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61 stories by "Laura Peatman"

Review: The Boy in the Striped Pyjamas, Richmond Theatre by Laura Peatman

John Boyne's novel The Boy in the Striped Pyjamas became a worldwide bestseller on its publication in 2006; told from the point of view of nine-year-old Bruno, it has faced many criticisms f…

SOURCE: A Younger Theatre at 12:06pm on June 13, 2017[SHARE]

Review: Twitstorm, Park Theatre by Laura Peatman

In the week that "covfefe" both baffled and delighted the Twittersphere, it seems appropriate to be watching a play that examines just how quickly news can spread through the medium of 140 c…

SOURCE: A Younger Theatre at 7:05am on June 6, 2017[SHARE]

Review: Side Show, Southwark Playhouse by Laura Peatman

Bill Russell and Henry Krieger's Side Show has had two Broadway outings, neither lasting long on the Great White Way; this Southwark Playhouse production marks the show's UK premiere and bri…

SOURCE: A Younger Theatre at 1:12pm on October 30, 2016[SHARE]

Review: My Mother Medea, Unicorn Theatre by Laura Peatman

My Mother Medea flips the ancient tragedy of Medea on its head by removing the focus from the tragic heroine and placing it on her doomed children, while transporting them to 2016. The show …

SOURCE: A Younger Theatre at 12:33pm on October 24, 2016[SHARE]

Review: The Amish Project, New Wimbledon Studio by Laura Peatman

The Amish Project was originally written by Jessica Dickey as a one-woman piece, designed to show off an actress's character skills in multi-roling. The students from Saint Mary's University…

SOURCE: A Younger Theatre at 5:51am on October 8, 2016[SHARE]

Review: Some Girl(s), The Park Theatre by Laura Peatman

To a soundtrack of mid-2000s classics, Some Girl(s) sees groom-to-be 'Guy' (is it a name or a moniker for all of the male sex?) on a trip across the USA to see a selection of his ex-girlfrie…

SOURCE: A Younger Theatre at 7:25am on July 23, 2016[SHARE]

Review: Calculating Kindness, Camden People's Theatre by Laura Peatman

George Price is an intriguing figure. Originally a staunch atheist, he married then divorced a Catholic woman before undergoing an intense religious conversion. His work was enough to gain h…

SOURCE: A Younger Theatre at 12:20pm on April 3, 2016[SHARE]

Review: Minor Delays, Soho Theatre by Laura Peatman

Minor Delays was one of the toasts of the Edinburgh Fringe last year, with stars a-plenty and a bright future predicted for this sketch comedy trio. Now the show has transferred to the Soho …

SOURCE: A Younger Theatre at 3:39pm on March 10, 2016[SHARE]

Review: The Rolling Stone, Orange Tree Theatre by Laura Peatman

Chris Urch's Bruntwood award-winning second play is an example of an excellent script translated into a stunning performance by truly fine acting " no gimmicks, no flashy lighting design or …

SOURCE: A Younger Theatre at 5:40pm on January 20, 2016[SHARE]

Review: Holy Mackerel!, Sir John Mills Theatre by Laura Peatman

For this year's Christmas show, the Eastern Angles have teamed up with Shanty Theatre from the south west for a caper inspired by a fishing dispute of 1896 " it sounds unlikely, I grant you,…

SOURCE: A Younger Theatre at 1:45pm on December 31, 2015[SHARE]

Review: The Blues Brothers Xmas Special, Arts Theatre by Laura Peatman

In October, several media outlets reported the story of a woman being ejected from a performance of The Bodyguard for singing obnoxiously and disturbing the show. Perhaps she should take a t…

SOURCE: A Younger Theatre at 12:20pm on December 4, 2015[SHARE]

Review: The Bogus Man, Omnibus by Laura Peatman

This production of The Bogus Woman was first seen at Keswick's Theatre by the Lake, and audiences around the country have now had the opportunity to see the show as part of the theatre's rec…

SOURCE: A Younger Theatre at 11:49am on November 14, 2015[SHARE]

Review: Medea, Gate Theatre by Laura Peatman

In the last year or so, London has welcomed a flurry of Greek drama to its stages; while the Almeida Theatre most notably offered its Greeks season, other venues have seen revivals of Electr…

SOURCE: A Younger Theatre at 11:26am on November 11, 2015[SHARE]

Review: Gatsby, Arts Theatre by Laura Peatman

F. Scott Fitzgerald's novel The Great Gatsby has long captured the imagination of artists in all different fields, with adaptations of the story showing up in drama, dance, film, opera, radi…

SOURCE: A Younger Theatre at 12:45pm on November 5, 2015[SHARE]

Review: Next Lesson, Pleasance Theatre by Laura Peatman

It's 1988, and Thatcher's government has just brought in Section 28 " legislation that stated schools “shall not intentionally promote homosexuality" or “promote the teaching… …

SOURCE: A Younger Theatre at 8:28pm on October 22, 2015[SHARE]

Review: Universally Speaking, Bread and Roses Theatre by Laura Peatman

Shortly before IdeasTap was sadly forced into closure earlier this year, the charity announced the winners of a playwriting competition; subsequently these four playwrights were left without…

SOURCE: A Younger Theatre at 10:37am on October 17, 2015[SHARE]

Review: Jane Eyre, National Theatre by Laura Peatman

Think Jane Eyre and you probably think corsets, grand houses and Yorkshire moors " but maybe not confetti, flames and Gnarls Barkley? Then think again, because this production is imaginative…

SOURCE: A Younger Theatre at 5:00pm on September 19, 2015[SHARE]

Review: Harrogate, Pumphouse by Laura Peatman

On a clean white stage, a father and daughter engage in banter about Little Mix, his lack of cleaning skills, and her refusal to buy the 'right' school shoes. He keeps her in line, but lets …

SOURCE: A Younger Theatre at 11:13am on September 14, 2015[SHARE]

Review: Brenda, Aldeburgh Parish Church by Laura Peatman

The writers at this year's HighTide Festival seem to love a prolonged silence to start: Luke Norris does it in So Here We Are, and in Brenda E V Crowe utilises the same trick of making her a…

SOURCE: A Younger Theatre at 11:13am on September 14, 2015[SHARE]

Review: So Here We Are, Aldeburgh Jubilee Hall by Laura Peatman

Winner of a 2013 Bruntwood Prize for Playwriting, Luke Norris's debut play is now co-produced with the Royal Exchange Theatre and is heading for a Manchester transfer later this month. It's …

SOURCE: A Younger Theatre at 11:30am on September 13, 2015[SHARE]

Review: Jekyll and Hyde, Platform Theatre by Laura Peatman

Jonathan Holloway’s reincarnation of Stevenson’s Gothic classic Jekyll and Hyde claims to “appropriate and reinvigorate the story for contemporary audiences” and prov…

SOURCE: A Younger Theatre at 11:31am on July 31, 2015[SHARE]

Review: The Car Man, Sadler's Wells by Laura Peatman

The grittiest work in Bourne's repertoire, The Car Man returns to Sadler's Wells after a new UK tour, bringing its stifling heat, brutal murder and deadly revenge to the capital's leading da…

SOURCE: A Younger Theatre at 9:24am on July 18, 2015[SHARE]

Review: The Barber of Seville, JW3 by Laura Peatman

OperaUpClose aims to bring operas to whole new audiences by showing off the form in all its glory, in accessible, surprising stagings of classics "without compromising on musical standards".…

SOURCE: A Younger Theatre at 8:52pm on July 7, 2015[SHARE]

Review: And Then There Were None, Richmond Theatre by Laura Peatman

And Then There Were None is one of Agatha Christie's most popular and widely-read crime novels, and one of her most difficult conundrums to crack. It has been adapted for film, TV, radio and…

SOURCE: A Younger Theatre at 5:40pm on May 27, 2015[SHARE]

Review: United Colours of FrustrAsian, Southbank Centre by Laura Peatman

A touring co-production between Black Country Touring, Cast Doncaster, Oldham Coliseum and Southbank Centre, United Colours of FrustrAsian fuses storytelling and live music in an exploration…

SOURCE: A Younger Theatre at 4:03pm on May 20, 2015[SHARE]
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