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1,044 stories by "Kerry Reid"

'Lysistrata' returns, with no end of war in sight by Kerry Reid

Aristophanes' urtext for the battle of the sexes has inspired so many reimaginings and adaptations (including Spike Lee's recent contemporary Chicago take, "Chi-Raq") that putting them all u…

SOURCE: Chicago Tribune Subscription at 6:00am on July 6, 2016

The play 'This' all about the midlife moment of doubt: leave or remain? by Kerry Reid

They have known each other as allies for decades. There's comfort in that familiarity. But then " things change. They begin wanting different things from each other. Perhaps they are simulta…

SOURCE: Chicago Tribune Subscription at 2:20pm on June 25, 2016

Eliza makes all the right moves in Oak Park 'Pygmalion' by Kerry Reid

Two years ago at the Goodman, Amanda Drinkall left a mark in "Venus in Fur," playing a seemingly innocent actress who teaches an older male director a few things about submission and control…

SOURCE: Chicago Tribune Subscription at 5:07pm on June 21, 2016

Ben Hecht's remarkable and frustrating life, on display by Kerry Reid

One evening with Ben Hecht can't begin to cover everything in his prolific career. But James Sherman gives it a good shot in his self-performed solo, "The Ben Hecht Show," now in a world pre…

SOURCE: Chicago Tribune Subscription at 1:23pm on June 17, 2016

What happens when your tortured-artist story turns out to be fake? by Kerry Reid

Christopher Chen enjoys exploring the art of artifice and political manipulation. In "The Hundred Flowers Project" (produced in 2014 at Silk Road Rising), Chen used a collaborative theater p…

SOURCE: Chicago Tribune Subscription at 4:07pm on June 9, 2016

When white vice principal, Muslim student meet, nothing is as it seems by Kerry Reid

The big map of North America on the wall of the vice principal's office isn't all that it appears to be in Rajiv Joseph's "The North Pool." Dr. Danielson, the vice principal, believes that K…

SOURCE: Chicago Tribune Subscription at 12:37pm on June 8, 2016

Malvolio has an ax to grind in alternative take on 'Twelfth Night' by Kerry Reid

His very name suggests "malevolence." But Malvolio, the nearest thing Shakespeare provided to an antagonist in "Twelfth Night," gets a chance to air his numerous grievances against the world…

SOURCE: Chicago Tribune Subscription at 12:36pm on June 3, 2016

Resonant story is lurking somewhere in 'Spinning' by Kerry Reid

If, as Eugene O'Neill once wrote, there is no present or future, only the past happening over and over again, then is it ever possible to make amends for past crimes and move on? That's one …

SOURCE: Chicago Tribune Subscription at 5:26pm on May 28, 2016

Chekhov's 'The Seagull' gets a solid staging by the Artistic Home by Kerry Reid

Anton Chekhov's first major play always strikes me as a bit more claustrophobic than his later work. Unlike "The Cherry Orchard," with its prescient echoes of the decline of the Russian bour…

SOURCE: Chicago Tribune Subscription at 1:26pm on May 26, 2016

'No Matter How Hard We Try' set in a world of hardships and despair by Kerry Reid

To put yourself in the right frame of mind for Dorota Maslowska's "No Matter How Hard We Try" at Trap Door Theatre, it helps if you stroll the 606 beforehand and run into a man in a wheelcha…

SOURCE: Chicago Tribune Subscription at 1:18pm on May 26, 2016

'American Beauty Shop' shines when womens' stories are the focus by Kerry Reid

How many stories do we find in popular culture about working-class American women in small towns? Subtract "Roseanne" from the equation and the answer is "not many." Fortunately, Dana Lynn F…

SOURCE: Chicago Tribune Subscription at 2:27pm on May 15, 2016

'Mike Mother' gives daughter control over her familial horror story by Kerry Reid

In her collection of essays on storytelling, "The Faraway Nearby," Rebecca Solnit notes: "The present rearranges the past. We never tell the story whole because a life isn't a story. It's a …

SOURCE: Chicago Tribune Subscription at 2:22pm on May 15, 2016

'A Splintered Soul' tells refugee tale from another era by Kerry Reid

In a year when the fate of refugees in Europe has dominated headlines, a play about European Jews struggling to make their way in America after the Holocaust should hit home hard. But Alan L…

SOURCE: Chicago Tribune Subscription at 7:01pm on April 28, 2016

Gory 'Taste' fails to flesh out its cannibalistic characters by Kerry Reid

It's pretty much impossible to avoid culinary metaphors in reviewing Benjamin Brand's "Taste." But before you think, "Great, an onstage cooking show," Google "Armin Meiwes." I'll wait. All r…

SOURCE: Chicago Tribune Subscription at 6:56pm on April 28, 2016

'Dry Land' a shocking but honest portrayal of teen crisis by Kerry Reid

The smell of chlorine hits the nostrils the second you walk into the small lobby at Rivendell Theatre Ensemble for Ruby Rae Spiegel's "Dry Land." Appropriate, since Spiegel's piece, now in a…

SOURCE: Chicago Tribune Subscription at 5:46pm on April 28, 2016

Steep Theatre's 'The Few' suffused with sadness by Kerry Reid

Samuel D. Hunter could easily lay claim to being the Raymond Carver of contemporary American theater. Like the late short-story writer and poet, Hunter's world portrays the backwaters of the…

SOURCE: Chicago Tribune Subscription at 2:55pm on April 21, 2016

In 'Jesus Hopped the "A" Train,' prisoner's faith is put to the test by Kerry Reid

Stephen Adly Guirgis' Pulitzer Prize-winning "Between Riverside and Crazy" gets its local debut at Steppenwolf in June. But before that, you can dip into his earlier work with Eclipse Theatr…

SOURCE: Chicago Tribune Subscription at 11:53am on April 21, 2016

'Don't Make Me Over' pays loving tribute to Dionne Warwick's songs by Kerry Reid

Dionne Warwick's voice " resonant, cool, but with a persistent undertone of wistful loss " provides a soundtrack that crosses generations and genres. It's a tough one to imitate. Thankfully,…

SOURCE: Chicago Tribune Subscription at 12:45pm on April 18, 2016

Factory's 'The Last Big Mistake' is good brawling fun by Kerry Reid

Factory Theater loves a good caper story, and in Ernie Deak's "The Last Big Mistake," it has one that also functions as a love letter to Chicago grit " the kind of grit that exists not far f…

SOURCE: Chicago Tribune Subscription at 5:17pm on March 31, 2016

Portrayal of a teen on the edge brims with energy, razor wit at TUTA by Kerry Reid

What if Holden Caulfield, the hero of J.D. Salinger's "The Catcher in the Rye," had been born female and a half-century later? Adam Rapp makes a compelling, if occasionally elliptical, argum…

SOURCE: Chicago Tribune Subscription at 12:35pm on March 31, 2016

Factory's 'The Last Big Mistake' is good brawling fun by Kerry Reid

Factory Theater loves a good caper story, and in Ernie Deak's "The Last Big Mistake," it has one that also functions as a love letter to Chicago grit " the kind of grit that exists not far f…

SOURCE: Chicago Tribune Subscription at 10:59am on March 31, 2016

'The Life of Galileo' fights the dark forces of anti-intellectualism by Kerry Reid

"And yet it moves." Those four words, allegedly uttered under his breath by Galileo Galilei right after recanting his views on heliocentrism under threat by the Roman Inquisition, generally …

SOURCE: Chicago Tribune Subscription at 3:36pm on March 30, 2016

'Christina, the Girl King' dissects one of history's most fascinating women by Kerry Reid

For fans of classic cinema, Queen Christina of Sweden means Greta Garbo, who played the fascinating and troubled 17th century monarch in 1933's (highly fictionalized) "Queen Christina." Garb…

SOURCE: Chicago Tribune Subscription at 5:48pm on March 23, 2016

Family story asks larger question: Where are Latinos in U.S. history? by Kerry Reid

For those of us of a certain age, seeing John Leguizamo's early solo work such as 1992's "Spic-O-Rama" (which played at the old Goodman Studio) was a revelatory, if unsettling, experience. L…

SOURCE: Chicago Tribune Subscription at 12:51pm on March 20, 2016

Family story asks larger question: Where are Latinos in U.S. history? by Kerry Reid

 For those of us of a certain age, seeing John Leguizamo's early solo work such as 1992's "Spic-O-Rama" (which played at the old Goodman Studio) was a revelatory, if unsettling, experienc…

SOURCE: Chicago Tribune Subscription at 10:50am on March 20, 2016
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