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5,806 stories by "Jonathan Mandell"

Fringe Review: Black and Blue, NYPD vs. Black Lives Matter by Jonathan Mandell

Former New York City Mayor David Dinkins used to refer to the city as a gorgeous mosaic. That phrase came to mind for a couple of reasons while I watched "Black and Blue," an ultimately comp…

SOURCE: New York Theater at 12:11pm on August 24, 2016

Final Fringe Binge. Harry Potter and Hamilton vs. Ticket Resellers. Week in New York Theater by Jonathan Mandell

“The Sound of Music” told from the point of view of a gay Nazi; biographies of three African-American men — W.E.B. Du Bois, Stokely Carmichael, and Richard Pryor. These are…

SOURCE: New York Theater at 10:31am on August 22, 2016

Reviewing Hamilton on her 95th birthday by Jonathan Mandell

On her 95th birthday, Muriel Mandell reviews Hamilton and other Broadway shows. “I understand a five-year-old has been reviewing theater, and so I thought, well, why can’t I?R…

SOURCE: New York Theater at 9:56am on August 21, 2016

Fringe Review: Pryor Truth by Jonathan Mandell

In his solo show about comedian Richard Pryor,  Khalil Muhammad has figured out a novel way both of presenting the man's life and giving a taste of his comic approach. Muhammad doesn't po…

SOURCE: New York Theater at 11:50am on August 20, 2016

Fringe Review: Cabtivist by Jonathan Mandell

John McDonagh calls his solo show "Cabtivist" because he's been driving a New York City taxicab for 35 years, and because he's been a political activist for almost as long. Maybe he's named …

SOURCE: New York Theater at 9:54am on August 19, 2016

Fringe Review: W.E.B. DU BOIS: A Man For All Times by Jonathan Mandell

There are few Americans who made a greater contribution to the nation's cultural, civic and intellectual life in the 20th century than William Edward Berghardt DuBois, who lived an extraordi…

SOURCE: New York Theater at 12:05am on August 18, 2016

Fringe Review: Honour Confessions of a Mumbai Courtesan by Jonathan Mandell

Her daughter Rani has turned 16, and so Chameli is haggling with a customer over the price of what she calls Rani's "first sale" " the first time she will work as a prostitute. "This her hon…

SOURCE: New York Theater at 4:50pm on August 17, 2016

Fringe Review: Power! Stokely Carmichael by Jonathan Mandell

One can count it as a missed opportunity that a show with the title "Power! Stokely Carmichael" tells us so little about the life of Stokely Carmichael, who was the activist credited with po…

SOURCE: New York Theater at 10:49am on August 17, 2016

Fringe Review: The Radicalization of Rolfe. A gay Nazi's version of The Sound of Music. by Jonathan Mandell

After all those sequels and prequels and back stories based on "The Wizard of Oz" and "Peter Pan," isn't it time somebody did the same for "The Sound of Music"? Playwright Andrew Bergh remin…

SOURCE: New York Theater at 8:30am on August 16, 2016

Fringe Singe and Binge. The Week in New York Theater by Jonathan Mandell

The Fringe is HOT. Thanks to the heat wave that accompanied the opening weekend, this was literally true at the Fringe outdoor block party over the weekend, which offered teasers from a hand…

SOURCE: New York Theater at 5:07pm on August 15, 2016

Fringe Review: Rent Control by Jonathan Mandell

  I hated Evan Zes even before I entered the theater to see his solo show, entitled "Rent Control," advertised as being about his true experiences making money off illegal sublets and A…

SOURCE: New York Theater at 12:29pm on August 15, 2016

Fringe Review: The Gorges Motel by Jonathan Mandell

"The Gorges Motel" is a collection of nine sketches and vignettes, each written by one of six established playwrights, that all take place on the same day in a (presumably fictional) run-dow…

SOURCE: New York Theater at 8:32am on August 15, 2016

Fringe Review: Lunt and Fontanne by Jonathan Mandell

The Lunt-Fontanne Theater on Broadway is named after Alfred Lunt and Lynn Fontanne, renowned partners on stage in more than two dozen productions and married to one another for 55 years. Mar…

SOURCE: New York Theater at 5:41pm on August 14, 2016

Fringe Review: At The Flash by Jonathan Mandell

David Leeper, who plays five characters in a gay bar over five decades in "At The Flash," is an impressive mimic, the kind of quick-change artist that could surely do a credible job portrayi…

SOURCE: New York Theater at 7:57am on August 14, 2016

Fringe Review: Flight by Jonathan Mandell

"Flight" turns out to be a sort of sequel to "The Little Prince" told through three acrobatic performers, who use their bodies to create characters and creatures and contrivances in clever a…

SOURCE: New York Theater at 11:50pm on August 13, 2016

Fringe Review: Let the Devil Take The Hindmost by Jonathan Mandell

A program note by Maya Contreras, the playwright of "Let the Devil Take The Hindmost," explains that two specific days were significant in motivating her to write this play " the day that 12…

SOURCE: New York Theater at 7:03am on August 13, 2016

Fringe Review: Black Magic by Jonathan Mandell

"I always wanted to be a headliner, not a headline," says the first dead black man in "Black Magic." "I'm sorry I got hit with more bullets than birthdays," says a…

SOURCE: New York Theater at 10:15pm on August 12, 2016

Watch Something Rotten With Its New Cast " Will Chase, Rob McClure et al by Jonathan Mandell

“Something Rotten” recently replaced most of its principal cast– Will Chase is now the sexy William Shakespeare, Rob McClure and Josh Grisetti the  Bard-envious Bottom B…

SOURCE: New York Theater at 2:33pm on August 12, 2016

The Fringe Begins: How To Fringe In 5 Easy Steps by Jonathan Mandell

How do you choose from 200 shows in two weeks (this year, August 12 to 28)? Practice. True, it can feel overwhelming to be one of 75,000 theatergoers attending the 2016 New York Internationa…

SOURCE: New York Theater at 8:46am on August 12, 2016

Watch: 2016 New York Fringe Previews by Jonathan Mandell

The 20th annual New York International Fringe Festival runs Friday, August 12h through Sunday, August 28th, 2016, with some 75,000 theatergoers expected for nearly 200 shows. (Enter th…

SOURCE: New York Theater at 2:17pm on August 10, 2016

The Iron Heel Review: Jack London's Socialism Returns by Jonathan Mandell

With the Bernie Sanders campaign removing the taint connected to the word "Socialism" for a new generation of American voters, it seems an inspired time for Edward Einhorn's stage adaptation…

SOURCE: New York Theater at 9:05am on August 10, 2016

From Rock Star to…The Fringe by Jonathan Mandell

Carlos D., the bass player for the rock band Interpol, left the group at age 26.  He’s now re-emerged as a theater artist, with a new solo play about his (former) obsession with roc…

SOURCE: New York Theater at 10:26pm on August 9, 2016

NYIT Award Nominees 2016: Off-Off Broadway's Finest by Jonathan Mandell

Below is the list of nominations for the 12th annual New York Innovative Theater Awards, which celebrates the best of the city’s independent theater  — aka Off-Off Broadway. H…

SOURCE: New York Theater at 12:00pm on August 9, 2016

Quietly Review: Violence Driven Home at Irish Rep by Jonathan Mandell

There is one moment of abrupt physical violence in "Quietly," but it comes near the beginning of Owen McCafferty's piercing drama about the Troubles in Northern Ireland, and it is neither cl…

SOURCE: New York Theater at 12:51pm on August 8, 2016

New Sondheim at the Public. Fringe for Free. Black Lives Matter, On Stage. Week in New York Theater by Jonathan Mandell

Should a work of theater be an entertainment that allows us to escape from the world, or a piece of art that more or less forces us to engage in the world? Can it do both? That’s the q…

SOURCE: New York Theater at 12:39pm on August 7, 2016
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