44 stories by "Jason Clark"
Faith or no faith, whatever denomination you wish to call yourself, Passion Play more than lives up to its title.
The post <em>Sarah Ruhl's Passion Play</em> at the Irondale Cent…
Brian Kulick's herky-jerky production is never quite sure what to do with the great Dianne Wiest.
The post <em>The Forest</em> at Classic Stage Company appeared first on Slant Ma…
Somehow a fully-cast sextet sloppily became a quartet in Beth Henley's logy, often risible play Family Week.
The post <em>Family Week</em> at the Lucille Lortel Theatre appeared …
Sometimes an actor just has to come home to roost to rediscover just what they were put out there for in the first place.
The post Review: <em>Fences</em>, Starring Denzel Washin…
Signal the thunderclaps: Stephen Sondheim turned 80 this year, and everyone is partyin' like it's 1999 for the man.
The post Master Class: <em>Sondheim on Sondheim</em> and <e…
Bloody Bloody Andrew Jackson is historical revisionism for the late-term SNL era.
The post Am I Too Old for This Shit?: <em>Bloody Bloody Andrew Jackson</em> at the Public Theate…
If you're ready to have a gay old time, the funny flurries are showering New York these days.
The post Silly Boys and Girls (and Puppets): <em>Lend Me a Tenor</em> and <em>…
A Cool Dip in the Barren Saharan Crick feels woefully under-rehearsed when not just plain amateurish.
The post Strangers in a Strange Land: <em>A Cool Dip in the Barren Saharan Crick&l…
There's a lot going on in its 75 minutes, and it's great to see someone truly using the vast entirety of the wonderful Ellen Stewart Theater at La MaMa.
The post Sex and Violence in Downtown…
Dylan Baker, always a reliable assist in stage and film, does work that is nothing short of transformative.
The post One Year Revisited: <em>God of Carnage</em> on Broadway appea…
Suzan-Lori Parks's blackly comic Southern gothic is sprinkled with poetic assertions on postwar distress and home-life abuses.
The post Review: Suzan-Lori Parks's <em>The Book of Grace…
Next Fall isn't about "old" times per se, but its content seems firmly rooted in the seriocomic patterns of seasoned old pros.
The post Gay Old Times, Part Deux: <em>Next Fall</em&g…
Despite its historical nature, The Temperamentals is anything but a dry history lesson.
The post Great Performances: <em>The Temperamentals</em> and <em>Venus in Fur</em…
It's awfully hard not to feel like you're missing something throughout this Miracle Worker.
The post <em>The Miracle Worker</em> at Circle in the Square appeared first on Slant M…
Here is a tragedy told with absolutely no momentum.
The post <em>Blind</em> at Rattlestick Playwrights Theater appeared first on Slant Magazine.
A gay renaissance appears to be hitting NYC theater these days.
The post Gay Old Times: <em>The Boys in the Band</em> and <em>Yank!</em> appeared first on Slant Magaz…
The strength of Clybourne Park lies in how Bruce Norris keeps subverting the types represented.
The post Review: Bruce Norris's <em>Clybourne Park</em> at Playwrights Horizons ap…
If Psych ever goes the way of this play's title, he's got a home on the stage whenever he wants it.
The post <em>Extinction</em> at the Cherry Lane Theatre appeared first on Slan…
The thumbprint of Alan Ayckbourn seems firmly impressed into the pages of playwright Lucinda Coxon's Happy Now?
The post <em>Happy Now?</em> at Primary Stages appeared first on S…
