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5,859 stories by "Jonathan Mandell"

The 2020 Book Report Review: 10 Campaign Memoirs Analyzed On Stage by Jonathan Mandell

David Lawson made a personal sacrifice as a public service: He read 10 campaign books, all but one by current candidates for President of the United States. From his reading, he has fashione…

SOURCE: New York Theater at 11:49am on November 9, 2019

The Michaels Review. A family of dancers at yet another Richard Nelson Rhinebeck play by Jonathan Mandell

If Richard Nelson, the writer and director of "The Michaels," were hired to direct the next Marvel movie, would Iron Man, Thor and the Hulk sit around the kitchen table in Rhinebeck, New Yor…

SOURCE: New York Theater at 9:40am on November 8, 2019

Cyrano Review: Peter Dinklage Sings, Without a Fake Nose or Much Panache by Jonathan Mandell

Peter Dinklage's singing voice would not normally qualify him for a role in a musical, unless in a Disney animated movie as a singing rhinoceros. But Rex Harrison couldn't really sing either…

SOURCE: DC Theatre Scene at 7:12pm on November 7, 2019

Cyrano, Starring Peter Dinklage by Jonathan Mandell

Peter Dinklage's singing voice would not normally qualify him for a role in a musical, unless in a Disney animated movie as a singing rhinoceros. But Rex Harrison couldn't really sing either…

SOURCE: New York Theater at 6:02pm on November 7, 2019

Bella Bella Review: Harvey Fierstein As Rep. Bella Abzug, Gutsy and Adorable by Jonathan Mandell

Bella Abzug spoke at my junior high school graduation, until Donna Florio's mother told her to shut up. "This is my daughter's graduation, not a political rally."  Abzug paused, apologize…

SOURCE: DC Theatre Scene at 11:36pm on November 6, 2019

Bella Bella Review: Harvey Fierstein as Rep. Bella Abzug by Jonathan Mandell

Bella Abzug spoke at my junior high school graduation, until Donna Florio's mother told her to shut up. "This is my daughter's graduation, not a political rally."  Abzug paused, apologize…

SOURCE: New York Theater at 6:21pm on November 6, 2019

Dr. Ride's American Beach House Review: Lesbian Desire Launches in 1983 by Jonathan Mandell

The two ladies hanging out on the roof are lesbians; they just don't know it yet. The title of Liza Birkenmeier's play, which marks her Off-Broadway playwriting debut, may seem to promise so…

SOURCE: New York Theater at 7:30pm on November 5, 2019

Non-Profit Pays! Letts' Turn to Politics. #Stageworthy News of the Week by Jonathan Mandell

André Bishop, head of Lincoln Center Theater: $1 million Todd Haimes, Roundabout: $922,000. Oskar Eustis the Public Theater: $659,000 Lynne Meadows, MTC: $565,000 Carole Rothman, Second Sta…

SOURCE: New York Theater at 11:12am on November 4, 2019

Monsoon Season Review: Divorce as a bloody black comedy by Jonathan Mandell

Lizzie Vieh's black comedy about a divorced couple permanently underwater in Phoenix Arizona, is clever and merciless, but it is also oddly compassionate. Exhibit A is the bit with the hermi…

SOURCE: New York Theater at 1:09pm on November 3, 2019

New York Theater Quiz for October 2019 by Jonathan Mandell

How much were you paying attention to New York theater in October? Take this quiz and find out.  

SOURCE: New York Theater at 1:32am on November 2, 2019

November 2019 New York Theater Openings by Jonathan Mandell

  Below is a selection of New York theater opening in November, organized chronologically by opening date, including five on Broadway "  a much anticipated epic gay play, a blockbuster…

SOURCE: New York Theater at 6:01pm on November 1, 2019

The Sound Inside Review: Mary-Louise Parker in Adam Rapp's suspenseful yarn and reading list by Jonathan Mandell

"The Sound Inside" is a dark drama by Adam Rapp that keeps us in the dark, literally and figuratively, which works better while watching it on stage than thinking about it afterwards. Mary-L…

SOURCE: New York Theater at 12:56pm on November 1, 2019

Hamnet Review: Shakespeare's Forgotten Son at BAM. Also: He Did What? by Jonathan Mandell

William Shakespeare's only son, named Hamnet, died when he was 11 years old; a few years later, the playwright wrote "Hamlet."  The Irish theater troupe Dead Centre conjures up the Bard's…

SOURCE: New York Theater at 9:36am on October 31, 2019

Fear Review: Fighting Evil…or Causing It? by Jonathan Mandell

  "How do we fight evil without becoming evil?" asks Ethan, one of the two adult characters in "Fear," a play by Matt Williams.  "Isn't that the central question of the age, this age o…

SOURCE: New York Theater at 12:44pm on October 30, 2019

Freestyle Love Supreme Review: Lin-Manuel Miranda's improv rappers on Broadway by Jonathan Mandell

Freestyle Love Supreme is not so much Lin-Manuel Miranda's Broadway follow-up to Hamilton as it is a subsidiary of Lin-Manuel Inc. The hip-hop improv group that Miranda co-founded 16 years a…

SOURCE: DC Theatre Scene at 6:24pm on October 29, 2019

Freestyle Love Supreme on Broadway by Jonathan Mandell

"Freestyle Love Supreme" is not so much Lin-Manuel Miranda's Broadway follow-up to "Hamilton" as it is a subsidiary of Lin-Manuel Inc.  The hip-hop improv group that Miranda co-founded 16…

SOURCE: New York Theater at 6:03pm on October 29, 2019

Seared Review: Raúl Esparza is Cooking, in Theresa Rebeck's Restaurant Comedy by Jonathan Mandell

Theresa Rebeck's slight but savory comedy  about  running a restaurant stars Raúl Esparza as Harry, a hilariously mercurial chef-owner of a hole-in-the-wall eatery  that's become…

SOURCE: New York Theater at 7:32pm on October 28, 2019

Refugees on Stage. Critics' Death and Rebirth (Review for the Times!) #Stageworthy News of the Week by Jonathan Mandell

Refugees are in the news these days, and their stories have suddenly come to New York stages. "I think it is important to ask an audience to recognize lives that we have literally fenced off…

SOURCE: New York Theater at 11:40am on October 28, 2019

Forbidden Broadway The Next Generation Review. Broadway Barbs Both Lethal and Loving by Jonathan Mandell

Three years after he spoofed "Hamilton" in "Spamilton" (with "I am not throwing away my shot" becoming "I am not gonna let Broadway rot,") Gerard Alessandrini paints Lin-Manuel Miranda less …

SOURCE: New York Theater at 12:36pm on October 27, 2019

The Lightning Thief Review: On Broadway Battling Beasts and Bloat by Jonathan Mandell

I think if I were eight years old I might have loved "The Lightning Thief" on Broadway, but that's mostly because I would then have been too young to have seen it at the Lucille Lortel Theat…

SOURCE: New York Theater at 7:05pm on October 26, 2019

Scotland, PA Review: Macbeth as a 1970s fast food musical comedy by Jonathan Mandell

There is one spectacularly funny moment in this musical comedy version of "Macbeth," which is based on Billy Morrissette's 2001 movie, and is set in a fast-food restaurant in the "podunk tow…

SOURCE: New York Theater at 6:47pm on October 23, 2019

For Colored Girls Who Have Considered Suicide When The Rainbow is Enuf, Back at the Public Theater by Jonathan Mandell

Forty-one years after Broadway said goodbye after 742 thrilling performances to its first (and last) choreopoem, and a year after its author and original performer died at the age of 70, sev…

SOURCE: New York Theater at 8:30pm on October 22, 2019

Is This a Room Review. FBI Interrogation of Reality Winner by Jonathan Mandell

"Is This A Room" stages the verbatim transcript of the FBI interrogation of a 25-year-old former Air Force linguist with the improbable name of Reality Winner, who was eventually sente…

SOURCE: New York Theater at 8:53pm on October 21, 2019

Soft Power Review: David Henry Hwang's Sly Reverse Chinese Musical about America by Jonathan Mandell

David Henry Hwang was attacked by an unknown assailant with a knife and nearly died. That experience, along with the playwright's shock at the results of the 2016 Presidential election and h…

SOURCE: New York Theater at 1:01pm on October 21, 2019

The Rose Tattoo Review: Marisa Tomei in Tennessee Williams' comedy about a love-struck Sicilian widow by Jonathan Mandell

There are many cues to what's wrong with this overly broad third Broadway revival of Tennessee Williams' dated play, starring Marisa Tomei as Serafina Delle Rose, a Sicilian immigrant seamst…

SOURCE: DC Theatre Scene at 2:54pm on October 19, 2019
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