'Tis Pity She's A Whore
A teenage girl fidgets on a red-sheeted double bed, headphones jammed to her ears, laptop at the ready, her hair covered by a hood. She kicks her bare feet and twitches the duvet in time wit…
A teenage girl fidgets on a red-sheeted double bed, headphones jammed to her ears, laptop at the ready, her hair covered by a hood. She kicks her bare feet and twitches the duvet in time wit…
This play by the young Finnish writer Sofi Oksanen, drawing on the experience of the Soviet occupation of Estonia, comes to London with a big reputation. As a novel, it won the Prix Femina, …
'She drowned and I was not told!' is the monstrously self-centred response of Shelley on learning of the suicide of his abandoned wife Harriet in Howard Brenton's 1984 play, given a vigorous…
I dropped in to the Donmar box office at a lucky moment last week, just as they released a batch of extra tickets for one of the last performances of Michael Grandage's swansong production, …
Oy vay. The Lyttelton stage in the National Theatre may have seen more weakly written plays than Nicholas Wright's schmaltzy fantasy about the origins of Hollywood, but I can't think of one.…
Directing your first classic English 18th century comedy in the unforgivingly vast surroundings of the Olivier theatre is a high hurdle to jump for a young director like Jamie Lloyd; and it'…
Four burly stokers, their shoulders streaked with sweat and dust, are shovelling coal against the flickering orange light of a furnace. A ship's crew battles against a raging sea, twisting a…
Nobody much under 40 will ever have heard of the Swiss dramatist Max Frisch, although he was one of the big beasts of post-war German-language theatre and died only 20 years ago. So it's hea…
The tiny Jermyn Street Theatre is unusual among London's studio theatres in its location a few steps from Picadilly Circus, and because of its atmosphere, which owes more to old-fashioned We…
Foxes, like them or loathe them, are plentiful. Exciting new plays are harder to find, though the tiny Finborough Theatre in Earls Court is always a good place to start looking. Foxfinder by…
Forget Copenhagen. Come to that, you can forget Hamlet and King Lear as well. Noises Off is not just Michael Frayn's masterpiece but possibly the best play ever written. It is the Mount Ever…
Dear Friend My name is Antipholus of Syracuse. I am the manager of Syracuse Commercial Bank, with private business interest in the following sectors: Real Estate, Tobacco, Gold Dust, Oil and…
This new play by Lizzie Nunnery at Theatre 503 in Battersea is a taut 80-minute two-hander about a Zimbabwean refugee and his female caseworker, which was first produced at the Liverpool Pla…
Coming face to face with Racine four decades after writing essays about his plays is like bumping into a difficult old acquaintance from university and being pleasantly surprised. The man tu…
I was really looking forward to this, after enjoying Earthquakes in London by the same author on the National Theatre's Cottesloe stage. But I left at the interval -- something I rarely do -…
One of my many recurring nightmares when I was Reuters chief correspondent in Paris in the early 1980s was about getting beaten by the opposition on the death of the elderly Duchess of Winds…
You know the feeling when you turn up at a restaurant looking for a meal just before the kitchen is about to close? You smile ingratiatingly and the waiter gives you a table anyway. You feel…
A vintage Underwood typewriter with Cyrillic keyboard weighs as much as a crate of vodka and makes a lethal weapon if one can raise it to shoulder height. We had one in the Reuters office in…
Last night I think I saw the most exciting Hamlet production of my life. On the Antiques Roadshow they show you three teapots and ask you to judge between Good, Better and Best. That's easy …
In the bad old Brezhnev days when I lived in Moscow, there were two things that seemed equally unlikely to ever happen; a rock concert in Red Square, and a performance of a Tom Stoppard play…
There's lots to enjoy in this supremely ambitious revival at the Young Vic of an opera created in 1947 by composer Kurt Weill, lyricist Langston Hughes and playwright Elmer Rice. If it doesn…
After seeing the RSC's direly unfunny The City Madam in Stratford last week, I'm thinking of hiring a charabanc to bring all those involved to Southwark Playhouse for a lesson on how to play…
David Farr's revival of Harold Pinter's The Homecoming at the RSC's Swan theatre in Stratford has the same spine-chilling precision as his 50th anniversary production of The Birthday Party t…
All Rupert Goold's productions are like a high wire act. Mostly they reach the other side unscathed amid deafening applause, and occasionally they plunge to earth. This site-specific work, b…
There are some nights in the theatre which are the equivalent of a lavish three-course meal while others are like tasty inexpensive snacks; this play set in a Chinese restaurant, however, ha…