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5,772 stories by "JONATHAN MANDELL"

Hamnet Review: Shakespeare's Forgotten Son at BAM. Also: He Did What? by Jonathan Mandell

William Shakespeare's only son, named Hamnet, died when he was 11 years old; a few years later, the playwright wrote "Hamlet."  The Irish theater troupe Dead Centre conjures up the Bard's…

SOURCE: New York Theater at 9:36am on October 31, 2019

Fear Review: Fighting Evil…or Causing It? by Jonathan Mandell

  "How do we fight evil without becoming evil?" asks Ethan, one of the two adult characters in "Fear," a play by Matt Williams.  "Isn't that the central question of the age, this age o…

SOURCE: New York Theater at 12:44pm on October 30, 2019

Freestyle Love Supreme Review: Lin-Manuel Miranda's improv rappers on Broadway by Jonathan Mandell

Freestyle Love Supreme is not so much Lin-Manuel Miranda's Broadway follow-up to Hamilton as it is a subsidiary of Lin-Manuel Inc. The hip-hop improv group that Miranda co-founded 16 years a…

SOURCE: DC Theatre Scene at 6:24pm on October 29, 2019

Freestyle Love Supreme on Broadway by Jonathan Mandell

"Freestyle Love Supreme" is not so much Lin-Manuel Miranda's Broadway follow-up to "Hamilton" as it is a subsidiary of Lin-Manuel Inc.  The hip-hop improv group that Miranda co-founded 16…

SOURCE: New York Theater at 6:03pm on October 29, 2019

Seared Review: Raúl Esparza is Cooking, in Theresa Rebeck's Restaurant Comedy by Jonathan Mandell

Theresa Rebeck's slight but savory comedy  about  running a restaurant stars Raúl Esparza as Harry, a hilariously mercurial chef-owner of a hole-in-the-wall eatery  that's become…

SOURCE: New York Theater at 7:32pm on October 28, 2019

Refugees on Stage. Critics' Death and Rebirth (Review for the Times!) #Stageworthy News of the Week by Jonathan Mandell

Refugees are in the news these days, and their stories have suddenly come to New York stages. "I think it is important to ask an audience to recognize lives that we have literally fenced off…

SOURCE: New York Theater at 11:40am on October 28, 2019

Forbidden Broadway The Next Generation Review. Broadway Barbs Both Lethal and Loving by Jonathan Mandell

Three years after he spoofed "Hamilton" in "Spamilton" (with "I am not throwing away my shot" becoming "I am not gonna let Broadway rot,") Gerard Alessandrini paints Lin-Manuel Miranda less …

SOURCE: New York Theater at 12:36pm on October 27, 2019

The Lightning Thief Review: On Broadway Battling Beasts and Bloat by Jonathan Mandell

I think if I were eight years old I might have loved "The Lightning Thief" on Broadway, but that's mostly because I would then have been too young to have seen it at the Lucille Lortel Theat…

SOURCE: New York Theater at 7:05pm on October 26, 2019

Scotland, PA Review: Macbeth as a 1970s fast food musical comedy by Jonathan Mandell

There is one spectacularly funny moment in this musical comedy version of "Macbeth," which is based on Billy Morrissette's 2001 movie, and is set in a fast-food restaurant in the "podunk tow…

SOURCE: New York Theater at 6:47pm on October 23, 2019

For Colored Girls Who Have Considered Suicide When The Rainbow is Enuf, Back at the Public Theater by Jonathan Mandell

Forty-one years after Broadway said goodbye after 742 thrilling performances to its first (and last) choreopoem, and a year after its author and original performer died at the age of 70, sev…

SOURCE: New York Theater at 8:30pm on October 22, 2019

Is This a Room Review. FBI Interrogation of Reality Winner by Jonathan Mandell

"Is This A Room" stages the verbatim transcript of the FBI interrogation of a 25-year-old former Air Force linguist with the improbable name of Reality Winner, who was eventually sente…

SOURCE: New York Theater at 8:53pm on October 21, 2019

Soft Power Review: David Henry Hwang's Sly Reverse Chinese Musical about America by Jonathan Mandell

David Henry Hwang was attacked by an unknown assailant with a knife and nearly died. That experience, along with the playwright's shock at the results of the 2016 Presidential election and h…

SOURCE: New York Theater at 1:01pm on October 21, 2019

The Rose Tattoo Review: Marisa Tomei in Tennessee Williams' comedy about a love-struck Sicilian widow by Jonathan Mandell

There are many cues to what's wrong with this overly broad third Broadway revival of Tennessee Williams' dated play, starring Marisa Tomei as Serafina Delle Rose, a Sicilian immigrant seamst…

SOURCE: DC Theatre Scene at 2:54pm on October 19, 2019

The Rose Tattoo with Marisa Tomei by Jonathan Mandell

There are many cues to what's wrong with this overly broad third Broadway revival of Tennessee Williams' dated play, starring Marisa Tomei as Serafina Delle Rose, a Sicilian immigrant seamst…

SOURCE: New York Theater at 1:08pm on October 19, 2019

2019 Theater Book Award Winners and Finalists from TLA by Jonathan Mandell

Books about Bob Fosse and Yiddish theater have been named the best theater books of the year by The Theatre Library Association,  which is presenting its TLA Book Awards tonight at the…

SOURCE: New York Theater at 1:53pm on October 18, 2019

The Brief Wondrous Life of Oscar Wao Review: Junot Diaz's Dominican-American Novel On Stage by Jonathan Mandell

Oscar, a fat freshman in thick bifocals meeting his college roommate for the first time, greets him with what sounds like an insult: "Hail, dog of God!" His new roommate, the street-smart Yu…

SOURCE: New York Theater at 6:07pm on October 16, 2019

#Stageworthy News of the Week. Theater as Politics, Politics as Theater. Bad Theater Festival. by Jonathan Mandell

The announcement of the latest very unscientific results from the nightly poll conducted in the lobby of Lincoln Center, is a marketing gimmick for "The Great Society" that strikes me as at …

SOURCE: New York Theater at 3:41pm on October 15, 2019

Christopher Columbus on Stage: No Respect by Jonathan Mandell

In "The Thanksgiving Play," a satire by Larissa FastHorse that debuted at Playwrights Horizons last year and has become one of the most produced plays throughout the country, Jaxton, the wok…

SOURCE: New York Theater at 9:31am on October 14, 2019

Watch Lin-Manuel Miranda as Julián Castro, Billy Porter as MC in SNL Spoof of CNN LGBT Town Hall by Jonathan Mandell

On Thursday night,  CNN held an "LGBTQ Town Hall" in which nine of the Democratic candidates for President separately answered questions on lesbian, gay, bisexual, transgender an…

SOURCE: New York Theater at 3:33pm on October 13, 2019

Broadway Review: Slave Play. Interracial Role-playing on the Great White Way by Jonathan Mandell

I first saw Slave Play Off-Broadway, long before Rihanna made headlines for texting during the show (playwright Jeremy O. Harris publicly defended her; he was the one she was texting); and s…

SOURCE: DC Theatre Scene at 4:06pm on October 11, 2019

Slave Play on Broadway by Jonathan Mandell

When I saw "Slave Play" Off-Broadway last December, it felt like the work of a novice playwright " promising, provocative, and well produced, but too derivative, too long, too full of ide…

SOURCE: New York Theater at 3:30pm on October 11, 2019

Broadway review: Tracy Letts is back on Broadway with Linda Vista by Jonathan Mandell

Can an underemployed middle-aged jerk be a babe magnet?   That's a question theatergoers are likely to ask about Wheeler, the central character in Linda Vista, Tracy Letts' latest play…

SOURCE: DC Theatre Scene at 10:48pm on October 10, 2019

Linda Vista on Broadway: Review and Pics by Jonathan Mandell

Can an underemployed middle-aged jerk be a babe magnet?   That's a question theatergoers are likely to ask about Wheeler, the central character in Linda Vista, Tracy Letts' latest play…

SOURCE: New York Theater at 7:30pm on October 10, 2019

The Wrong Man Review: Hamilton-Like in Form, The Anti-Hamilton in Content by Jonathan Mandell

"The Wrong Man,"  a sung-through musical starring the spectacular Joshua Henry,  may remind people of "Hamilton" in its catchy rap-inflected eclectic score and jerky hip hop choreog…

SOURCE: New York Theater at 7:20pm on October 9, 2019

#Stageworthy News of the Week: Diahann Carroll (1935-2019) Broadway Groundbreaker. DeNiro, Pacino, Cannavale in Broadway's Belasco….for Netflix. by Jonathan Mandell

Diahann Carroll, who died Friday at the age of 84, is best known as the first black woman to star on a TV series, "Julia" in 1968, but she was a barrier breaker on Broadway too. Born in t…

SOURCE: New York Theater at 1:55pm on October 8, 2019
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