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26 stories by "Julia Hurley"

Sterling Playmakers' 'Godspell' is a heartfelt call for peace in times of strife by Julia Hurley

The cast shares the musical's message with the audience in a warm embrace.

SOURCE: DC Metro Theater Arts at 4:12pm on August 3, 2021

2017 Capital Fringe Review: 'Think Before You Holla' by Julia Hurley

Ally Theatre Company's second-ever production is radically different from the first, Miz Martha Washington, a darkly comedic historical play. Conceived and directed by Taylor Reynolds from a…

SOURCE: DC Metro Theater Arts at 9:53pm on July 16, 2017

2017 Capital Fringe Review: 'Aflight' by Julia Hurley

There is no doubt in my mind that Jane Franklin Dance's Aflight brings something special to Fringe. Usually based in Arlington, this group blends music, dance, and visual art in a way that i…

SOURCE: DC Metro Theater Arts at 7:15am on July 13, 2017

2017 Capital Fringe Review: 'LIFE: A Comic Opera in Three Short Acts' by Julia Hurley

LIFE: A Comic Opera in Three Short Acts is neither quite an opera nor a musical; it is not a really a comedy or a drama. It's a bit of everything, using classical music, Broadway, doo-wop, a…

SOURCE: DC Metro Theater Arts at 1:07pm on July 10, 2017

2017 Capital Fringe Review: 'Hexagon 2017: Let Freedom Zing' by Julia Hurley

Described as "D.C.'s only all-original political satirical musical comedy troupe," Hexagon gives a musical zing to the political madness of the past year. Now in its 62nd year, Hexagon bring…

SOURCE: DC Metro Theater Arts at 1:22pm on July 8, 2017

Capital Fringe Preview: Mike Bartlett's 'Contractions' by Julia M. Hurley by Julia Hurley

Mike Bartlett's Contractions, directed by Julia M. Hurley, comes to DC this summer and will be performed at the Logan Fringe Arts Space. This production is presented as a part of the 2017 Ca…

SOURCE: DC Metro Theater Arts at 8:26pm on July 6, 2017

Review: 'When We Were Young and Unafraid' at The Keegan Theatre by Julia Hurley

In 1972, there was no Roe v. Wade or Violence Against Women Act. Battered women had little legal recourse, and many found shelter"if they were lucky"in safe houses run by good Samaritans. Ho…

SOURCE: DC Metro Theater Arts at 12:15pm on June 21, 2017

Review: 'Urinetown, The Musical' at Nextstop Theatre Company by Julia Hurley

Imagine a musical about a revolution, where a few scrappy rebels fight for the dignity of their fellow man against a tyrannical few. Now add a score that satirizes every musical under the su…

SOURCE: DC Metro Theater Arts at 2:13pm on May 28, 2017

Review: 'Guys and Dolls' at Fairfax High School by Julia Hurley

Fairfax High School Theatre's production of Guys and Dolls had the audience roaring with laughter. Set in 1930's New York, the show was based on short stories by Damon Runyon about the gangs…

SOURCE: DC Metro Theater Arts at 3:02pm on May 6, 2017

Review: 'Macbeth' at Shakespeare Theatre Company by Julia Hurley

Blood will have blood"so go the grim words of Macbeth as it dawns on him that murder is not as simple as he once thought. When it comes to battling and bloodshed, Shakespeare Theatre Company…

SOURCE: DC Metro Theater Arts at 10:43pm on May 2, 2017

Review: 'The Fabulous Lipitones' at The Little Theatre of Alexandria by Julia Hurley

Written by John Markus and Mark St. Germain, whose previous writing credits include The Cosby Show, The Fabulous Lipitones is a light comedy that deals with deeper issues with the absolute c…

SOURCE: DC Metro Theater Arts at 8:22am on April 24, 2017

Review: '.d0t:: a RotoPlastic Ballet' at Pointless Theatre Company by Julia Hurley

When you hear the phrase "futuristic dystopia where the human race has almost died out, leaving a single human and a civilization of robots," you probably don't think "puppets." But Pointles…

SOURCE: DC Metro Theater Arts at 3:38pm on April 13, 2017

Review: 'The Night Alive' at Scena Theatre by Julia Hurley

Irish playwright Conor McPherson's The Night Alive is a story of lost souls seeking redemption, of searching for a light in the darkness. Presented here by Scena Theatre, the characters' che…

SOURCE: DC Metro Theater Arts at 6:22pm on March 21, 2017

Review: 'The Gospel at Colonus' at Avant Bard by Julia Hurley

In 1983, experimental theatre director Lee Breuer wrote and directed a musical that became a worldwide sensation. Blending Black church gospel music and Motown with a story of Greek tragedy,…

SOURCE: DC Metro Theater Arts at 5:33pm on March 1, 2017

Review: 'Hamlette' at The Keegan Theatre by Julia Hurley

Being a teenager is never easy, especially if your mother has just married your uncle, who also happens to have murdered your father, and nobody can accept the fact that you're a girl. Add i…

SOURCE: DC Metro Theater Arts at 7:46am on January 29, 2017

Review: 'Mack, Beth' at the Keegan Theatre by Julia Hurley

Chris Stezin's adaptation of Macbeth, presented by Director Matt Ripa at The Keegan Theatre, is a daring attempt to bring one of Shakespeare's most famous tragedies into the modern day. In t…

SOURCE: DC Metro Theater Arts at 5:12pm on January 25, 2017

Review: 'Dr. Seuss' How the Grinch Stole Christmas' at the National Theatre by Julia Hurley

It's beginning to look a lot like Christmas…but you'd better not finish that sentence within earshot of the Grinch. Because as we all know, the Grinch hates Christmas, as this touring prod…

SOURCE: DC Metro Theater Arts at 1:15pm on December 15, 2016

Review: 'The Nutcracker' by the Cincinnati Ballet at The Kennedy Center by Julia Hurley

We know the holiday season is upon us when theaters around the country begin to put on Pyotr Ilyich Tchaikovsky's classic The Nutcracker. The Cincinnati Ballet's production at The Kennedy Ce…

SOURCE: DC Metro Theater Arts at 10:30am on November 24, 2016

Review: 'Six Degrees of Separation' at The Keegan Theatre by Julia Hurley

We've all heard of this idea before"that there are six degrees of separation between everyone in the universe, from the president of the U.S. to a "gondolier in Venice." John Guare's play, n…

SOURCE: DC Metro Theater Arts at 4:46pm on November 8, 2016

Review: 'A Midsummer Night's Dream' at Howard University by Julia Hurley

From the moment the actors appear, the stage becomes a non-stop whirl of color and movement. Howard University's production of A Midsummer Night's Dream is set in what is meant to be modern-…

SOURCE: DC Metro Theater Arts at 12:53pm on November 3, 2016

Review: 'Cinderella' With the San Francisco Ballet at The Kennedy Center by Julia Hurley

There are no pumpkins to be found in this Cinderella. The San Francisco Ballet's version, created by Choreographer Christopher Wheeldon and librettist Craig Lucas, departs from the Perrault …

SOURCE: DC Metro Theater Arts at 1:46pm on October 27, 2016

Review: 'Radio Golf' at Howard University by Julia Hurley

August Wilson made it his lifelong project to chronicle the African American experience in every decade of the 20th century with his Pittsburgh Cycle. With its production of Radio Golf, H…

SOURCE: DC Metro Theater Arts at 4:39pm on October 6, 2016

Review: 'The Marriage of Figaro' at Washington National Opera by Julia Hurley

"Perdono no merita chi agli altri non da." So say the words carved into the wall above the stage in the Washington National Opera's stunning production of The Marriage of Figaro (Le Nozze de…

SOURCE: DC Metro Theater Arts at 2:34pm on September 23, 2016

Review: NSO Pops: The Second City Guide to the Symphony Starring Colin Mochrie by Julia Hurley

What happens when you put together famous improv comedian Colin Mochrie, Canadian comedy troupe The Second City, and the National Symphony Orchestra?  A night of music and sketch comedy a…

SOURCE: DC Metro Theater Arts at 2:21pm on September 17, 2016

Review: 'Who's the Boss' at The In Series by Julia Hurley

The In Series' production of Who's the Boss? is a fusion of two comic operettas, Giovanni Pergolesi's La Serva Padrona and Gilbert and Sullivan's Trial By Jury, re-imagined as companion piec…

SOURCE: DC Metro Theater Arts at 3:27pm on September 15, 2016
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