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162 stories by "John Olson"

Milwaukee - "From Here to Eternity: The Musical" - 4/23/24 by John Olson

... a newly revised musical version of From Here to Eternity by Sir Tim Rice, lyricist of many of the most successful musicals of the past 50 years, along with composer Stuart Brayson, and b…

SOURCE: TalkinBroadway at 10:25am on April 23, 2024[SHARE]

Chicago - "Good Night, Oscar" - 4/10/22 by John Olson

Good Night, Oscar might be suspected of being a vehicle for Hayes, and while it succeeds on that level, it's more than that. It's also a touching biography of Levant, told through the lens o…

SOURCE: TalkinBroadway at 10:42am on April 10, 2022[SHARE]

Review: Into the Woods (Music Theater Works) by John Olson

Music Theater Works' two-weekend, eight-performance run is one of those rare opportunities to see this Sondheim musical performed by a cast that can deliver the goods on both Sondheim's dema…

SOURCE: Chicago Theater Beat at 12:04am on December 30, 2018[SHARE]

Review: Hello, Dolly! (Broadway in Chicago, 2018) by John Olson

This Hello, Dolly! is classic Broadway showmanship in all the most important ways - in Betty Buckley we have a major Broadway performer that we all ought to see at least once, a top flight s…

SOURCE: Chicago Theater Beat at 8:48pm on October 30, 2018[SHARE]

Review: Merrily We Roll Along (Porchlight Music Theatre) by John Olson

With its story of mostly young (22-42 year old) people, Merrily We Roll Along is popular with high school and college groups, but it's rare to find a large scale professional production like…

SOURCE: Chicago Theater Beat at 9:16pm on February 21, 2018[SHARE]

Review: Honeymoon in Vegas (Marriott Theatre) by John Olson

You sorta have to love the rare musical like Marriott Theatre's Honeymoon in Vegas that sets a world we know to music. Sure, it's based on a 25-year-old film comedy, but the targets of this …

SOURCE: Chicago Theater Beat at 7:48pm on September 22, 2017[SHARE]

Review: Trevor the Musical (Writers Theatre) by John Olson

In expanding the story of the short film to a full length (two-hour, including intermission) stage musical, writer Dan Collins and composer Julianne Wick Davis have kept the warmly comic ton…

SOURCE: Chicago Theater Beat at 6:12pm on September 18, 2017[SHARE]

Review: One Thousand Words (Theater Faction) by John Olson

Theater Faction's One Thousand Words is a musical drama that began life under the title Maybe, Someday at Louisiana State University in 2014, where the young writers Michael Braud and Curran…

SOURCE: Chicago Theater Beat at 11:04pm on September 15, 2017[SHARE]

Review: Gypsy (Music Theater Works) by John Olson

Always a demanding musical to produce, this Gypsy is a huge production by any standards. Rudy Hogenmiller, Clayton Cross and Roger Bingaman lead an accomplished cast of 31 performers (that i…

SOURCE: Chicago Theater Beat at 1:06am on August 22, 2017[SHARE]

Antoinette Nwandu's "Pass Over" Debuts at Steppenwolf by John Olson

... Pass Over is using both realism and absurdism to make a powerful piece of political theater. The three styles are seamlessly blended by director Danya Taymor and her superb cast.

SOURCE: TalkinBroadway at 11:21am on June 16, 2017[SHARE]

Steppenwolf Premieres Tracy Letts' "Linda Vista" by John Olson

Letts's script is both funny and intense"and edgy in its depiction and discussion of sex. If the topic of midlife crisis among men is not new, Letts treats it freshly and uncompromisingly.

SOURCE: TalkinBroadway at 4:23pm on April 18, 2017[SHARE]

Review: Uncle Vanya (Goodman Theatre) by John Olson

Anton Chekhov's timeless Uncle Vanya questions how to be kind, loyal and useful to others while being true to oneself is the deeper theme inherent in the play. With ticket prices of $20 to …

SOURCE: Chicago Theater Beat at 12:24am on March 13, 2017[SHARE]

Review: Carmen (Lyric Opera of Chicago, 2017) by John Olson

For Lyric Opera's 2017 production of Geoges Bizet's Carmen, they have successfully adapted it to 1930s Spain. And to amp up the entertainment value, Lyric Opera has brought in Broadway showm…

SOURCE: Chicago Theater Beat at 2:04am on February 26, 2017[SHARE]

Review: Gloria (Goodman Theatre) by John Olson

Playwright Branden Jacobs-Jenkins makes his points clearly and viciously in this sharply-observed satire of contemporary life, his primary target being millennials in the workplace. His dial…

SOURCE: Chicago Theater Beat at 7:06pm on February 9, 2017[SHARE]

Review: The Hunter and the Bear (Writers Theatre) by John Olson

Writers Theatre's world premiere The Hunter and the Bear, created by PigPen Theatre, may be a tad long for what it has to say, but with just a little judicious trimming it can have legs for …

SOURCE: Chicago Theater Beat at 10:12pm on January 23, 2017[SHARE]

Review: Mr. and Mrs. Pennyworth (Lookingglass Theatre) by John Olson

Lookingglass Theatre's Doug Hara has fashioned a charming and touching fable, presented with the help of some highly inventive multi-media stagecraft in this charming and touching world prem…

SOURCE: Chicago Theater Beat at 7:42pm on January 20, 2017[SHARE]

Review: Die Fledermaus (Light Opera Works) by John Olson

Stage Director Rudy Hogenmiller and Music Director Roger L. Bingaman have assembled a dream cast for the 10 principal roles in Die Fledermaus, and the outcome is near perfection. Operettas m…

SOURCE: Chicago Theater Beat at 7:24pm on January 1, 2017[SHARE]

Review: The Christmas Schooner (Mercury Theater Chicago, 2016) by John Olson

As done here, Mercury Theater's The Christmas Schooner is a perfect mid-size production, offering strong visual design and a good sized cast, while still retaining the intimacy of this gentl…

SOURCE: Chicago Theater Beat at 4:18pm on December 22, 2016[SHARE]

Review: The Little Mermaid (Paramount Theatre) by John Olson

Though not produced by Disney, it clearly feels and looks like a Disney-style production in the tradition of their big shows. The original film score has been greatly (and nicely) expanded b…

SOURCE: Chicago Theater Beat at 5:12pm on December 6, 2016[SHARE]

Review: Finding Neverland (Broadway in Chicago) by John Olson

With Broadway in Chicago's Finding Neverland about J.M. Barrie's journey to write Peter Pan, director Diane Paulus has conceived the piece as a most family-friendly entertainment. There's ev…

SOURCE: Chicago Theater Beat at 4:36pm on November 30, 2016[SHARE]

"Hamilton" in Chicago by John Olson

Producers Jeffrey Seller et al have given Chicago a cast that could have opened the show on Broadway.

SOURCE: TalkinBroadway at 12:20pm on October 24, 2016[SHARE]

World Premiere "Prowess" in Chicago by John Olson

Through its four thoroughly original inner-city dwelling characters and a plot that, like Disney's theme park ride Space Mountain, never lets you know exactly where the next turn or free fal…

SOURCE: TalkinBroadway at 9:43am on May 29, 2016[SHARE]

"Mary Page Marlowe" by Tracy Letts World Premiere by John Olson

The life of his titular heroine is examined in 11 scenes, from her infancy just after World War II to a short time before her death in our present day, but they are presented in a non-chrono…

SOURCE: TalkinBroadway at 7:22pm on April 10, 2016[SHARE]

Chicao World Premiere: "Hazel: A Musical Maid in America" by John Olson

If there's one thing this new musical proves, it's that its star, Klea Blackhurst, who in the past has sometimes exploited her vocal resemblance to Ethel Merman, deserves a role made just fo…

SOURCE: TalkinBroadway at 5:34pm on April 9, 2016[SHARE]

Kristine Nielsen is "The Matchmaker" by John Olson

With Hello, Dolly! viewed by many as "fluff," one may wonder what its source material has in common with Wilder's more serious Our Town. Minus the singing and dancing waiters of the Harmonia…

SOURCE: TalkinBroadway at 1:54pm on March 21, 2016[SHARE]
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