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5,772 stories by "JONATHAN MANDELL"

The Thanksgiving Play Review: How Not to Celebrate Thanksgiving by Jonathan Mandell

How will you celebrate Thanksgiving? In "The Thanksgiving Play," billed as a satire and running at Playwrights Horizons through December 2 (though not on Thanksgiving Day), playwright Lariss…

SOURCE: New York Theater at 8:15am on November 21, 2018

In Defense of Kong and Offense at Prom. Moulin Rouge on Broadway. John Kander and Lin-Manuel Miranda team up. #Stageworthy news of the week. by Jonathan Mandell

This week in New York theater, I seem to have zigged while others zagged, even when it comes to zazz. To explain: 1. I don't completely understand the high level of snark about "King Kong." …

SOURCE: New York Theater at 11:07am on November 20, 2018

The Prom Review: Divas, Hams and Lesbians in Broadway Satire by Jonathan Mandell

"The Prom" is really two musicals in one. One is a funny, knowing backstage comedy, satirizing the self-regard of theater folk. The other is a loud, fast high school musical. What ties them …

SOURCE: New York Theater at 10:03pm on November 19, 2018

What to See on Broadway Thanksgiving Week 2018 by Jonathan Mandell

Both King Kong and Olaf, the goofy snow man from Frozen, will loom large on Thanksgiving Day — but not on Broadway; neither current musical is one of the four Broadway shows performing…

SOURCE: New York Theater at 11:16am on November 18, 2018

The Hidden Ones Review: Silent Witnesses to the Darkness by Jonathan Mandell

We must be silent, here in this secret attic apartment where two Jewish families are hiding from the Nazis. And so, in "The Hidden Ones," a spare and chilling immersive theater piece, the se…

SOURCE: New York Theater at 12:22pm on November 17, 2018

Thom Pain (based on nothing) review. by Jonathan Mandell

Like a boxer faking out an opponent, Michael C. Hall as Thom Pain plays tricks on the audience: "Now I think would be a good time for the raffle," he says at one point, then shortly afterwar…

SOURCE: DC Theatre Scene at 7:06pm on November 16, 2018

Thom Pain (based on nothing) starring Michael C. Hall: review and pics by Jonathan Mandell

Like a boxer faking out an opponent, Michael C. Hall as Thom Pain plays tricks on the audience in Will Eno’s one-character play….For Thom's jousts and jabs to feel like something…

SOURCE: New York Theater at 6:15pm on November 16, 2018

King Kong Review: Going Apeshit Over a Puppet on Broadway by Jonathan Mandell

King Kong is spectacular — those dreamy eyes, that expressive sniffing of his nose, the earthquake of a roar. He is such a singular creature that, like Ann Darrow, the damsel he picks …

SOURCE: New York Theater at 11:01am on November 15, 2018

Wild Goose Dreams Review: Two Korean Lonelyhearts Plus Talking Penguin in A Toilet by Jonathan Mandell

The heart of Hansol Jung's play at the Public Theater is the relationship between two lonely, awkward people in South Korea who connect through an online dating site. But the play also featu…

SOURCE: New York Theater at 7:30pm on November 14, 2018

Blue Wave on Broadway. #Stageworthy News by Jonathan Mandell

In celebration of the Blue Wave " which has grown steadily in the week since Election Day — a silly observation: There have been 51 Broadway shows with "Blue" in the title. I'm relucta…

SOURCE: New York Theater at 11:31am on November 13, 2018

Old Reviews of New Transfers: Mike Birbiglia's New One, Daniel's Husband, School Girls or the African Mean Girls Play by Jonathan Mandell

“The New One “isn't literally new. Mike Birbiglia's solo show debuted Off-Broadway three months ago " where it sold out quickly. It's now on Broadway " same cast (i.e. Mike Birbi…

SOURCE: New York Theater at 1:47pm on November 12, 2018

The Female Role Model Project Review: Exploring Female Identity Scientifically, Playfully, Pompously by Jonathan Mandell

"The Female Role Model Project" is a pioneering work of theater by a new company called Transforma, in which artists and scientists collaborate to explore attitudes about women, and question…

SOURCE: New York Theater at 4:44pm on November 11, 2018

The Chinese Lady Review: Immigrant as Freak by Jonathan Mandell

Afong Moy was the first Chinese woman in the United States. Brought to New York in 1834, she was put on display in a museum. Out of this true story, playwright Lloyd Suh has fashioned "Th…

SOURCE: New York Theater at 7:01pm on November 10, 2018

Broadway Poll: Your Favorite Play With Puppets by Jonathan Mandell

My favorite character in Frozen on Broadway by far is Sven the reindeer. I’ve been a fan of Avenue Q  before it opened Off-Broadway the first time. Does anybody doubt The Lion King�…

SOURCE: New York Theater at 2:33pm on November 9, 2018

American Son Review: Kerry Washington in Racial Nightmare on Broadway by Jonathan Mandell

While anxiously waiting in a Miami police station for word of what happened to her son Jamal, an educated African-American woman named Kendra (Kerry Washington) talks with her estranged whit…

SOURCE: DC Theatre Scene at 3:42pm on November 8, 2018

American Son: Pics and Review by Jonathan Mandell

While anxiously waiting in a Miami police station for word of what happened to her son Jamal, an educated African-American woman named Kendra (Kerry Washington) talks with her estranged whit…

SOURCE: New York Theater at 2:35pm on November 8, 2018

Broadway Sings: Vote! #Stageworthy News. by Jonathan Mandell

Today is Election Day! If you live in NYC, find your polling site here. If you live anywhere in America, you can go to Vote.org for some cool info — like, for example, what’s on …

SOURCE: New York Theater at 9:58am on November 6, 2018

Torch Song on Broadway Review: Harvey Fierstein's Landmark Gay Play starring Michael Urie and Mercedes Ruehl by Jonathan Mandell

When Torch Song opened Off-Broadway a year ago, I noted that the issues affecting gay people that it explored remained unfortunately relevant 35 years after the play had debuted on Broadway,…

SOURCE: DC Theatre Scene at 2:06pm on November 5, 2018

Torch Song on Broadway: Review and Pics by Jonathan Mandell

The 1982 Broadway production of Torch Song Trilogy, starring Harvey Fierstein as Arnold Beckoff, a sometime drag queen and gay Jewish romantic searching for love and acceptance, could be cre…

SOURCE: New York Theater at 1:45pm on November 5, 2018

Lewiston/Clarkston Review: Smooching and Despairing In A Small Space by Jonathan Mandell

"It's a terrible time to be alive. There's just nothing left to discover," says Jake (Noah Robbins) in the second half of Lewiston/Clarkston, two powerfully affecting plays by Samuel D. Hunt…

SOURCE: New York Theater at 6:32pm on November 3, 2018

La MaMa Puppet Festival Is Not The Lion King by Jonathan Mandell

Food for the Gods is about the killing of black men; Exodus addresses the current refugee crisis; Blind is a solo work about disability. These may not sound like typical subjects for puppet …

SOURCE: New York Theater at 8:49am on November 2, 2018

November 2018 New York Theater Openings by Jonathan Mandell

Six shows are opening on Broadway in November.  And yes, one of them features a giant ape feeling unwelcome in New York City, and another marks the annual holiday stopover for a perennial…

SOURCE: New York Theater at 8:34am on November 1, 2018

New York Theater Quiz October 2018 by Jonathan Mandell

How well were you paying attention to the theater, and theater news, in October? Answer these 10 questions to find out.

SOURCE: New York Theater at 8:25am on October 31, 2018

#Stageworthy News: A Wonderful Week On Broadway. A Hate-Filled Week Off Stage. by Jonathan Mandell

This has been a wonderful week for theater " with openings for terrific Broadway shows The Ferryman, The Waverly Gallery, The Lifespan of a Fact. And not just on Broadway: The 21st New York …

SOURCE: New York Theater at 1:40pm on October 29, 2018

India Pale Ale Review: A Killing In A House of God by Jonathan Mandell

"India Pale Ale," a play by Jaclyn Backhaus running Off-Broadway, suddenly becomes shockingly timely with the killing of 11 Jews in a synagogue in Pittsburgh. Halfway through the play, a cha…

SOURCE: New York Theater at 2:45pm on October 28, 2018
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