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122 stories by "Lauren Whalen"

Review: Barbecue (Strawdog Theatre) by Lauren Whalen

Although there are excellent performances throughout, Barbecue still, overall, feels false - and not in a deep, thought-provoking way. One can sense Playwright Robert O'Hara's desperation to…

SOURCE: Chicago Theater Beat at 2:18am on August 30, 2017

Review: The Audience (TimeLine Theatre) by Lauren Whalen

The Audience is a must-see for fans of the British monarchy, the Windsor family and strong women in leadership roles. The production's acting is overall excellent, with TimeLine and Chicago …

SOURCE: Chicago Theater Beat at 3:42pm on August 29, 2017

Review: The Elaborate Entrance of Chad Deity (Red Theater) by Lauren Whalen

Playwright Kristoffer Diaz takes a hard behind-the-scenes look at the complex world of wrestling: the ruthless producers, the arrogant *champions*, and the workhorses who genuinely love the …

SOURCE: Chicago Theater Beat at 3:36pm on August 21, 2017

Review: Machinal (Greenhouse Theater Center) by Lauren Whalen

Nearly 90 years after it first premiered, Machinal's fast-paced and ruthless exploration of what it means to be a woman trapped in a patriarchal society still rings true. Greenhouse Theater …

SOURCE: Chicago Theater Beat at 12:18am on August 16, 2017

Review: Hair (Mercury Theater Chicago) by Lauren Whalen

Controversial to the point of dangerous in the late 1960s, Hair is still edgy, with nudity, simulated drug use and profanity galore. Mercury Theater Chicago's production is explosive and tim…

SOURCE: Chicago Theater Beat at 6:06pm on August 15, 2017

Review: At the Table (Broken Nose Theatre) by Lauren Whalen

Michael Perlman's play At The Table focuses on a group of college friends who reunite as adults and find that much has changed, and much remains, unfortunately, the same. In Broken Nose Thea…

SOURCE: Chicago Theater Beat at 6:33pm on August 14, 2017

Review: A Puppet Playdate with Grandma D (Pride Arts Center) by Lauren Whalen

Pride Arts Center's newest children's show is a rainbow take on the traditional story hour, aiming for younger audiences with its messages of love and recognition. Incorporating puppets, aud…

SOURCE: Chicago Theater Beat at 6:48pm on August 8, 2017

Review: Romeo and Juliet (Chicago Shakespeare, 2017) by Lauren Whalen

Chicago Shakespeare's Romeo and Juliet, presented throughout the city at various parks free of charge, is both delightful and tragic in its portrayal of young love and rash decisions, Marti …

SOURCE: Chicago Theater Beat at 8:04pm on August 7, 2017

Review: The Food Show (The Neo-Futurists) by Lauren Whalen

The Neo-Fururists' The Food Show is an original work centered around the culture of food: why we eat it, how we eat it, who we eat it with, and includes music and dance, and a hands-on, inte…

SOURCE: Chicago Theater Beat at 9:42pm on August 3, 2017

Review: In the Wake (The Comrades) by Lauren Whalen

It's difficult to see anything redeeming about In The Wake, as the script is so flawed and the main character is so screechy. Director Alex Mallory does her absolute best to keep things movi…

SOURCE: Chicago Theater Beat at 10:42am on August 1, 2017

Review: They're Playing Our Song (Brown Paper Box Co.) by Lauren Whalen

How you feel about They're Playing Our Song will depend on how you feel about Neil Simon and the 1970s. Simon wrote the 1970s-set script, Marvin Hamlisch the music. Luckily, Brown Paper Box …

SOURCE: Chicago Theater Beat at 5:36pm on July 26, 2017

Review: Madagascar"A Musical Adventure (Chicago Shakespeare Theater) by Lauren Whalen

Thanks to excellent direction and choreography from one of Chicago's best, Rachel Rockwell, as well as stunning production values and a great cast, this flashy production at Navy Pier will n…

SOURCE: Chicago Theater Beat at 12:48am on July 26, 2017

Review: Triassic Parq (Circle Theatre) by Lauren Whalen

In a nutshell, the musical Triassic Parq is *Jurassic Park* from the perspective of the dinosaurs who eventually escape their quarters and turn a dream theme park into a disaster. What ensu…

SOURCE: Chicago Theater Beat at 9:42pm on July 24, 2017

Review: Lela & Co. (Steep Theatre) by Lauren Whalen

Steep Theatre's Lela & Co. is a difficult but vital watch. The title character presents her life story through the eyes of the men in her life as compared with what she actually experie…

SOURCE: Chicago Theater Beat at 7:54pm on July 20, 2017

Review: Megastasis (Eclipse Theatre) by Lauren Whalen

Eclipse Theatre's mission of *one playwright one season* allows the audience to delve into a specific playwright's body of work. With the world premiere of Megastasis, playwright Kia Corthro…

SOURCE: Chicago Theater Beat at 12:36am on July 20, 2017

Review: Jacques Brel's Lonesome Losers of the Night (Theo Ubique Cabaret Theatre, 2017) by Lauren Whalen

Step into a lonely Amsterdam bar in 1959. What will you find? If you are the team behind Jacques Brel's Lonesome Losers of the Night, the answer is: an openhearted bartender, two winsome sol…

SOURCE: Chicago Theater Beat at 10:36pm on July 18, 2017

Review: The Bridges of Madison County (Marriott Theatre) by Lauren Whalen

The Bridges of Madison County is well worth the jaunt outside of Chicago. The story is simple, the direction stellar, the music hauntingly beautiful and the actors stunning. Bridges is an in…

SOURCE: Chicago Theater Beat at 7:04pm on July 13, 2017

Review: Hamlet (Midsommer Flight) by Lauren Whalen

Now in its sixth season of presenting free Shakespeare in Chicago parks, Midsommer Flight both keeps Hamlet simple and dives into the complexities of mental illness, violence and the consequ…

SOURCE: Chicago Theater Beat at 1:18am on July 11, 2017

Review: The Nance (Pride Films and Plays) by Lauren Whalen

Douglas Carter Beane's The Nance, a play exploring the gay-stereotypes used in 1930's New York vaudeville, premiered on Broadway in 2013 starring Nathan Lane " an actor who himself has playe…

SOURCE: Chicago Theater Beat at 8:36pm on July 9, 2017

Review: Changes " A Science Fiction Tap Opera to the Music of David Bowie (Chicago Tap Theatre) by Lauren Whalen

Chicago Tap Theatre first staged Changes, its sci-fi tap tribute to David Bowie, 11 years ago in the company's infancy, and re-staged it 5 years later. Despite *Changes* being their most req…

SOURCE: Chicago Theater Beat at 3:32pm on July 4, 2017

Review: Hitler on the Roof (Akvavit Theatre) by Lauren Whalen

Akvavit Theatre's Hitler on the Roof creates a stunning mural of physical theater where the action is darkly beautiful and the stage picture constantly changing. Taking place in a basement p…

SOURCE: Chicago Theater Beat at 8:06pm on June 28, 2017

Review: Her Majesty's Will (Lifeline Theatre) by Lauren Whalen

Beautifully adapted by Jeff Award-winner Robert Kauzlaric, Her Majesty's Will, based on the novel by David Blixt, imagines Shakespeare's early years as a swashbuckling adventure full of intr…

SOURCE: Chicago Theater Beat at 10:54pm on June 21, 2017

Review: The Night Season (Strawdog Theatre) by Lauren Whalen

With Strawdog Theatre's The Night Season, playwright and screenwriter Rebecca Lenkiewicz's creates a fable of a dysfunctional Irish family and the English actor who finds himself smack in th…

SOURCE: Chicago Theater Beat at 1:12am on June 20, 2017

Review: Johnny 10 Beers' Daughter (Something Marvelous) by Lauren Whalen

Johnny 10 Beers' Daughter, brought to us by Something Marvelous, profiles individuals in war zones " in this case a father and daughter " but instead of intelligent and unpredictable, this s…

SOURCE: Chicago Theater Beat at 12:42am on June 8, 2017

Review: Time Stands Still (AstonRep Theatre) by Lauren Whalen

Thoughtfully penned, directed and acted, AstonRep Theatre's Time Stands Still features a complex female lead, whose actions affect those around her in realistic and surprising ways. Highly R…

SOURCE: Chicago Theater Beat at 11:06pm on May 30, 2017
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