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30 stories by "Ken Simon"

Such Nice Shoes by Ken Simon

Written by Christine Renee MillerDirected by Andrea DantasProduced by FrokieCo Nominations: Outstanding Solo Performance: Christine Renee Miller; Outstanding Innovative Design: Lianne Arno…

SOURCE: The New York Innovative Theatre Foundation at 5:14pm on September 23, 2017

And Miss Reardon Drinks A Little by Ken Simon

Book by Paul ZindelDirected by Shay GinesProduced by Retro ProductionsNominations: Outstanding Revival of a Play, Outstanding Innovative Design: Sara Slagle; Outstanding Actor in a Featured …

SOURCE: The New York Innovative Theatre Foundation at 6:53pm on September 20, 2017

The Cabaret At The End Of The World by Ken Simon

Written by Melody BatesDirected by Joan JubettProduced by Hard Sparks in association with IRT TheaterNominations: Outstanding Choreography: Hettie Barnhill; Outstanding Sound Design: John Sa…

SOURCE: The New York Innovative Theatre Foundation at 6:42pm on September 19, 2017

Baby Mama: One Woman's Quest to Give Her Child to Gay People by Ken Simon

Written by Mariah MacCarthyDirected by Sara LyonsProduced by Caps Lock Theatre  Nominations: Outstanding Original Full-Length Script: Mariah MacCarthy; Outstanding Solo Performance: Maria…

SOURCE: The New York Innovative Theatre Foundation at 9:39pm on September 17, 2017

Marian, Or The True Tale of Robin Hood by Ken Simon

Written by Adam SymkowiczDirected by Kelly O'DonnellProduced by Flux Theatre EnsembleNominations: Outstanding Actor in a Lead Role: Jack Horton Gilbert; Outstanding Actor in a Featured Role:…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on September 1, 2017

The Jamb by Ken Simon

Written by J.Stephen BrantleyDirected by David DrakeProduced by Hard Sparks in association with Horse Trade Theatre Group Nominations: Outstanding Director: David Drake; Outstanding Actor i…

SOURCE: The New York Innovative Theatre Foundation at 12:57pm on August 23, 2017

Titus by Ken Simon

Written by William ShakespeareDirected by Monique HoltProduced by New York Deaf Theatre Nominations: Outstanding Original Music: Daniel Steffey; Outstanding Sound Design: Daniel Steffey; Ou…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on August 7, 2017

Three Sisters by Ken Simon

  Written by Anton ChekovDirected by Maggie Cino Produced by Obvious Volcano in association with Maggie Cino  Nominations: Outstanding Actress in a Lead Role: Sarah …

SOURCE: The New York Innovative Theatre Foundation at 12:01pm on July 31, 2017

It Awards Manifesto: We Are All in This Together by Ken Simon

The atmosphere of 2017 has been challenging, to say the least, with the word "divided" used as a near constant drumbeat. The New York It Awards wishes to stand as a bulwark against…

SOURCE: The New York Innovative Theatre Foundation at 11:15am on July 24, 2017

Start Small, Think Big: Producing Indie Theatre Productions With High Standards by Ken Simon

By Victoria Muzzio Tom Viertel of the Commercial Theater Institute and Shay Gines of the Innovative Theatre Foundation came together for a course on Indie Theatre Productions at the Anne L.…

SOURCE: The New York Innovative Theatre Foundation at 12:00pm on June 21, 2017

My Day at The Commercial Theatre Institute's Indie Theatre Productions Seminar by Ken Simon

By Victoria Fernandes As a young person involved in theatre, my biggest goal is to learn as much as possible, whenever possible. This goal was certainly met at The Commercial Theatre Instit…

SOURCE: The New York Innovative Theatre Foundation at 1:29pm on June 20, 2017

Street Theater by Ken Simon

Written by Doric WilsonDirected by Mark FinleyProduced by TOSOS Nominated for: Outstanding Ensemble, Tim Abrams, Chris Andersson, Christopher Borg, Ellis Cahill, Johnathan Cedano, Desmond Du…

SOURCE: The New York Innovative Theatre Foundation at 1:51am on September 25, 2016

Wait Until Dark by Ken Simon

Written by Frederick KnottsAdapted by Jeffrey HatcherDirected by Kirk Gostowski and John Arthur LongProduced by Variations Theatre GroupNominated for: Outstanding Lighting Design, Aaron Gonz…

SOURCE: The New York Innovative Theatre Foundation at 12:19pm on September 12, 2016

Dramaturgical Practice Is Not a Theoretical Endeavor…but a quirky, subjective process of listening and responding. by Ken Simon

By Karen Lee OttI wonder why I start by saying what it's NOT. Because it is so often misunderstood? I wonder how theater--inherently conservative, cliché- and type-based--can still be mine…

SOURCE: The New York Innovative Theatre Foundation at 4:50pm on May 1, 2016

Honesty: Not the Best Policy, But the Clearest by Ken Simon

By Natalie Zutter One of the best compliments I've gotten is that my work is very honest. It was also, the first time it was given, a backhanded compliment"a suggestion that maybe I would b…

SOURCE: The New York Innovative Theatre Foundation at 12:00pm on April 30, 2016

Freelance Money Talk, and Nothing But Love by Ken Simon

By Kia Rogers Freelance was not new to me, but the landscape of NYC, navigating theatre jobs was and is still challenging. As a female designer, I do feel like I have to dress the part, car…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on April 28, 2016

True-Life Tales with a Twist by Ken Simon

By Kelly Jean Fitzsimmons Write Your Story. Perform Someone Else's. Almost four years ago, I created a new kind of reading series based around this basic idea. No, YOU Tell It! (NYTI) is a…

SOURCE: The New York Innovative Theatre Foundation at 10:12am on April 23, 2016

Fear and the Career by Ken Simon

By Jennifer HarderI first started acting at the age of three as the cow in Jack and the Beanstalk"my one line was "moo""and the ensuing decades where I've continued to throw myself onstage h…

SOURCE: The New York Innovative Theatre Foundation at 11:29am on April 22, 2016

On the Importance of a Feminist Community by Ken Simon

By Ashley Jacobson My whole life, I've been surrounded by strong, powerful and generous women. My mother, my sisters, my friends, my teachers, and even my bosses have all been strong, self-…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on April 21, 2016

Writing to Be Seen by Ken Simon

By Pia WilsonIn America, playwrights write to be read. I don't know if we were taught to do that, or if that's just the nature of the business here. There are so few opportunities to get a …

SOURCE: The New York Innovative Theatre Foundation at 10:00am on April 17, 2016

When the Art Chooses You by Ken Simon

Contributed by Stephanie Cox-WilliamsA lot of people ask if I always wanted to be a SFX artist or more commonly called, a gore designer. Well, no, not really. Or maybe?Matt Hurley and Melod…

SOURCE: The New York Innovative Theatre Foundation at 11:12am on April 14, 2016

Permission by Ken Simon

By Nandita ShenoyDuring previews of my Off-Broadway play Washer/Dryer this winter, I noticed a strange trend: when I emerged from the stage door, my friends would say "I didn't know you were…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on April 13, 2016

Finding the Right Steps by Ken Simon

By Emily EdwardsDance always improves a show. It doesn't matter if it's a full pas de deux or a simple grapevine of unadulterated glee. The amount of movement however, should always correspo…

SOURCE: The New York Innovative Theatre Foundation at 12:02pm on April 11, 2016

Letter to a Younger Self by Ken Simon

Contributed by Chana Porter An out-of-the-blue letter from an ambitious ex (whom I haven't spoken to in many years) recently got me thinking about how my career expectations have shifted s…

SOURCE: The New York Innovative Theatre Foundation at 3:58pm on April 10, 2016

Immersive Theater in So Many Ways by Ken Simon

Contributed by Siobhan O'Loughlin Photo by Jason Speakman I didn't write Broken Bone Bathtub out of a great need to do a show in a bathroom. If you've seen the show, you'll also know th…

SOURCE: The New York Innovative Theatre Foundation at 10:00am on April 9, 2016
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