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132 stories by "Josephine Balfour-Oatts"

Feature: Bringing the Brontë Sisters to the Stage by Josephine Balfour-oatts

The legacy of the Brontë family is arguably one of rebellion. Spearheaded by the eldest, Charlotte, the three sisters are rooted firmly in British history. With their literary works cryst…

SOURCE: A Younger Theatre at 3:18pm on September 12, 2018

Review: Dust at Trafalgar Studios by Josephine Balfour-oatts

Painful fluency: Josephine Balfour-Oatts reviews Milly Thomas's play about the aftermath of suicide. The post Review: Dust at Trafalgar Studios appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:05am on September 11, 2018

Feature: Victoria Cano: "We are taught that assault can only be one way" by Josephine Balfour-oatts

Three years ago, Victoria Cano became a victim of sexual assault. Or at least, she thought she did. At the The post Feature: Victoria Cano: “We are taught that assault can only be one …

SOURCE: A Younger Theatre at 12:04pm on August 21, 2018

Feature: Mighty Pen Theatre: "An important time for autistic representation" by Josephine Balfour-oatts

"I think we've always been telling this story." Cait O'Sullivan muses. Her sister Maeve nods, "for years it was kind The post Feature: Mighty Pen Theatre: “An important time for autist…

SOURCE: A Younger Theatre at 10:06am on August 14, 2018

Review: Sacrifice at Soho Theatre by Josephine Balfour-oatts

Lab rats: Performed by eight drama school graduates from outside London, Andrew Muir's play explores the struggle to make it in the capital. The post Review: Sacrifice at Soho Theatre appear…

SOURCE: exeuntmagazine.com at 4:23am on August 5, 2018

Review: Sacrifice at the Soho Theatre by Josephine Balfour-oatts

Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs. The post Review: Sacrifice at the Soho Theatre appeared first on Exeun…

SOURCE: exeuntmagazine.com at 5:40am on August 4, 2018

Review: Exit the King at National Theatre by Josephine Balfour-oatts

A disordered kingdom: Ionesco's play is an absurd meditation on mortality. The post Review: Exit the King at National Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:06pm on July 26, 2018

Review: The Lehman Trilogy, National Theatre by Josephine Balfour-oatts

The skyline wraps around an office made of glass. It is metallic, this monochrome image. A force so great that The post Review: The Lehman Trilogy, National Theatre appeared first on A Young…

SOURCE: A Younger Theatre at 6:36am on July 19, 2018

Review: Flesh and Bone at Soho Theatre by Josephine Balfour-oatts

A dance, of sorts: Unpolished Theatre's surging, feverish show explores East End working class experience. The post Review: Flesh and Bone at Soho Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:05am on July 9, 2018

Review: A 24 Decade History of Popular Music: The First Act, Barbican Theatre by Josephine Balfour-oatts

It begins with an apology. An act of taking responsibility for the wrongdoings of our ancestors, namely for the oppression The post Review: A 24 Decade History of Popular Music: The First Ac…

SOURCE: A Younger Theatre at 7:06am on July 1, 2018

Review: An Octoroon, Dorfman Theatre by Josephine Balfour-oatts

Two timelines collide in Branden Jacobs-Jenkins' An Octaroon, the impact of which has produced devastating results. Organised within the framework The post Review: An Octoroon, Dorfman Theat…

SOURCE: A Younger Theatre at 6:12am on June 17, 2018

Review: The Yellow Wallpaper, Clapham Omnibus by Josephine Balfour-oatts

A single hand ghosts beneath the wallpaper. It is a lurid, offensive yellow, and full of secrets known only by The post Review: The Yellow Wallpaper, Clapham Omnibus appeared first on A Youn…

SOURCE: A Younger Theatre at 6:24am on June 12, 2018

Review: Act and Terminal 3 at the Print Room by Josephine Balfour-oatts

'Comforting and clinical textures': Josephine Balfour-Oatts reviews Anthony Neilson's production of two plays by Lars Norén. The post Review: Act and Terminal 3 at the Print Room appeare…

SOURCE: exeuntmagazine.com at 6:36am on June 9, 2018

Review: Together at the Colab Factory by Josephine Balfour-oatts

Both stimulated and disinterested: Factory Irregular's devised show doesn't offer its audience a hand to hold. The post Review: Together at the Colab Factory appeared first on Exeunt Magazin…

SOURCE: exeuntmagazine.com at 6:05pm on May 21, 2018

Review: SHOW, Lyric Hammersmith by Josephine Balfour-oatts

Dry ice hugs the small of the back and the tip of the tongue. Darkness falls. The air is captured The post Review: SHOW, Lyric Hammersmith appeared first on A Younger Theatre.

SOURCE: A Younger Theatre at 9:18am on May 15, 2018

Review: The Paper Traveller, Battersea Library by Josephine Balfour-oatts

Written and directed by Marie Klimis, The Paper Traveller is an immersive theatre project made specifically for libraries. The production The post Review: The Paper Traveller, Battersea Libr…

SOURCE: A Younger Theatre at 12:48pm on May 14, 2018

Review: 4.48 Psychosis, Lyric Hammersmith by Josephine Balfour-oatts

Clarity visits Sarah Kane between 4:48 and 6am, staying for a brief time before abandoning her in the dark. She The post Review: 4.48 Psychosis, Lyric Hammersmith appeared first on A Younger…

SOURCE: A Younger Theatre at 6:18am on May 6, 2018

Review: The Moderate Soprano at the Duke of York's Theatre  by Josephine Balfour-oatts

As enjoyable as a light breeze in mid- July: Josephine Balfour-Oatts reviews David Hare's play about the founding of Glyndebourne The post Review: The Moderate Soprano at the Duke of York&#…

SOURCE: exeuntmagazine.com at 2:02am on April 30, 2018

Review: The Way of The World, Donmar Warehouse by Josephine Balfour-oatts

Following his hypnotic revival of Roots in 2013, James MacDonald returns to the Donmar Warehouse to direct William Congreve's The Way of The World. The production premiered in March 1700, ju…

SOURCE: A Younger Theatre at 6:30am on April 14, 2018

Review: Beginners, Unicorn Theatre by Josephine Balfour-oatts

Written and directed by renowned theatre-maker Tim Crouch, Beginners treads the threshold between childhood and adulthood from the stage of the Unicorn Theatre. Famed for his experimental ap…

SOURCE: A Younger Theatre at 10:04am on April 2, 2018

Review: Misty, Shepherds Bush Theatre by Josephine Balfour-oatts

Written and performed by Arinzé Kene, Misty blends spoken word, live art, direct address and gig theatre in an attempt to challenge the expectations surrounding the event of storytelling…

SOURCE: A Younger Theatre at 1:05pm on March 27, 2018

Review: Things That Do Not C(o)unt, Waterloo East Theatre by Josephine Balfour-oatts

production that explores themes of body positivity and female sexuality. Partly autobiographical, the piece spans three generations of women whose struggle to take ownership over their bodie…

SOURCE: A Younger Theatre at 10:05am on March 17, 2018

Review: Face In / Let's Talk About Dis, Sadler's Wells by Josephine Balfour-oatts

This March, acclaimed contemporary dance company Candoco return to Sadler's Wells with a double bill: Face In and Let's Talk About Dis. Founded in 1991 by Celeste Dandeker-Arnold OBE and Ada…

SOURCE: A Younger Theatre at 7:00am on March 17, 2018

Review: Summer and Smoke, Almeida Theatre by Josephine Balfour-oatts

Directed by Rebecca Frecknall, Tennessee Williams' 1948 play Summer and Smoke arrives at the Almeida Theatre in the week that the meteorological season of spring has taken the United Kingdom…

SOURCE: A Younger Theatre at 6:59am on March 14, 2018

Review: Das Fest, The Vaults by Josephine Balfour-oatts

This March, Austrian illusionist and performer Philipp Oberlohr returns to the Vault Festival 2018 with Das Fest, the sequel to his award-winning interactive show Das Spiel. With an academic…

SOURCE: A Younger Theatre at 5:00am on March 6, 2018
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