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132 stories by "Josephine Balfour-Oatts"

Review: Third Wheel, Gilded Balloon Dining Room by Josephine Balfour-oatts

Founded in 2013 by Artemis Fitzalan Howard and Eliot Salt, Bristol-based Deadpan Theatre return to the Edinburgh Fringe Festival after a sell-out run of Pre-drinks/ Afterparty in 2016, an or…

SOURCE: A Younger Theatre at 10:24am on August 12, 2017

Review: Parentcraft, C Royale by Josephine Balfour-oatts

Founded by Polly Cohen, a fifth year medical student, and Hayley Russell, a recent UCL graduate, Cohrus Theatre grace the Edinburgh Fringe Festival with Parentcraft, a short play by Stephen …

SOURCE: A Younger Theatre at 8:06am on August 12, 2017

Review: Women of Greece: Medusa, theSpace on Niddry Street by Josephine Balfour-oatts

Written by Ami Sayers, Women of Greece: Medusa follows the successful premiere of her original work Sodom at the 2016 Edinburgh Fringe Festival. Both works have been performed by Fourth Monk…

SOURCE: A Younger Theatre at 8:06am on August 12, 2017

Review: These Trees the Autumn Leaves Alone, Underbelly Med Quad by Josephine Balfour-oatts

Following an award-winning stretch at the 2016 Edinburgh Fringe Festival with The Way the City Ate the Stars, Melbourne-based storyteller and comedian Wil Greenway returns to the north with …

SOURCE: A Younger Theatre at 5:36am on August 12, 2017

Review: Kin, Underbelly Circus Hub by Josephine Balfour-oatts

Following their smash-hit Bromance at the 2015 Edinburgh Fringe Festival, Barely Methodical Troupe return with Kin, a daring and innovative hybrid of circus and theatre. Five men compete for…

SOURCE: A Younger Theatre at 6:36am on August 11, 2017

Review: Leviathan, Dance Base by Josephine Balfour-oatts

Loosely inspired by Moby-Dick, the novel written in 1851 by American author Henry Melville, Leviathan is the most recent production from James Wilton Dance. Featuring a cast of seven and pow…

SOURCE: A Younger Theatre at 6:36am on August 11, 2017

Review: Continuity, Finborough Theatre by Josephine Balfour-oatts

This month, the Finborough Theatre in Kensington showcases the world premiere of Continuity by emerging Irish playwright, Gerry Moynihan. Director Shane Dempsey marks Moynihan's debut, a pro…

SOURCE: A Younger Theatre at 6:33am on August 8, 2017

Review: The Hunting of The Snark, Vaudeville Theatre by Josephine Balfour-oatts

Adapted for stage by author Annabel Wigoder, Lewis Carroll's nonsense poem The Hunting of the Snark takes the form of a family musical adventure at the Vaudeville Theatre in the West End. Wr…

SOURCE: A Younger Theatre at 6:48am on August 7, 2017

Review: Whalebone, The Bunker Theatre by Josephine Balfour-oatts

For one night only as part of their Fringe Preview Season, Bunker Theatre in London Bridge welcomes Whalebone, the most recent work by Irish company Hatch It Theatre. Founded in 2004 and led…

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: A Tale of Two Cities, Regents Park Open Air Theatre by Josephine Balfour-oatts

Adapted from the novel by Charles Dickens, A Tale of Two Cities is the most recent play by actor, director and playwright Matthew Dunster. Directed by Timothy Sheader, Dunster's work returns…

SOURCE: A Younger Theatre at 5:48am on July 23, 2017

Review: KlangHaus: 800 Breaths, Southbank Centre by Josephine Balfour-oatts

This July, art-rock band The Neutrinos and visual artist Sal Pittman reform their sell-out, critically acclaimed performance of KlangHaus: On Air from 2016. Born-again as KlangHaus: 800 Brea…

SOURCE: A Younger Theatre at 8:24am on July 15, 2017

Review: Dirty Work (The Late Shift), Battersea Arts Centre by Josephine Balfour-oatts

Reviving their 1998 performance of Dirty Work for the present-day, once again, experimental theatre company Forced Entertainment detonate theatrical convention and explore the bewildering wo…

SOURCE: A Younger Theatre at 2:12pm on July 3, 2017

Review: Gloria, Hampstead Theatre by Josephine Balfour-oatts

From the Obie Award winning playwright of An Octaroon, this month Branden Jacobs Jenkins' Gloria arrives at the stage of the Hampstead Theatre. The play became a Pulitzer Prize Finalist for …

SOURCE: A Younger Theatre at 6:54am on June 28, 2017

Review: Groomed, Soho Theatre by Josephine Balfour-oatts

After winning three awards at the Brighton Fringe Festival in 2016, Groomed takes to the stage of the Soho Theatre as part of their Spring/ Summer season. Written and performed by theatre di…

SOURCE: A Younger Theatre at 11:18am on June 26, 2017

Review: MC 14/22 (Ceci est mon corps) / Emergence, Sadler's Wells by Josephine Balfour-oatts

Following a successful run at the Edinburgh Fringe Festival 2016, Scottish Ballet return to Sadler's Wells with the double bill MC 14/22 / Emergence by Angelin Preljocaj and Crystal Pite. Pr…

SOURCE: A Younger Theatre at 1:24pm on June 13, 2017

Review: Vixen, The Vaults by Josephine Balfour-oatts

Beneath Waterloo Station, Silent Opera bring Leos Janacek's opera, The Cunning Little Vixen to life through an immersive experience. Composed in 1921-23, the libretto was adapted from a seri…

SOURCE: A Younger Theatre at 10:42am on June 5, 2017

Review: Zero Point, Barbican by Josephine Balfour-oatts

Inspired by the scientific and spiritual concepts of Zero Point energy, Zero Point is the most recent work by Array, the company of multi-award winning choreographer Darren Johnston. The gro…

SOURCE: A Younger Theatre at 7:36am on May 31, 2017

Review: Dyl, Old Red Lion Theatre by Josephine Balfour-oatts

Produced by Moya Productions, Dyl chronicles Mark Weinman's playwriting debut at the Old Red Lion Theatre in Islington. With a variety of previous acting credits, Weinman follows in the foot…

SOURCE: A Younger Theatre at 11:48am on May 15, 2017

Review: Driftwood, Underbelly Festival Southbank by Josephine Balfour-oatts

Following a successful stretch at the 2016 Edinburgh Fringe Festival, Casus Circus bring their hit piece Driftwood to Underbelly Festival, Southbank. Based in Brisbane, Australia, the group …

SOURCE: A Younger Theatre at 1:48pm on May 13, 2017

Review: Out of This World, Peacock Theatre by Josephine Balfour-oatts

"Just keep me safe. Don't let me do anything stupid, and don't tell me anything that I already know. Do we have a deal?" After a ten-year absence from the stage, choreographer, filmmaker and…

SOURCE: A Younger Theatre at 6:36am on May 7, 2017

Review: City of Glass, Lyric Hammersmith by Josephine Balfour-oatts

Adapted for stage by Duncan Macmillan (1984, People, Places and Things), Paul Auster's 1985 novel, City of Glass takes to the stage at Lyric Hammersmith. The book is the first part of The Ne…

SOURCE: A Younger Theatre at 12:48pm on May 1, 2017

Review: The Macbeths, Pleasance Theatre by Josephine Balfour-oatts

Produced by Ferodo Bridges, The Macbeths is a contemporary adaptation of Shakespeare's classic tragedy. Founded in 2012, the company is an international platform for London-based artists, an…

SOURCE: A Younger Theatre at 7:24am on April 22, 2017

Review: Betroffenheit, Sadler's Wells by Josephine Balfour-oatts

Co-created by choreographer Crystal Pite, her company Kidd Pivot, and actor-playwright Jonathon Young of Electric Company Theatre, Betroffenheit returns to Sadlers Wells following its UK pre…

SOURCE: A Younger Theatre at 7:24am on April 14, 2017

Review: Posh, Pleasance Theatre by Josephine Balfour-oatts

Notorious for its depiction of 'The Riot Club', a fictional, all-male society loosely-based on Oxford University's infamous Bullingdon Club, Laura Wade's Posh returns to the stage "with a ca…

SOURCE: A Younger Theatre at 5:54am on April 6, 2017

Review: The Poetry of Exile, White Bear Theatre by Josephine Balfour-oatts

Previously known for works such as Basildon (2009), Bridlington (2015) and Playground (2016), writer Peter Hamilton returns to The White Bear Theatre in Kennington with his most recent play:…

SOURCE: A Younger Theatre at 6:12am on April 3, 2017
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