, nor does it dig especially deep into its antihero's psyche. Thankfully, the material is elevated through stellar production values and first-ra…

SOURCE: Chicago Theater Beat at 4:03pm on March 19, 2017

Review: Squeeze My Cans (Greenhouse Theater) by Lauren Whalen

Despite trying to hard at times, Writer-Performer Cathy Schenkelberg is charismatic and winning, and the audience roots for her the entire fast-paced 80 minutes. Squeeze My Cans offers a rar…

SOURCE: Chicago Theater Beat at 1:18am on March 15, 2017

Review: Consumed (Chicago Danztheatre Ensemble) by Lauren Whalen

"... the cast is phenomenal: a well-oiled machine who work together beautifully while also standing out in their own right...they are gorgeous to watch. Chicago Danztheatre Ensemble's main c…

SOURCE: Chicago Theater Beat at 7:42pm on March 14, 2017

Review: Venus in Fur (Circle Theatre) by Lauren Whalen

Circle Theatre's provocative and stunning Venus in Fur and its themes of domination, submission and performance are still with me in the days after the premiere. What could have been disastr…

SOURCE: Chicago Theater Beat at 5:54pm on March 12, 2017

Review: Earthquakes in London (Steep Theatre) by Lauren Whalen

With a bloated running time of three hours, Mike Bartlett's "Earthquakes in London" tries to present a gripping saga of family and natural phenomena. Instead, it's dull, overly long and by t…

SOURCE: Chicago Theater Beat at 10:42pm on March 10, 2017

Review: The Book of Joseph (Chicago Shakespeare Theater) by Lauren Whalen

This world premiere play, based on one family's Holocaust story " equal parts frustrating, satisfying and full of unanswered questions " has compelling, inspiring roots and is beautifully ac…

SOURCE: Chicago Theater Beat at 6:06pm on March 1, 2017

Review: Deep in the Heart of Tuna (New American Folk Theatre) by Lauren Whalen

Deep in the Heart of Tuna is the newest script in the series of short plays chronicling the wacky exploits in Tuna, the third-smallest town in Texas Though well-directed by Derek Van Barham…

SOURCE: Chicago Theater Beat at 11:32pm on February 28, 2017

Review: Game Changers (Joffrey Ballet of Chicago) by Lauren Whalen

Game Changers is classic Joffrey - strong and stylish dancers flawlessly executing envelope-pushing choreography. The program is thoughtfully put together, with nods to ballet's roots and ge…

SOURCE: Chicago Theater Beat at 3:03pm on February 25, 2017

Review: The Assembled Parties (Raven Theatre) by Lauren Whalen

Richard Greenberg's The Assembled Parties thoroughly captures family life in all its funny tragedy, and has a stunning lead performance by Loretta Rezos in her Raven Theatre debut. Like the…

SOURCE: Chicago Theater Beat at 8:06pm on February 16, 2017

Review: The History Boys (Eclectic Full Contact Theatre) by Lauren Whalen

The History Boys by Alan Bennett is epic, funny, tragic and more than a little dark. Bennett's script is specific in themes and casting, and very, very difficult to present effectively. Ecl…

SOURCE: Chicago Theater Beat at 7:06pm on February 12, 2017

Review: Wit (The Hypocrites) by Lauren Whalen

Director and Chicago favorite Marti Lyons has assembled a beautiful, low-key yet epic, production of Margaret Edson's Pulitzer Prize winner about an academic with cancer and the last two hou…

SOURCE: Chicago Theater Beat at 2:03pm on February 1, 2017

Review: Psychonaut Librarians (The New Colony) by Lauren Whalen

There's a lot to like about Psychonaut Librarians. Though inconsistent at times, the story of a mother, a daughter and drug trip-induced time travel is both entertaining and compelling. Than…

SOURCE: Chicago Theater Beat at 10:36pm on January 29, 2017

Review: The Baltimore Waltz (Brown Paper Box Co.) by Lauren Whalen

A tragedy handled with fantasy and comedy, Brown Paper Box Co.'s The Baltimore Waltz is mournful, vulnerable and memorable. Short but effective, Playwright Paula Vogel's play is both univer…

SOURCE: Chicago Theater Beat at 6:42pm on January 28, 2017

Review: The Temperamentals (About Face Theatre) by Lauren Whalen

The sad irony regarding The Temperamentals is how achingly relevant it feels today. Though Playwright Jon Marans' acclaimed off-Broadway play takes place in the early 1950s, many themes ring…

SOURCE: Chicago Theater Beat at 8:36pm on January 22, 2017

Review: The Weir (Irish Theatre of Chicago) by Lauren Whalen

Playwright Conor McPherson's writing captures the quintessential nature of the Irish, though I wish The Weir's sole female character was more broadly defined and less of a stereotype. Overal…

SOURCE: Chicago Theater Beat at 3:12pm on January 19, 2017
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