DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
149 stories by "Jessica Handscomb"

Review: The Knowledge, Charing Cross Theatre by Jessica Handscomb

Long before the days of Google maps and Satnavs, decades before Uber was even a twinkle in CEO Travis Kalanick's eye, and before we had access to the entire world via an oblong in our pocket…

SOURCE: A Younger Theatre at 2:12pm on September 26, 2017

Review: The Provoked Wife, The Hope Theatre by Jessica Handscomb

'Restoration for the new generation' " a bold claim, but I think Marooned Theatre's production of The Provoked Wife pulls it off. It is the second of John Vanbrugh's comedies, after The Rela…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Review: Hot Mess, Lion and Unicorn Theatre by Jessica Handscomb

 Twins Polo (Timothy Renouf) and Twitch (Katrina Allen) are celebrating their 25th birthday. Born with only one heart between them, the twins are something of an unexplained medical mirac…

SOURCE: A Younger Theatre at 4:12am on September 16, 2017

Review: King Lear, Shakespeare's Globe by Jessica Handscomb

Written in 1606, King Lear is Shakespeare's classic tale of the titular mad monarch. George Bernard Shaw wrote of the play 'No man will ever write a better tragedy than Lear', and Nancy Meck…

SOURCE: A Younger Theatre at 7:04am on September 7, 2017

Review: Apologia, Trafalgar Studios by Jessica Handscomb

Apologia, noun: a formal written defence of one's opinions or conduct, not to be confused with an apology. Directed by Jamie Lloyd, Apologia is a volatile family drama set in 2009 in the Eng…

SOURCE: A Younger Theatre at 6:54am on August 18, 2017

Review: The Wasp, Jermyn Street Theatre by Jessica Handscomb

After a successful run at the Hampstead Theatre, followed by a transfer to Trafalgar Studios 2 " The Wasp has made its way to the Jermyn Street Theatre. A two-hander centred on two childhood…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: The Community, The Lion and Unicorn by Jessica Handscomb

Of all the dystopian post-apocalyptic 'comedies' I've seen in the past year, The Community has undoubtedly been the most enjoyable. Reading the show's synopsis, you'd expect another angst-fi…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: Girl from the North Country, Old Vic by Jessica Handscomb

Minnesota, 1934. Following the Wall Street crash of 1929 America entered the Great Depression. The winters in the four years after were harsh and hit Americans hard, with more out of work, h…

SOURCE: A Younger Theatre at 6:36am on August 6, 2017

Review: Fall of Duty, King's Head Theatre by Jessica Handscomb

Festival47 is currently running at the Kings Head Theatre, Islington, until 22nd July, and playing at the festival is Fall of Duty, a story of a baby boomer Mother and millennial Son who att…

SOURCE: A Younger Theatre at 6:54am on July 23, 2017

Review: Macbeth, St. Paul's Church, Covent Garden by Jessica Handscomb

Arguably one of his most famous tragedies, Macbeth is a crafted tale of a fight for power, regicide, murder and psychosis. Initially performed in 1606, Shakespeare taps into the fears of the…

SOURCE: A Younger Theatre at 6:42am on July 7, 2017

Review: Lady Day at Emerson's Bar and Grill, Wyndham's Theatre by Jessica Handscomb

Eleanora Fagan was just 44 when she died. Born in 1915, she was the great grandchild of a slave. Her mother had her when she just was a teenager and her father abandoned them both. She was r…

SOURCE: A Younger Theatre at 10:36am on July 3, 2017

Review: La Traviata, Royal Opera House by Jessica Handscomb

Based on Alexandre Dumas fils' 19th Century novel La Dame aux caméllias, Verdi's beloved opera has returned to the Royal Opera House once again. Richard Eyre's revered production is back, a…

SOURCE: A Younger Theatre at 10:04am on June 26, 2017

Review: Roller Diner, Soho Theatre by Jessica Handscomb

Eddie ‘super-duper businessman’ Costello (Joe Dixon) runs a roller diner in a dreary gang-riddled Birmingham, with the help of his daughter Chantel (Lucie Shorthouse) and waitres…

SOURCE: A Younger Theatre at 7:24am on June 8, 2017

Review: Snapshot, The Hope Theatre by Jessica Handscomb

Written by George Johnston, Snapshot is somewhat of a modern-day love story. Plagued by social media, internships, and rising rent costs, it follows James (Brian Martin) and Daniel (Joey Aku…

SOURCE: A Younger Theatre at 4:12pm on June 1, 2017

Review: Our Ladies of Perpetual Succour, The Duke of York's Theatre by Jessica Handscomb

Adapted by Lee Hall, the creator of Billy Elliot, and based on the novel The Sopranos by Alan Warner, comes the new musical Our Ladies of Perpetual Succour. It follows the story of six Catho…

SOURCE: A Younger Theatre at 10:18am on May 23, 2017

Review: Paper Hearts, Upstairs at the Gatehouse by Jessica Handscomb

After a successful run at 2016 Edinburgh Fringe, Paper Hearts has returned to the stage at Upstairs at the Gathehouse. Originally 75 minutes, the home-grown musical written by Liam O'Raffert…

SOURCE: A Younger Theatre at 3:12pm on May 13, 2017

Review: Threads, The Hope Theatre by Jessica Handscomb

Threads, written by David Lane, imagines a world in where 'there are these invisible threads stretching between lovers and husbands and wives and couples'. The two-hander is the story of wha…

SOURCE: A Younger Theatre at 7:06am on April 17, 2017

Review: 46 Beacon, Trafalgar Studios by Jessica Handscomb

How many of us can look back at a specific night in our lives and recognise that it has changed who we are forever? Bill Rosenfield can, and 46 Beacon is a semi-autobiographical account of a…

SOURCE: A Younger Theatre at 5:06am on April 12, 2017

Review: Consent, National Theatre by Jessica Handscomb

Nina Raine, writer of well received Tiger Country and Olivier-nominated Tribes, is back with a fiercely witty new play that brings the politics of the courtroom into everyday life. Consent f…

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: The Goat, or Who is Sylvia?, Theatre Royal Haymarket by Jessica Handscomb

Modern drama, for me, often evokes the same reaction as modern art does. I consume it, I often enjoy it, but I also am left wondering 'why?'. Why would someone make something like that? Or, …

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: The Goat, or Who is Sylvia?, Theatre Royal Haymarket by Jessica Handscomb

Modern drama, for me, often evokes the same reaction as modern art does. I consume it, I often enjoy it, but I also am left wondering 'why?'. Why would someone make something like that? Or, …

SOURCE: A Younger Theatre at 7:12am on April 10, 2017

Review: Consent, National Theatre by Jessica Handscomb

Nina Raine, writer of well received Tiger Country and Olivier-nominated Tribes, is back with a fiercely witty new play that brings the politics of the courtroom into everyday life. Consent f…

SOURCE: A Younger Theatre at 6:02am on April 9, 2017

Review: Limehouse, Donmar Warehouse by Jessica Handscomb

The Labour party is divided. Its left-wing leader is unpopular within the party, and there are MPs and cabinet members threatening to leave. Labour is tearing itself apart from the inside an…

SOURCE: A Younger Theatre at 3:31pm on March 16, 2017

Review: Homecomings: The Monkey, Theatre503 by Jessica Handscomb

Synergy theatre project, along with Theatre503, bring us Homecomings, a festival of new plays by prisoners and ex-prisoners about getting out and going home. The Monkey, John Stanley's first…

SOURCE: A Younger Theatre at 3:24pm on March 11, 2017

Review: Speech & Debate, Trafalgar Studios by Jessica Handscomb

After a couple of successful off-broadway runs, Stephen Karam’s Speech & Debate has been brought to the West End. Directed by Tom Attenborough, Karam’s play follows three mi…

SOURCE: A Younger Theatre at 7:36am on March 11, 2017
« Previous 25   Page 5 of 6   Next 25 »