After I saw When January Feels Like Summer"Cori Thomas's counter-stereotypical romantic comedy at Mosaic Theater Company"I found myself thinking back to what happens between two particular c…
For the 24th year, the African-American Collective Theater marked DC Black Pride Weekend with readings of seven short plays, collectively titled 24/7, all written and directed by Alan Sha…
DC audiences last saw Olwen Fouéré in Yaël Farber's Salomé at the Shakespeare Theatre Company playing the narrator character Nameless Woman. With her striking long white hair, deep voc…
Does a play about an incurable progressive disease not sound like something you'd care to see? Does a character's long, lone monologue about her mother's memory loss to Alzheimer's not seem …
Mosaic Theater Company tops off its prodigious first season with an improbably romantic comedy by Liberian-American playwright Cori Thomas. It's about people from different cultures who you …
Watching Julia Coffey's feline and feral performance in the title role of Studio Theatre's sleek and stark staging of Hedda Gabler is to witness the trainwreck that is Ibsen's enigmatic char…
Martin Luther on Trial, the new play by Chris Cragin-Day and that had its world premier in DC at the Lansburgh Theatre, joins the canon of great theatrical works about major figures in re…
We can thank the fickle fates who determine the fluky destinies of local theater programming for Keegan Theatre's inspired late addition of Wendy Wasserstein's An American Daughter to its sp…
On October 31, 1517, a young monk named Martin Luther nailed a list of 95 theses to a cathedral door in Wittenberg, Germany. It was a hammering heard round the world. On the eve of the 500th…
A true story that begins with the desecration of a dead body becomes, before our eyes and hearts, a living and breathing buddy story. Dan O'Brien's The Body of an American is an intimate …
You know you're having an unorthodox experience in theater when there's a near absence of dramatic action in front of you but an epic interplay of ideas happening in your brain. So it goes i…
When Randy Baker told me he had directed a production of Lord of the Flies with a cast of mostly teenage girls, I knew I had to see it. William Golding's classic about British schoolboys who…
At the center of this beautifully ambiguous and hauntingly honest play is a sick infant. The baby is peculiar, perhaps mythically so, in that it glows like the moon. As we enter the theater,…
Believe it or not, this is one terrific piece of theater. It's a one-man play about an influential, world-class thinker that's every bit as smart, fascinating, and satisfying as the best suc…
There was a buzz of high energy as we walked into Ari Roth's office at the Atlas Performing Arts Center to meet with the Founding Artistic Director of the Mosaic Theater Company of DC. We wa…
Caryl Churchill's Cloud Nine, which premiered in London in 1979, is rightly considered a landmark play. It's pivotal for me personally as well, ever since I saw the legendary Tommy Tune prod…
Inside the beltway bubble of local theater making, it's easy to forget how many U.S. citizens are indifferent, if not antipathetic, to live theater. Mainly they express this by voting with t…
Playwright Jennifer Haley has seen the future and it's The Nether, her cerebrally chilling thriller about future tech and future sex. Just opened at Woolly Mammoth Theatre Company in a fanta…
A prophet is not without honor except in his own country, among his own relatives, and in his own house," said a certain prophet of Nazareth long ago. Subtract the word "prophet," swap in "p…
Martin McDonagh is one my favorite living English-language playwrights and I'm not really sure why. His plays are hilarious and horrific at the same time. And I experienced that counterintui…
There is so much sorrow in this show Nine fine actors playing nine parents All mourning dead children Searching to see them again Seeking to be with them one more time Speaking words of unsp…
"All happy families are alike; each unhappy family is unhappy in its own way," as Leo Tolstoy famously said. Had Tolstoy seen Studio Theatre's penetrating production of Deirdre Kinahan's lac…
Shakespeare Theatre Company has missed no opportunity to issue advisories to audiences about to attend the spectacularly intense Headlong production of George Orwell's 1984, now on stage at …
The theater term "packed house" took on all new meaning for me the night I caught this month's OpenStage New Works Showcase. Not only was there no empty folding chair; the show went on stage…
In politics, the expression "Marxist farce" could well be a slur hurled by some puerile and petulant presidential hopeful (you never know these days). In theater, however, the term "Marxist …