"Proof" remains a scintillating play. Its questions about hereditary mental illness, the truth, and who can be labeled a genius " especially with a Black woman at the center " continue to re…
The more seasoned Broadway actors have the run of the stage: Ha's Hal is layered and endearing, and Kara Young"as Catherine's bougie and bossy sister, Claire, a currency analyst"is terrific …
On stage, in her Broadway debut, Edebiri leaves it to the other actors to carry the drama. That's not a great choice, but it makes for an effective first act, because the other actors are so…
A few technical missteps are nonetheless minor compared with the serious performance troubles at the heart of Kail's Proof. And yet, the unassuming strength of Auburn's writing manages to sh…
"Proof" is one of the best American dramas to emerge in the last decade of the 20th century, a script ripe for revival not least for how beautifully it focuses on a little family of imperfec…
Nick's got a story to tell you. About how a routine traffic stop turned into a conviction for murder. About how he spent the next 22 years on death row. About how he finally petitioned the c…
Ferrentino's choice to make Nick look like he might be an unreliable narrator thus becomes bizarre; it certainly works against the clearer passions of the documentary. If you don't know the …
Brody is expectedly watchable and uber-committed, though the white-boy-swag vibe he loves to affect becomes grating in the wandering play, whose first 80 minutes or so are mostly just Yarris…
I had no such ambivalence viewing The Fear of 13, Lindsey Ferrentino's stage adaptation, now at Broadway's James Earl Jones Theatre. I knew it was bullshit within minutes of Adrien Brody pim…
"The Fear of 13" is deeply moving. Yet it falls short of being remarkable with uneven pacing and its ever-shifting tone. Translating a documentary into a Broadway production is no easy feat.…
Even in the harshest descriptions of the violence and almost unbelievably cruel twists of fate that Yarris endured (the DNA testing keeps getting accidentally mucked up), Brody lends him a v…
In his Broadway debut, Brody brings the same intensity and hangdog vulnerability that underscore his best film performances, and if his hip-hop Yo! MTV Raps street mannerisms seem an actorly…
Ferrentino struggles to synthesize the true story's larger themes, so even if Brody has some affecting moments in the closing scenes, the play is flat, emotionally ineffectual. It's a disapp…
One leaves the Fear of 13 certainly horrified by the injustice done to Yarris, and moved by his journey to freedom, but it's a fleeting feeling. Ferrentino and Brody have not burrowed deep e…
Brody comports himself well enough. He is poised and relaxed, and the delicate, damaged spirit he brings to his heartbreaking films transitions smoothly to the theater. It's just that "The F…
From a basement Off-Broadway to an international phenomenon, TITANÃQUE sails onto Broadway for its grandest voyage yet. Winner of the Olivier Award for Best New Comedy, this global splash…
There's a lot to digest, and the pace doesn't help: It is so relentless that it's as if we're watching a playback at twice the normal speed. Sometimes "TitanÃque" lands and sometimes it m…
Now, amped up about as high as it can go with an all-star cast, TitanÃque is guaranteed to deliver the most fun night you will have at the theatre this year. The post Oh Ship! A Fabulous …
In a world chugging toward dark waters, TitanÃque is a guaranteed good night out"one that ends with the whole audience singing. The post Broadway's Fabulous Musical Shipwreck, Now with Mo…
Campier than the campy Cats: The Jellicle Ball but no less generous in its embrace of queer heritage's seismic impact on American culture, TitanÃque on Broadway is bigger than a mere hoot…
Advertised as a strictly limited run, the show's established and Millennial-friendly fan base should be coming back for seconds and the Broadway gig will give cachet to future cruises. Overa…
TitanÃque is the kind of giddy, dippy, fan-friendly spectacle that invites you to arrive a glass-and-a-half deep, literally or spiritually. The post C'est Absurde, In the Best Possible Wa…
I can't say the humongous St. James Theatre, which suits hardly any show, is my favorite port of call. Nobody can argue that its distancing size is an asset to a musical that thrives on a di…
As intellectual property goes, never count out our endless fascination with the Titanic, which was the origin story of this show, set in a Titanic museum, presumably the real one in Pigeon F…
A shining comedy showcase, a bonafide arena concert, and a well-built musical that doesn't require much Titanic knowledge to enjoy. The post An even bigger boatload of campy fun appeared fir…