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40 stories by "Jesse David Corti"

Los Angeles Theater Review: THE GOOD NEGRO (Hudson Mainstage) by Jesse David Corti

THE SLIPPERY SIGNIFICANCE OF GREAT AND GOOD A person's true character is revealed in crisis. The road to triumph is filled with battles lost and sacrifices made, but overall it is worth the …

SOURCE: Stage and Cinema at 8:59pm on January 24, 2013

Los Angeles Theater Review: DOSTOEVSKY'S NOTES FROM UNDERGROUND (Zombie Joe's Underground) by Jesse David Corti

DOSTOEVSKY’S NOTES FROM UNDERGROUND Dostoevsky's Notes from Underground at Zombie Joe's Underground Theatre in North Hollywood ought not to surface. This willfully banal production of …

SOURCE: Stage and Cinema at 12:45pm on January 21, 2013

Los Angeles Theatre Review: A CHRISTMAS CAROL (A Noise Within) by Jesse David Corti

AN IMPERSONAL CHRISTMAS CAROL What has become of Christmas since Dickens' A Christmas Carol was published in 1843? In spite of the fact that technology has afforded us numerous opportunit…

SOURCE: Stage and Cinema at 2:59am on December 16, 2012

Los Angeles Theater Review: ANYTHING GOES (Ahmanson Theatre) by Jesse David Corti

SOME THINGS GO, SOME THINGS DON'T While it is refreshing that Cole Porter is experiencing a revival, it is unfortunate that the timeless brilliance of his music is attached to musicals whose…

SOURCE: Stage and Cinema at 7:24pm on December 8, 2012

Los Angeles Theater Review: TEA, WITH MUSIC (East West Players) by Jesse David Corti

LIKE ADDING MILK TO GREEN TEA, A GREAT PLAY IS SPOILED BY ADDING MUSIC. Post World War II Era in America isn't a red, white, and blue haven with a backyard and a Buick waiting for everyon…

SOURCE: Stage and Cinema at 6:40pm on November 21, 2012

Los Angeles Theater Review: UNTITLED WARHOL PROJECT (Odyssey and Caminito Theatres) by Jesse David Corti

SILK-SCREEN DEEP Even though icon Andy Warhol passed away twenty-five years ago, his legacy remains elastically strong in all its plastic nature; a man very "American" for being of the cultu…

SOURCE: Stage and Cinema at 2:39pm on November 20, 2012

Los Angeles Theater Review: DEATH OF A SALESGIRL (Bootleg Theater) by Jesse David Corti

BETTER THAN THIN MINTS FROM A GIRL SCOUT The World Premiere of Patricia Scanlon's Death of a Salesgirl is a must-see surreal tragicomedy presented by The Bootleg Theater. Its fresh and innov…

SOURCE: Stage and Cinema at 3:32pm on November 14, 2012

Los Angeles Theater Review: 42nd STREET (Carpenter Performing Arts Center) by Jesse David Corti

FLEET FEET, HOLLOW HEART When notes jostled in and out of the written score during the overture of Musical Theatre West's 42nd Street, it portended a production that doesn't have all the ing…

SOURCE: Stage and Cinema at 10:11pm on October 31, 2012

Los Angeles Theater Review: THE DOCTOR'S DILEMMA (A Noise Within) by Jesse David Corti

JUST WHAT THE DOCTOR ORDERED Even though the legislation for a public health care option passed by Democratic majority in Congress, matters of wellness and proper treatment are anxieties tha…

SOURCE: Stage and Cinema at 4:42pm on October 24, 2012

Los Angeles Theater Review: ROOM 105: THE HIGHS AND LOWS OF JANIS JOPLIN (Macha Theatre) by Jesse David Corti

JOPLIN TRIBUTE NEEDS TO TRY, NOT A LITTLE BIT, BUT A LOT HARDER 42 years ago, Janis Joplin joined fellow rock visionaries Jimi Hendrix and The Rolling Stones' Brian Jones in the "27 Club," a…

SOURCE: Stage and Cinema at 12:26pm on October 10, 2012

Los Angeles Theater Review: DANGEROUS CORNER (Crown City Theatre) by Jesse David Corti

GIVE UP THE GHOST AND GIVE US WHAT'S REAL The multi-hyphenate J.B. Priestley (Author-Novelist-Playwright-Critic-Essayist-Political Commentator) commented, "Comedy, we may say, is society pro…

SOURCE: Stage and Cinema at 11:29pm on October 1, 2012

Los Angeles Theater Review: ROME AT THE END OF THE LINE (24th Street Theatre) by Jesse David Corti

SOMETHING BEAUTIFUL HAS ARRIVED Daniel Serrano's Roma al final de la Vía (Rome at the End of the Line) is a highly recommended diamond-in-the-rough, and the 24th Street Theatre presents i…

SOURCE: Stage and Cinema at 11:52am on September 18, 2012

Los Angeles Theater Review: I LOVE A PIANO (Plummer Auditorium in Fullerton) by Jesse David Corti

AMERICANA NOT DEAD YET! Composer Jerome Kern said, "Irving Berlin has no place in American music. Irving Berlin is American Music." This understanding is precisely what Ray Roderick and Mich…

SOURCE: Stage and Cinema at 8:04pm on September 11, 2012

Los Angeles Theater Review: THE BELLFLOWER SESSIONS (Whitefire Theatre in Sherman Oaks) by Jesse David Corti

THE PLAYWRIGHT MUST HAVE EATEN A PILLOW, BECAUSE THIS PLAY IS DOWN IN THE MOUTH Andy Bloch's The Bellflower Sessions is a bleak, black comedy about Jack Calvin, a victim of "The Great Recess…

SOURCE: Stage and Cinema at 6:43pm on September 10, 2012

Los Angeles Theater Review: ALL THE KING'S MEN (El Portal Theatre in North Hollywood) by Jesse David Corti

IT'S THE PERFECT YEAR FOR THIS POWERFUL STORY, BUT FOR THIS PRODUCTION..? It must be an election year, as artistic directors all around the nation are presenting Adrian Hall’s meaty 19…

SOURCE: Stage and Cinema at 8:41pm on August 26, 2012
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