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135 stories by "James Jorden"

Lincoln Center is primed to take on 'Don' by James Jorden

It's been staged as a frilly farce, a Greek tragedy, a Freudian case study -- even a "ripped from the headlines" shocker about a coke-fueled date rapist. So versatile a masterpiece is Moz…

SOURCE: The New York Post Subscription at 11:28pm on July 31, 2011

New stars aria hit in the park by James Jorden

Opera an elitist art? Tell that to the more than 2,500 people who braved a sweltering Monday night to cheer the Met's Summer Recital Series at Central Park SummerStage. Seated on folding …

SOURCE: The New York Post Subscription at 11:30pm on July 12, 2011

'Tell' hits its mark by James Jorden

Even to hard-core opera buffs, Rossini's "Wil liam Tell" is known best for its rousing overture, a k a the "Lone Ranger" theme. But at Caramoor Saturday night, the majestic work was revealed…

SOURCE: The New York Post Subscription at 11:09pm on July 10, 2011

This piccolo 'Flute' works like magic by James Jorden

Subtract the magic and the flute from Mo zart's "The Magic Flute," and you'd think there'd be nothing. But an adaptation of this opera at the Lincoln Center Festival on Wednesday conjured a …

SOURCE: The New York Post Subscription at 10:42pm on July 6, 2011

Just don't let this fox guard the opera house by James Jorden

Asinging crossbreed -- a fox with human in telligence -- stars in Leos Janacek's opera, "The Cunning Little Vixen." If only the New York Philharmonic's semistaged performance Wednesday night…

SOURCE: The New York Post Subscription at 11:05pm on June 23, 2011

Don't let this fox guard the opera house by James Jorden

A singing crossbreed " a fox with human intelligence " stars in Leos Janacek's opera, "The Cunning Little Vixen." If only the New York Philharmonic's semistaged performance Wednesday night w…

SOURCE: The New York Post Subscription at 12:53pm on June 23, 2011

First-rate work for 'second' Met conductor by James Jorden

If, as rumor has it, conductor Fabio Luisi is poised to suc ceed the ailing James Levine as music director of the Met, Saturday afternoon's elegant performance of "Ariadne auf Naxos" showed …

SOURCE: The New York Post Subscription at 10:53pm on May 8, 2011

To hell and back for magic of love, music by James Jorden

A journey to hell yielded heavenly music Friday night at the Met's revival of "Orfeo ed Euridice." For this 1762 work, Gluck chose the Greek myth of Orpheus, the musician who braves Hades…

SOURCE: The New York Post Subscription at 12:16am on May 2, 2011

The gods were not with this Met production by James Jorden

In "Die Walkure," the second installment of Wagner's four- part "Ring" cycle, the god Wotan enlists his children to recover the stolen Ring of the Nibelung, a source of infinite power carryi…

SOURCE: The New York Post Subscription at 12:08am on April 25, 2011

Met's 'Die Walkure' is cursed by James Jorden

IN "Die Walkure," the second installment of Wagner's four-part "Ring" cycle, the god Wotan enlists his children to recover the stolen Ring of the Nibelung, a source of infinite power carryin…

SOURCE: The New York Post Subscription at 2:27pm on April 24, 2011

Change the channel by James Jorden

First witches, now ghosts. But while Broadway's "Wicked" proved golden for Stephen Schwartz, his "Séance on a Wet Afternoon," came up lifeless and damp Tuesday night at its City Opera premi…

SOURCE: The New York Post Subscription at 1:19pm on April 20, 2011

Opera is looking toward a gory-ous future by James Jorden

When "Die Walkure" opens at the Met Fri day, expect standing ovations for conductor James Levine and singers Deborah Voigt and Bryn Terfel -- and mild applause or a boo or two for director R…

SOURCE: The New York Post Subscription at 11:01pm on April 17, 2011

Levine returns, Met soldiers on by James Jorden

Alban Berg's "Woz zeck," about a bullied soldier's descent into madness, is one of the grimmer operas around. Yet it was cause for jubilation Wednesday night when Met music director James Le…

SOURCE: The New York Post Subscription at 11:22pm on April 7, 2011

Levine back with a bang by James Jorden

Alban Berg's "Wozzeck," about a bullied soldier's descent into madness, is one of the grimmer operas around. Yet it was cause for jubilation Wednesday night when Met music director James Lev…

SOURCE: The New York Post Subscription at 12:05pm on April 7, 2011

Incompetent 'Comte' by James Jorden

Take a sexy comedy, add Rossini's scrumptious melo dies, then fold in world-class singers and a Tony-winning director. Now pray it doesn't turn out like the sodden soufflé that is the Me…

SOURCE: The New York Post Subscription at 11:25pm on March 30, 2011

Monodramas: Dramas, then a payoff by James Jorden

Esoteric music staged by an operatic outsider paid off for the New York City Opera on Friday night with "Monodramas," a program of three single-character operas. Though the works weren't …

SOURCE: The New York Post Subscription at 12:41am on March 28, 2011

The eclectic 'company' by James Jorden

The New York Philharmonic has one of the most sought-after shows this season as it veers from its classic repertoire for a production of Stephen Sondheim's "Company" from April 7 to 9. Prese…

SOURCE: The New York Post Subscription at 12:58am on March 23, 2011

Wasn't in the cards by James Jorden

The first rule of gam bling is: You win some, you lose some. Still, it's heartbreaking that on Friday at the Met, an opera about a compulsive gambler, "The Queen of Spades," barely broke eve…

SOURCE: The New York Post Subscription at 11:21pm on March 13, 2011

Wherefore art thy chemistry? by James Jorden

SHAKESPEARE called Romeo and Juliet "star-cross'd lovers" -- and the Met's performance Thursday of Gounod's operatic version, "Roméo et Juliette," was also plagued by hard luck. The offs…

SOURCE: The New York Post Subscription at 1:30am on March 7, 2011

An opera worth wading for by James Jorden

When a show takes place by a lake, its director can take several ap proaches: hang a backdrop, proj ect watery ripples on the stage -- or have someone say, "Hey, look at that beautiful lake!…

SOURCE: The New York Post Subscription at 11:35pm on February 27, 2011

Met set for safe season by James Jorden

Math is hard, even for Met master mind Peter Gelb. The company's general manager kicked off his season preview last week boasting that, since he took office in 2006, the average age of th…

SOURCE: The New York Post Subscription at 11:31pm on February 20, 2011

Grecian formula works for Domingo by James Jorden

At a time of life when most opera singers can barely re member their glory days, 70-year-old Placido Domingo is still giving performances singers half his age could be proud of. The legen…

SOURCE: The New York Post Subscription at 12:27am on February 14, 2011

Nixon opera is a tricky shtick by James Jorden

A milestone in history, a hyped Met premiere and a gaggle of A-list artists added up to something less than a sensation Wednesday night when the Metropolitan Opera offered its first performa…

SOURCE: The New York Post Subscription at 11:06pm on February 3, 2011

Thou shalt hear this fine work about Moses by James Jorden

A blizzard seemed an incongru ous prelude to an opera set in sizzling biblical Egypt, but the trudge through snowy SoHo on Wednesday night paid off with a glimpse of the intriguing new "Mosh…

SOURCE: The New York Post Subscription at 10:38pm on January 27, 2011

Masterful maestro shines in tale of politics, love and loss by James Jorden

No sooner had the cheers faded for James Levine's arrival at the Met podium Thursday than a shout rang out from the balcony: "Bravo, maestro!"" sparking a second ovation warmer than the firs…

SOURCE: The New York Post Subscription at 2:39pm on January 21, 2011
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