My Favorite Performances, 2012
Bertie Carvel – Matilda. Hearing Carvel’s performance on the original cast recording was my main impetus in making sure I got to London to see the show while he was still in the …
Bertie Carvel – Matilda. Hearing Carvel’s performance on the original cast recording was my main impetus in making sure I got to London to see the show while he was still in the …
Back in 2004, I had made plans to see the 5-time Tony winning revival of Weidman and Sondheim’s Assassins after Roundabout announced an extension. Within a couple of weeks, this ext…
Annie -Â I caught an early preview of the classic Strouse-Charnin musical at the Palace. I have a dubious history with this one; the last time I saw it onstage was 21 years ago and while I…
It’s hard for me to believe it but five years ago today my first post went up on Theatre Aficionado at Large. I was amazed when this blog turned one year; I’m completely astounde…
I’ve received press invites to many preview performances, but until Thursday night I had never been invited to cover a show’s first preview. The 50th anniversary revival of Edwar…
 My jaw dropped when I started playing the new cast album of Gentlemen Prefer Blondes. I know the Jule Styne-Leo Robin score fairly well, and have heard every recording there is (i…
New label Broadway Records is fast adding eclectic titles and talent to its catalog with its first cabaret recording and first concept cast album, though I don’t really think a 20 year…
I can’t believe it’s fall. I had an incredibly busy summer, with work and life requirements getting much of my attention. I took a mental health break from formal blogging, but i…
Maryann Plunkett won the 1987 Tony for Best Actress in a Musical for her performance in Me and My Girl, but what many might not know is that the role of Sally in the Stephen Fry-Mike Ockr…
Andrew Lloyd Webber’s shows don’t do much for me. I’ve never really been taken in by his style, and I tend to approach his shows from a mostly academic perspective, pulling…
Much has been made of the new revival of Porgy and Bess currently playing at the Richard Rodgers Theatre. The iconic folk opera has long been the subject of controversy since its premiere in…
The Independent Theater Bloggers Association (of which I am a member) has announced its 4th annual award winners. The award is named after founding member and  original awards director Pa…
When I was a senior in high school, I had the great pleasure of playing Freddy Eynsford-Hill in our spring production of My Fair Lady. The occasion was the 20th anniversary of the schoolR…
I have to say I’m really excited by the high number of cast recordings that have emerged this season, from Broadway, off-Broadway and the Encores! season. If rumors of a Leap of Faith …
Fiorello! Music: Jerry Bock Lyrics: Sheldon Harnick Book: Jerome Weidman & George Abbott January 30-February 3, 2013 It’s a Bird… It’s a Plane… It’s Superma…
For its third and final entry of the year, Encores! lightened things up considerably with a delightful production of Gentlemen Prefer Blondes, the 1949 classic that made Carol Channing a sta…
It's time to celebrate some of the breakthrough performances and debuts of the 2011-2012 theatre season! The Theatre World Awards will be held on June 5 at a venue to be determined, hosted b…
First off, some good news. The Drama Desk Awards committee has decided to reinstate the award for Outstanding Orchestrations, nominating Bill Elliott (Nice Work If You Can Get It), Larry Hoc…
In a nutshell, the new musical Leap of Faith is ultimately The Music Man meets 110 in the Shade in a revival tent. The show is not quite the train wreck that word of mouth might have y…
To Whom It May Concern, Four years ago, a beautiful production of Rodgers and Hammerstein’s South Pacific opened at the Vivian Beaumont to acclaim and plaudits all around. One of Li…
Carnegie Hall presented the Rodgers and Hammerstein classic The Sound of Music on Tuesday evening as a gala fundraiser for the venue. In previous years, the Hall has presented similar …
Nice Work If You Can Get It isn’t particularly groundbreaking and it feels like the sort of show you’ve seen time and again (fans of My One and Only and Crazy for You will…
April has been an incredibly busy month for me, but Patty and Emily asked if I would help them out with another video for their website and I dropped everything for the opportunity to work w…
The Pulitzer and Olivier winning new play Clybourne Park now finds itself on Broadway for a sixteen week engagement at the Walter Kerr. Taking his cue from Lorraine Hansberry’s A Raisi…
The Collegiate Chorale offered a starry and exceptionally well-sung concert staging of The Mikado at Carnegie Hall on April 10 under the direction and baton of Ted Sperling. This marked my f…