748 stories by "John Stoltenberg"
A tour de force performance by Thomas Keegan and masterful stage arts combine to make Solas Nua’s Misterman a jaw-droppingly good show. Directed and choreographed by Artistic Director …
The gutsy woman-centric theater company Nu Sass is notable for producing works that feature women in major roles, onstage and off, typically in a tiny second-floor space on F Street that sea…
A play from the 1980s about revenge for a rape, based on an ancient story from Greek mythology, comes alive in a student production as though it was about now. As though everything in it abo…
For anyone who is more than a little unnerved that President Trump might go off half-cocked and trigger a war"which he could do with as little thought as he puts into a tweet"this civic-mind…
“Why am I a stranger in my own land?” the preternaturally talented actor-writer Dan Hoyle asks during his solo excursion into the heartland of America. Having set forth several y…
He might have had an interesting idea for a solo show. He hadn’t written it yet. but he told Studio Theatre, which had booked him, that its title would be A Short Series of Disagree…
“Even monsters need clothing,” says the bespoke tailor Anselm, an Arab Jew and immigrant, defending why he will sew a vicuña suit for a Republican presidential candidate whom …
The wonder-filled stories that wend their way through In the Red and Brown Water were located by the playwright Tarell Alvin McCraney in “the distant present” in a fictional town…
Having heralded five* Welders productions, I approached Debra Kim Sivigny’s Hello, My Name Is… with both eagerness and wariness. Knowing that Sivigny had chosen as her subject a …
The big laughs in Yasmina Reza’s God of Carnage come from watching grownups behaving badly, and the big joke is that four parents end up acting more like petulant, belligerent children…
Strong writing, passionate acting, and a meaningful purpose combined to make Judge Me Not a gem of a show. An assemblage of monologues around a common theme, the show came with a message:…
Among the revelatory dimensions of this lyrical play is one that caught my attention by surprise. I knew going in that Sotto Voce, by Pulitzer Prize"winning playwright Nilo Cruz, would re…
Rarely have I enjoyed such a perfect union of comic writing, acting, and staging with such non-stop hilarity. Just opened in the intimate Ark theater at Signature. An Act of God, had me d…
When two lovers in life or on stage display an intense interaction of attraction, they are said to have “chemistry.” That elusive feeling may be more than a metaphor, according t…
This season for whatever reason"and far be it from me to speculate"three theater companies in the nation’s capital are presenting Stephen Sondheim’s tunefully insolent tribute to…
Hard to imagine a dramatic work more perfect for undergraduate actors or more pertinent to the racial tensions of our times than Dominique Morisseau’s trenchant Blood at the Root, n…
The great Irish actor Lisa Dwan is in town doing something with the playwright Harold Pinter right now at the Lansburgh Theatre that is utterly amazing. She is both doing Pinter and undoing …
This is a most peculiar play, but in a very good way. It’s more about its form than its content. And that’s what makes it one of Forum Theatre’s most fascinating offerings.…
Post-Play Palaver is an occasional series of conversations between DC Metro Theater Arts writers who saw the same performance, got really into talking about it, and decided to continue their…
In a recent satire published on Medium, the San Francisco writer/actor/comedian Alison Page listed five dozen “Honest Theatre Awards.” Among them was one that struck me as an apt…
Winner of five Helen Hayes Awards last season, Theater Alliance’s production of Word Becomes Flesh is now playing at Anacostia Playhouse in an encore presentation that is garnering eve…
I reported on this extraordinary play when it was a staged reading at Theater J last June and said at the end: “Somebody needs to pick this one up and bring it back.” Well, that&…
There are times in the theater when the particulars of a play"its people, place, and poetics"pull you in as only an arresting, well-told story can. But then something even more interesting b…
In what is surely the most badass, take-no-prisoners performance by a musical artist on a DC stage in recent memory, Miche Braden brings her sensational star turn as Bessie Smith to H Street…
Every great play by Shakespeare takes on altered shades of meanings depending on a production’s directing, design, and acting. That’s a theater truism. Also well-known to practit…
