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40 stories by "Jesse David Corti"

Film Review: LA LA LAND (written and directed by Damien Chazelle) by Jesse David Corti

LA LA LAND STARTS WITH OOH-LA-LA BUT LANDS HARD In some ways, La La Land promises to be a moving, old-fashioned romantic musical that plays around with old techniques and presents t…

SOURCE: Stage and Cinema at 7:51pm on December 9, 2016

Los Angeles Theater Review: A PERFECT LIKENESS (Fremont Centre Theatre in Pasadena) by Jesse David Corti

LIKING THIS LIKENESS Writer/producer/director Daniel Rover Singer's A Perfect Likeness imagines a meeting between Charles Dickens and Charles Dodgson–better known by the alias, Lewis C…

SOURCE: Stage and Cinema at 3:40pm on November 14, 2013

Los Angeles Theater Review: CYRANO (Independent Shakespeare Co.) by Jesse David Corti

SIRRAH, NO Cyrano de Bergerac is the story of a fearless, witty, charismatic romantic whose grotesque nose prevents him from pursuing Roxanne, the woman he loves. Roxanne is smitten by Chris…

SOURCE: Stage and Cinema at 2:29pm on November 11, 2013

Los Angeles Theater Review: PERICLES, PRINCE OF TYRE (A Noise Within in Pasadena) by Jesse David Corti

POSITIVELY PEERLESS PERICLES There's a certain respect lost among most national leaders today, especially here in America, due to the excessive regard for individuals graduated from northeas…

SOURCE: Stage and Cinema at 1:42am on September 18, 2013

Los Angeles Theater Review: AH, WILDERNESS! (Actors Co-op) by Jesse David Corti

AH, GOOD THEATER! Ah, Wilderness! is Pulitzer and Nobel Prize-winning O'Neill's only comedy, and he describes it as, "a wistful recollection…the kind of childhood I wished I had growing up…

SOURCE: Stage and Cinema at 2:50am on September 13, 2013

Los Angeles Theater Review: A SHORT STAY IN CARRANOR (Theatre West) by Jesse David Corti

TOO MUCH OF TOO LITTLE FOR TOO LONG An aged widow and an even more aged married man have a shared, passionate history with each other that ended after during World War II. Now, nearly sevent…

SOURCE: Stage and Cinema at 1:14pm on August 31, 2013

Los Angeles Theater Review: THE LAST DAYS OF MARY STUART (Son of Semele Ensemble) by Jesse David Corti

AND NOW FOR A BRIEF INTERLUDE What's hip these days? It's the old tradition of taking idiosyncratic history or historical figures and putting the stories and details to music. Sufjan Stevens…

SOURCE: Stage and Cinema at 2:57am on July 14, 2013

Los Angeles Theater Review: A FRIED OCTOPUS (Bootleg Theater) by Jesse David Corti

BRAIN FRIED Retaining a cephalopod's far-ranging spinelessness and wide-ranging tentacles, Alicia Adams and Justin Zsebe's vanity work, A Fried Octopus, makes a squishy thud at The Bootleg. …

SOURCE: Stage and Cinema at 12:38am on May 31, 2013

Los Angeles Theater Review: CHESS (East West Players) by Jesse David Corti

ALL THE WRONG MOVES The musical Chess highlights the tongue-twisting, swift, and pithy lyrics by Tim Rice and the soaring, dazzling music by Benny Andersson and Björn Ulvaeus of ABBA fame. …

SOURCE: Stage and Cinema at 7:20pm on May 20, 2013

Los Angeles/Regional Theater Review: THE PARISIAN WOMAN (South Coast Repertory in Costa Mesa) by Jesse David Corti

THE PETITE POLITIQUE Few playwrights have it as good as Beau Willimon at the moment; he's a critical and commercial success on all three major platforms"stage, screen, and stream. His play F…

SOURCE: Stage and Cinema at 6:54pm on April 26, 2013

Los Angeles Theater Review: WILD UP: BROOKLYN | BRIDGE TO PALM (REDCAT) by Jesse David Corti

PASSION OVER PERFECTION wild Up is an electric ensemble of twenty-two twenty-somethings who vigorously perform a maelstrom of eclectic musical works ranging from J.S. Bach to They Might Be G…

SOURCE: Stage and Cinema at 10:28pm on April 21, 2013

Los Angeles Theater Review: SLIPPING (Lillian Theatre in Hollywood) by Jesse David Corti

NO SLIPS HERE After previous productions in Chicago and New York, Daniel Talbott's first play Slipping touches down in Los Angeles and serves as both the inaugural production of Rattlestick …

SOURCE: Stage and Cinema at 2:09am on April 16, 2013

Los Angeles Theater Review: AMERICAN BUFFALO (Geffen Playhouse in Westwood) by Jesse David Corti

THE GEFFEN PRODUCTION OF AMERICAN BUFFALO PREFERS TO GRAZE RATHER THAN STAMPEDE The script of David Mamet's assaulting and brutal American Buffalo still packs bite after thirty-eight years. …

SOURCE: Stage and Cinema at 1:27pm on April 14, 2013

Los Angeles Theater Review: THE BEAUX' STRATEGEM (A Noise Within in Pasadena) by Jesse David Corti

RESTORED RESTORATION Northern Irish playwright George Farqhuar died at the tender age of 30, in 1707. However, he finished writing one last play before his passing, The Beaux' Stratagem, a r…

SOURCE: Stage and Cinema at 8:14pm on April 13, 2013

Los Angeles Theater Review: THE BARGAIN AND THE BUTTERFLY (Artworks Theatre in Hollywood) by Jesse David Corti

A BUTTERFLY THAT’S STILL IN THE COCOON Katherine Noon's latest ensemble workshop-developed hydra creation, The Bargain and the Butterfly, takes its inspiration from Nathaniel Hawthorne…

SOURCE: Stage and Cinema at 7:11pm on April 3, 2013

Los Angeles Theater Review: EURYDICE: (A Noise Within in Pasadena) by Jesse David Corti

MYTH UNDERSTOOD Sarah Ruhl's Eurydice is classical in its mythological origins but forges a modern path with a point of view modification and feministic flair. The original Greek myth of …

SOURCE: Stage and Cinema at 3:10pm on March 29, 2013

Los Angeles/Tour Theater Review: ONE NIGHT WITH JANIS JOPLIN (Pasadena Playhouse) by Jesse David Corti

ONE NIGHT WITH PEARL Break out the Southern Comfort and feathered boa, One Night with Janis Joplin is a helluva concert experience presented at the Pasadena Playhouse. Writer-director-creato…

SOURCE: Stage and Cinema at 12:43pm on March 24, 2013

Los Angeles Theater Review: MRS. WARREN'S PROFESSION (Antaeus Theatre Company) by Jesse David Corti

HOW TO SUCCEED CHAUVINISTIC INHUMANITY WITHOUT REALLY TRYING We live in a nation where people celebrate socialite Kim Kardashian, who bore a child with a man who's not her husband. Sexual in…

SOURCE: Stage and Cinema at 11:33am on March 23, 2013

Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre) by Jesse David Corti

WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry's newest work, Mommune. "Mom…

SOURCE: Stage and Cinema at 5:15pm on March 12, 2013

Los Angeles Theater Review: THE LAST DAYS OF JUDAS ISCARIOT (Victory Theatre in Burbank) by Jesse David Corti

THE PLAY ABOUT A TRIAL ULTIMATELY BECOMES A TRIAL TO WATCH Stephen Adley Guirgis' The Last Days of Judas Iscariot is a courtroom drama set in Purgatory where the guilty or not guilty verdict…

SOURCE: Stage and Cinema at 3:43pm on March 8, 2013

Los Angeles Theater Review: THE GRAPES OF WRATH (A Noise Within) by Jesse David Corti

RIPPED TO RAGS IN A BEAUTIFUL WAY John Steinbeck's Pulitzer Prize and National Book award-winning novel The Grapes of Wrath operates as both a harrowing portrait of the American struggle for…

SOURCE: Stage and Cinema at 3:03pm on February 27, 2013

San Diego Theater Review: PYGMALION (Old Globe) by Jesse David Corti

GALATEA COMES TO LIFE Transformation. Evolution. Metamorphosis. These words are often confined to biological definition, abused in a critic's articulation, and criminally under-applied by ar…

SOURCE: Stage and Cinema at 6:15pm on February 11, 2013

Los Angeles Dance/Theater Review: TRAVERSE (Arcosm at Theatre Raymond Kabbaz) by Jesse David Corti

CROSS OVER FROM ROUTINE AND VIVE LE VIE Napoleon's vision to make the world his grand empire of France was stifled by his winter campaign in Russia and his defeat at Waterloo. However, what …

SOURCE: Stage and Cinema at 7:48pm on February 7, 2013

Los Angeles Theater Review: BACKBEAT: THE BIRTH OF THE BEATLES (Ahmanson Theatre) by Jesse David Corti

TALK ABOUT A LONG AND WINDING ROAD So, this cool cat painter, a blonde Frau, and several Liverpool lads named John, Paul, George, and Pete walk into a bar in Hamburg… While this sounds lik…

SOURCE: Stage and Cinema at 11:38pm on February 4, 2013

Los Angeles Theater Review: TRACK 3 (Bootleg Theater) by Jesse David Corti

RUSHIN' RUSSIAN Track 3 at the Bootleg Theater is a peculiar sort. Richard Alger's adaptation of Anton Chekhov's classic Three Sisters is better described as a transmogrification of the text…

SOURCE: Stage and Cinema at 2:46am on January 27, 2013
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