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212 stories by "Jason Rohrer"

Theater Commentary: ON DAVID MAMET'S LATEST NATIONAL REVIEW ESSAY by Jason Rohrer

OLEYAWNA There are useful points to be brought against the fact of every Broadway show having been written by a member of a single race this season. Comically, David Mamet's latest McEssay i…

SOURCE: Stage and Cinema at 7:00pm on September 9, 2021

Los Angeles Theater Review: PURE CONFIDENCE (Lower Depth Theatre Ensemble at Sacred Fools) by Jason Rohrer

PURE CONFIDENCE BY A NOSE Featuring a bright, pretty Tom Buderwitz set, Lower Depth Theatre Ensemble’s Pure Confidence is a chance to see something increasingly rare under Equity rules…

SOURCE: Stage and Cinema at 2:52am on May 8, 2017

Los Angeles Theater Review: PERICLES (The Porters of Hellsgate in North Hollywood) by Jason Rohrer

PRINCE ON FIRE Chronicling the lurid and lamentable swashbuckles of a permanent ingenue, Pericles is a Book of Job for the Age of Reason. If the play were self-aware enough to be cynical, wi…

SOURCE: Stage and Cinema at 1:35am on May 7, 2017

Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at the Kirk Douglas Theatre) by Jason Rohrer

THE LOVE CONTINUES [Editor's Note: To celebrate the work being done on intimate stages in Los Angeles, the Center Theatre Group (CTG) is producing Block Party at the Kirk Douglas Theatre. CT…

SOURCE: Stage and Cinema at 2:58am on April 17, 2017

Theater Feature: BRIDGE TO AFRICA! (B.R.I.D.G.E. Theatre Project in Kigali, Rwanda) by Jason Rohrer

BRIDGE TO SOMEWHERE I once picked up a hitchhiker a half-mile from a state prison. It was dusk. He wore prison blues and carried a child’s backpack full of knives, cigarette lighters a…

SOURCE: Stage and Cinema at 2:35am on April 15, 2017

Los Angeles Cabaret Review: ABSINTHE (Spiegelworld Tent at L.A. Live) by Jason Rohrer

TITS AND SASS My only problem with 20 year old acrobats and showgirls is that they’re not going to date me while I’m in Las Vegas to catch a show. The casinos that hire them aren…

SOURCE: Stage and Cinema at 1:15am on March 27, 2017

Los Angeles Theater Review: RULES OF SECONDS (Los Angeles Theatre Center) by Jason Rohrer

GOOD FORM AND OTHERS Most playwrights look like they’d rather kiss an ass than kick it. I like John Pollono because he looks like he came expressly to throw a beating, and so it is fac…

SOURCE: Stage and Cinema at 8:45pm on March 25, 2017

Los Angeles Theater Review: THE TOWN HALL AFFAIR (The Wooster Group at REDCAT) by Jason Rohrer

BOYS AND GIRLS TOGETHER Having complained more than once that postmodern deconstruction often a) picks on literature that can’t fight back and b) discourages dialogue by speaking in…

SOURCE: Stage and Cinema at 2:02pm on March 23, 2017

Los Angeles Theater Review: THE OFFENDING GESTURE (Son of Semele Ensemble) by Jason Rohrer

DEFENSIVE ACTION Richard Brinsley Sheridan learned the consequence of gesture earlier than most of us. At 21, he fought two duels with the same man over the same woman; having once spared hi…

SOURCE: Stage and Cinema at 2:03am on March 20, 2017

Los Angeles Theater Review: LONG DAY'S JOURNEY INTO NIGHT (Geffen Playhouse in Westwood) by Jason Rohrer

ALTERNATIVE FACTS Eugene O’Neill is one of those gigantically influential artists whom it is often difficult for later generations to enjoy. The innovations he cribbed from Ibsen and C…

SOURCE: Stage and Cinema at 3:20am on February 11, 2017

Los Angeles Theater Feature: RUBY LAPEYRE (now in "Thoroughly Modern Millie" at Morgan-Wixson) by Jason Rohrer

THOROUGHLY THESPIAN Youth theater is mostly musicals, and many musicals are essentially infantilizing entertainments, most appropriate to teaching children how to perform. The kids themselve…

SOURCE: Stage and Cinema at 4:54pm on December 15, 2016

Los Angeles Theater Feature: IMPRO THEATRE'S HOLIDAY OFFERINGS, 2016 by Jason Rohrer

IMPRO FOR THE HOLIDAYS -dad- Family sucks. Spending time with the people you moved away from is so un-American, so anti-Manifest Destiny, such an embarrassing parochial guilt-trip, that it&#…

SOURCE: Stage and Cinema at 2:47pm on December 4, 2016

Los Angeles Theater Review: ICEBERGS (Geffen) by Jason Rohrer

METHANE DEPOSIT A new play opened at the Geffen this week. It is called Icebergs, and it was written by Alena Smith. It was directed by Playhouse artistic director Randall Arney. It is a sho…

SOURCE: Stage and Cinema at 9:02pm on November 20, 2016

Los Angeles Theater Review: 1984 (Greenway Arts Alliance at the Greenway Court Theatre) by Jason Rohrer

LOVE STORY Watching 1984 live, in a roomful of high school students, my biggest surprise was how long two minutes lasts. I’m a hateful person now, and as a teenager even more so, but d…

SOURCE: Stage and Cinema at 5:54pm on November 16, 2016

Los Angeles Theater Review: URINETOWN: THE MUSICAL (Coeurage Theatre in North Hollywood) by Jason Rohrer

AGITPOOP When Urinetown opened up Off-Broadway in 2001, then splashed all over Broadway just after 9/11, the show was hailed as a Brechtian revamp of musical theater. About an overpopulat…

SOURCE: Stage and Cinema at 7:34pm on November 9, 2016

Los Angeles Theater Review: HANSEL & GRETEL BLUEGRASS (24th Street Theatre) by Jason Rohrer

FAIRY TALE THEATER Debbie Devine and Jay McAdams are a theater couple. They’ve been putting up shows for a long time. If you and your love dream of having your own space and staging yo…

SOURCE: Stage and Cinema at 6:05pm on November 7, 2016

Los Angeles Theater Review: VICUÑA (Kirk Douglas Theatre in Culver City) by Jason Rohrer

TWO HOURS HATE While getting fitted for a hundred-thousand dollar suit, a gross presidential-candidate billionaire argues politics with his immigrant tailor. Several monologues inform the bi…

SOURCE: Stage and Cinema at 2:40pm on October 31, 2016

Los Angeles Theater Review: BLUEBERRY TOAST (The Echo Theater Company in Atwater Village) by Jason Rohrer

INCONVENIENT TRUTH A show as good as Blueberry Toast should be a city-wide phenomenon but it’s going up in Atwater Village, so not a lot of people from the West Side are going to see i…

SOURCE: Stage and Cinema at 1:38pm on October 22, 2016

Los Angeles Theater Review: A TASTE OF HONEY (Odyssey Theatre Ensemble) by Jason Rohrer

EAU DE MANCHESTER Kim Rubinstein’s new Odyssey production treats Shelagh Delaney’s 1958 A Taste of Honey not as a Chippendale museum piece but, smartly, as a serviceable old Sear…

SOURCE: Stage and Cinema at 5:00pm on October 9, 2016

Los Angeles Theater Review: AND THEN THEY FELL (Brimmer Street Theatre Company) by Jason Rohrer

FELLED Brimmer St. Theatre Co. only puts up a play when it thinks it’s got one worth doing, and always one that it has developed in-house. Some years it doesn’t produce anything …

SOURCE: Stage and Cinema at 11:49am on September 23, 2016

Los Angeles Theater Review: A LIGHT IN DARK PLACES: A COLLECTION OF PLAYS FOR HOPE (Stella Adler Lab in Hollywood) by Jason Rohrer

SUICIDE ISN’T PAINLESS My dad had a great record collection. At 16, I would drive over after school to smoke cigarettes and listen to Stan Getz. One afternoon I found Pop putting his a…

SOURCE: Stage and Cinema at 7:04pm on September 12, 2016

Regional Theater Review: DISTRICT MERCHANTS (Folger Theatre in Washington D.C.) by Jason Rohrer

"IT SHALL GO HARD BUT I WILL BETTER THE INSTRUCTION" Deep into the world premiere of Aaron Posner’s variation on The Merchant of Venice last Saturday, Shylock pointed at me from the st…

SOURCE: Stage and Cinema at 5:56am on June 20, 2016

Regional Theater Review: BAKERSFIELD MIST (Olney Theatre Center in Maryland) by Jason Rohrer

THE FOGGIEST In a 2007 issue of Washington Post Magazine, Gene Weingarten recounts Joshua Bell’s 45 minutes busking in a D.C. Metro station. One of the world’s most famous violin…

SOURCE: Stage and Cinema at 6:24am on May 16, 2016

Los Angeles Theater Review: BROKEN FENCES (The Road on Magnolia in North Hollywood) by Jason Rohrer

FENCES THIS AIN’T We are taught that tolerance is a virtue, that common ground is not only findable but a state of mind. We are taught that our obligation is to our neighbor as much as…

SOURCE: Stage and Cinema at 1:32pm on March 26, 2016

Los Angeles Theater Review: SLEUTH (Little Fish Theatre Company in San Pedro) by Jason Rohrer

YOU WANT THE SLEUTH..? The kind of intimate theater I saw Sunday is targeted for elimination by Actors’ Equity Association: Low-tech projects, produced of donated resources without …

SOURCE: Stage and Cinema at 10:33pm on March 14, 2016
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