Review: Macbeth. The kids are alright
If I walked into the Highwood to see the fledgling 4615 Theatre's stab at the Scottish Play with lowered expectations, I hope my readers and colleagues can forgive me. There were numerous re…
If I walked into the Highwood to see the fledgling 4615 Theatre's stab at the Scottish Play with lowered expectations, I hope my readers and colleagues can forgive me. There were numerous re…
If any play is a complete 180º polar opposite of the safe suburban outdoor Shakespeare I reviewed most recently, it is certainly B. Stanley and company's inscrutable, frustrating, and nea…
Ah, the quintessential play set in the magical woods… and performed there as well. Park in the town lot, walk up the hill (or if you or your theatre date wore heels, take the complementary…
Mona Mansour's The Vagrant Trilogy, three one-acts that close Mosaic's third season, is an engaging, troubling and eye-opening tale of displacement and dispossession on a scale that is both …
The Boston theatre community was rocked to its core this spring following a Facebook posting by a 26-year old actor. In this post, the young man recounts in vivid and unsettling detail how, …
One block west of the main drag through Eastern Market, in the cozy Capitol Hill Arts Workshop, the aptly named troupe We Happy Few has an amusing, engaging winner of a show with their take …
An American banker abducted by jihadists in Pakistan must earn his $10 million ransom by making a killing on the market. And as he introduces concepts of high finance to his kidnappers ̵…
Powerhouse director Allison Stockman and her powerhouse resident designer A.J. Guban have created yet another minor miracle of transformation at the Source. As the 14th/U neighborhood around…
When I last encountered Landless — full disclosure, I performed with the group in a 2006 production — they seemed to delight in being charmingly slapdash and a bit ramshackle in …
Take a tip from me. If your jones for hard-nosed detectives, shady nighttime dealings on foggy piers, dive bars serving bathtub gin, torch songs, sassy dames and the like can't be satiated b…
The earliest recorded reference to The Winter's Tale is a 1611 performance at the Globe. Letting my romanticism momentarily override my scholasticism, I find so many elements of the play …
It may seem an odd choice at first for Quotidian to revive a century-old comedy of manners in an era of #metoo. Happily, though he's no George Bernard Shaw (that's OK, I'm no Ben Brantley), …
I feel a bit like Tevye looking to the heavens for assistance. I just saw a very earnest but uneven production of Fiddler on the Roof over in Annapolis, and I could use a little guidance fro…
Imagine a world without Macbeth, The Tempest, Twelfth Night, Taming of the Shrew or Julius Caesar. Before the publishing of Shakespeare's anthologized plays in Folio format in 1623, these pl…
I emerged Saturday night from the Dance Loft on 14th certain of several things. Firstly, that one of the most dangerous things in the world is a young, isolated, ideology-obsessed male. Seco…
My sit-down with DC actor Sara Barker was delayed slightly as I had to field a call from my financial planner about some issue with retirement accounts. As I finally sat down to our late aft…
Prior to seeing Folger's production of Shakespeare's Antony and Cleopatra, I spoke with director Robert Richmond and set designer Tony Cisek about the dramatic transformation of the theatre …
Folger Theatre is transformed dramatically for their production of Antony and Cleopatra, and that dramatic transformation also applies to the play itself. Thus is one of Shakespeare's denser…
It took Olney Theatre, surprisingly, 80 seasons to get around to Thornton Wilder's iconic Our Town, and with acclaimed director Aaron Posner at the helm, they tackle the challenge of what th…
[Ed Note: This post originally ran on Tales of a Squishy Morph] We have two Equity theatre companies in the Boston area in devoted primarily to Shakespeare. Commonwealth Sha…