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61 stories by "Laura Peatman"

Review: Blood, Soho Theatre by Laura Peatman

Emteaz Hussain's Blood stops off at the Soho Theatre on its UK tour, after its premiere in Coventry last month. A kind of Romeo and Juliet for the modern age (but so much more than a reworki…

SOURCE: A Younger Theatre at 2:36pm on April 30, 2015[SHARE]

Review: Saturday Night Fever, Richmond Theatre by Laura Peatman

Grab your flares and your disco balls, because Saturday Night Fever is back in the UK six years after it last toured the country. This new production aims to maximise both the grit and joy o…

SOURCE: A Younger Theatre at 6:33pm on March 25, 2015[SHARE]

Review: Taken At Midnight, Theatre Royal Haymarket by Laura Peatman

In the first act of Taken At Midnight, Irmgard Litten (Penelope Wilton) looks ahead to a time when "all memory is forgotten and only history remains". On Holocaust Memorial Day, and the 70th…

SOURCE: A Younger Theatre at 8:35am on January 28, 2015[SHARE]

Review: Orfeo, Roundhouse by Laura Peatman

Orfeo is widely considered to be the first master work of opera ever written, and is certainly the oldest surviving opera that is still regularly performed today. Pair that heritage with dir…

SOURCE: A Younger Theatre at 8:30am on January 22, 2015[SHARE]

Review: BalletBoyz: Young Men, Sadler's Wells by Laura Peatman

BalletBoyz's The Talent company kick off the Sadler's Wells 2015 season with a brand new work that draws on the anniversary of World War I as inspiration, and displays the company's combi…

SOURCE: A Younger Theatre at 7:54am on January 21, 2015[SHARE]

Review: Ivy and Joan by Laura Peatman

The Jermyn Street Theatre is a hidden gem: just seconds from the big, brash lights of Piccadilly Circus, this neat little venue is tucked between the shops and restaurants of Jermyn Street, …

SOURCE: A Younger Theatre at 2:15pm on January 12, 2015[SHARE]

Review: Billy the Kid: A Panto Western, Rosemary Branch Theatre by Laura Peatman

The Charles Court Opera company has built a reputation over the last few years for creating one of the funniest pantomimes in London, and their eighth 'boutique panto' comes to the Rosemary …

SOURCE: A Younger Theatre at 9:29am on December 3, 2014[SHARE]

Review: Run, New Diorama Theatre by Laura Peatman

Many of us in the arts will bemoan an unpaid internship with the prospect of a low-paid job at the end of it, if at all. But what's it like at the other end of the scale, where the stakes ar…

SOURCE: A Younger Theatre at 7:40am on November 29, 2014[SHARE]

Review: Memphis the Musical, Shaftesbury Theatre by Laura Peatman

In a small flurry of transatlantic transfers " hot on the heels of Here Lies Love and The Scottsboro Boys " Tony-award winning Memphis the Musical is the latest show to test whether the West…

SOURCE: A Younger Theatre at 6:17am on October 25, 2014[SHARE]

Review: The Murderettes " Murder Mystery Comedy, Phoenix Artist Club by Laura Peatman

Of all the weird and wonderful guises under which improv comedy can be presented, a murder mystery sounds like a brilliant idea " we all love a game of Cluedo, and with the unpredictability …

SOURCE: A Younger Theatre at 2:22pm on October 7, 2014[SHARE]

Review: Macbeth, Barbican Centre by Laura Peatman

Controversial South African director Brett Bailey and his company clash cultures together at the Barbican this month as they present Verdi's Macbeth, reimagined in the troubled region of Eas…

SOURCE: A Younger Theatre at 2:43pm on September 17, 2014[SHARE]

Sponsored feature: RashDash " "certainly no one-trick pony" by Laura Peatman

After the "delightfully dishevelled" and "remarkably raw" The Ugly Sisters in January, RashDash Productions is returning to the Soho Theatre with Oh, I Can't Be Bothered, an experimental and…

SOURCE: A Younger Theatre at 11:02am on September 16, 2014[SHARE]

Review: Toast, Park Theatre by Laura Peatman

Since its opening in May 2013, the Park Theatre has garnered a reputation for high quality, affordable theatre, with new works, rediscovered theatrical gems and a host of big names and emerg…

SOURCE: A Younger Theatre at 4:51pm on August 30, 2014[SHARE]

Review: Romeo and Juliet, Lauderdale House by Laura Peatman

It just wouldn't be summer without an alfresco Shakespearean performance. Settling down for a picnic, a tipple and the words of the Bard has become a staple of the theatrical calendar, and t…

SOURCE: A Younger Theatre at 2:22pm on August 1, 2014[SHARE]

Review: A Bright Room Called Day, Southwark Playhouse by Laura Peatman

Say the name Tony Krushner, and most will think of his award-winning epic, Angels in America. Yet this earlier and lesser-known work demonstrates Krushner's politically urgent writing applie…

SOURCE: A Younger Theatre at 10:01am on July 28, 2014[SHARE]

Review: Gulf, Camden People's Theatre by Laura Peatman

Gulf marks the début performance of new company Pivot Theatre, whose mission is to create theatre that is "urgent and thrilling", that "subverts expectations and shifts perspectives". In te…

SOURCE: A Younger Theatre at 8:14am on July 28, 2014[SHARE]

Review: Jeeves and Wooster in Perfect Nonsense, Duke of York's Theatre by Laura Peatman

It's incredible that this is the first play adaptation of Jeeves and Wooster (discounting Lloyd Webber's musical By Jeeves) ever to reach the West End. A night at the theatre to watch these …

SOURCE: A Younger Theatre at 10:15am on July 17, 2014[SHARE]

Review: The Trials of Oscar Wilde, St. James Theatre by Laura Peatman

As this play and its publicity reminds us, "the truth is rarely pure and never simple" " one of the many literary quips that, it seems, came to haunt Oscar Wilde after his fall from grace. P…

SOURCE: A Younger Theatre at 10:03am on July 17, 2014[SHARE]

Review: Normal, Talawa Firsts by Laura Peatman

The first in Talawa Theatre Company's annual season dedicated to new writers, actors and directors " Talawa Firsts " Normal packs a lot into its 90 minutes. From suicide to drugs, immigratio…

SOURCE: A Younger Theatre at 7:23am on June 14, 2014[SHARE]

Review: Here Lies Henry, Camden People's Theatre by Laura Peatman

Here Lies Henry boldly, and rather riskily, claims to: "challenge the conventional relationship between actor and audience and spins it completely on its head". I wouldn't go that far, but i…

SOURCE: A Younger Theatre at 5:56am on June 11, 2014[SHARE]

Review: House of Bernarda Alba, Kings Head Theatre by Laura Peatman

Lorca's final work is set against a Spanish heatwave, with Bernarda Alba's domineering matriarchal regime and the pent-up sexual desire of her daughters reflected in the oppressively hot …

SOURCE: A Younger Theatre at 1:18pm on June 9, 2014[SHARE]

Review: The Trial of the Jew Shylock, Rosemary Branch Theatre by Laura Peatman

The Merchant of Venice is not only one of Shakespeare's most popular works, but also one of the most problematic and fiercely-debated by modern audiences. It may have been labelled a comedy …

SOURCE: A Younger Theatre at 2:43pm on May 18, 2014[SHARE]

Review: The Man Who Shot Liberty Valance, Park Theatre by Laura Peatman

Last year, Jethro Compton's critically-acclaimed Bunker Trilogy took us deep into the atmospheric trenches of World War I to experience some classic tales as never before. Now Compton transp…

SOURCE: A Younger Theatre at 2:32pm on May 18, 2014[SHARE]

Feature: Way Back " laughing in the face of death by Laura Peatman

Suicide attempts may not be the most obvious material for a comedy, but that's exactly what daring play Way Back explores as it comes to the Brighton Fringe this month " just a few miles dow…

SOURCE: A Younger Theatre at 5:47am on May 7, 2014[SHARE]

Review: The Fanny Hill Project v2.0, Camden People's Theatre by Laura Peatman

What does a present-day drama graduate searching for her first job have in common with an 18th century fictional prostitute? Nothing, you say? Well not according to TheatreState, who sets ou…

SOURCE: A Younger Theatre at 2:34pm on May 1, 2014[SHARE]
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