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153 stories by "Ian Thal"

Fuse Theater Review: Liars & Believers' "Interference" is "Guernica" for Hipsters by Ian Thal

The 64,000 question is, if the artists' concerns gravitated to the Marathon Bombings, why did "Interference"'s press releases and the program cite Picasso's "Guernica"?

SOURCE: The Arts Fuse at 12:56pm on February 24, 2014

Fuse Theater Interview: Israeli Playwright Motti Lerner on Catharsis, Tikkun, "Hard Love," and Protesting a Play Without Reading the Script by Ian Thal

"The working relationship is based on the mutual feeling that all three of us have the same understanding of the purpose of the theatre " to present plays that create a cathartic experience …

SOURCE: The Arts Fuse at 10:44am on February 19, 2014

Fuse Interview: Stage Director Melia Bensussen on "Hard Love," and "The Cherry Orchard" by Ian Thal

"There is a struggle in love in the best of circumstances, and when on top of the daily challenges there are divisions of culture or society or simply of invented categories " well, that doe…

SOURCE: The Arts Fuse at 5:23pm on February 18, 2014

Fuse Theater Review: Take Two " Shakespeare Plays it Safe In "Henry VIII" by Ian Thal

If "Henry VIII" is dramatically lacking when compared to Shakespeare's other histories, what makes this production worthwhile is the care Actors' Shakespeare Project has brought to staging i…

SOURCE: The Arts Fuse at 8:48pm on January 5, 2014

Fuse Theater Review: "The Golden Dragon" " A Satire With Bite about International Cuisine by Ian Thal

In his satire "The Golden Dragon," Roland Schimmelpfennig holds his funhouse mirror up to "theater-people": be they artists, audience, teachers, or students.

SOURCE: The Arts Fuse at 10:53am on December 22, 2013

Fuse Theater Review: Israeli Stage Brings "The Whore From Ohio" to Boston by Ian Thal

"The Whore From Ohio" is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own …

SOURCE: The Arts Fuse at 1:32pm on November 16, 2013

Fuse Theater Review: "Mameloschn" " Three Jewish Women Living Through the History of Germany by Ian Thal

Refreshingly, playwright Marianna Salzmann manages to be political without being didactic. Her characters live (rather than preach) through history, grappling with the transition from totali…

SOURCE: The Arts Fuse at 12:33pm on November 2, 2013

Fuse Theater Review: Boston Theater Company's "Romeo & Juliet" " A Romance Rife With Political Scandal by Ian Thal

BTC's experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contempo…

SOURCE: The Arts Fuse at 3:03pm on October 29, 2013

Fuse Theater Review: Actors' Shakespeare Project's Romeo & Juliet " Just the Tragic Story by Ian Thal

Actors' Shakespeare Project's production is a fine start to the company's tenth aniversary season and an impressive realization of its founding mission statement -- for this company, story …

SOURCE: The Arts Fuse at 11:54am on October 17, 2013

Fuse Theater Review: "Dog Paddle" " An Elegant Comedy about Inelegantly Keeping Your Head Above Water by Ian Thal

Swiss Stage's inaugural offering was Dog Paddle (Schwimmen wie Hunde), a domestic comedy based on existential themes, by the German-speaking playwright Reto Finger.

SOURCE: The Arts Fuse at 3:23pm on September 22, 2013

Fuse Theater Review: "The Libertine" Serves Up Decadent Pleasures by Ian Thal

Playwright Stephen Jeffreys, despite his gifts as a writer, despite his fascination with the milieu, and despite his obvious admiration for Wilmot's rarified obscenity, seems unable to find …

SOURCE: The Arts Fuse at 10:34am on September 14, 2013

Fuse Theater Review: "One Man, Two Guvnors" " From Brighton to Boston by Ian Thal

Director Spiro Veloudos keeps the clockwork running smoothly, not just ensuring that that the actors keep the rhythm, but making use of a skilled backstage crew who engineer (miraculously an…

SOURCE: The Arts Fuse at 1:00pm on September 12, 2013

Fuse Theater Review: "The Merchant of Venus" " Shakespeare, Politically Corrected by Ian Thal

This production of Shakespeare's 'The Merchant of Venice" tries to have it both ways: a show about intolerance, bigotry, and hatred is set in a 'politically correct' past.

SOURCE: The Arts Fuse at 3:07pm on June 22, 2013

Fuse Stage Review: A Pleasurably Formulaic "Best Friends" Via Israeli Stage by Ian Thal

Anat Gov does a fine job on the meta-playwriting level. "Best Friends" is a genre piece that is also an affectionate commentary on the genre to which it belongs.

SOURCE: The Arts Fuse at 8:43am on May 22, 2013

Richard II's Federalist Tea Party by Ian Thal

The Federalist Society goes to the theater... and free-associates.

SOURCE: Clyde Fitch Report at 7:10pm on February 22, 2013

Fuse Theater Review: A Supremely Funny "Servant of Two Masters" by Ian Thal

Leaving aside the doctrinal issue of how much of a commedia dell'arte evening should be improvised and how much should be scripted, the Yale Repertory Theatre production, in terms of perfor…

SOURCE: The Arts Fuse at 8:24am on February 5, 2013

Fuse Theater Review: "A Little Calm Before the Storm" " The Art of Playing Hitler by Ian Thal

Director Guy Ben-Aharon is on a roll. Working through Israeli Stage and German Stage, he has brought together another smart, compelling foreign play (an American premiere) and a first-rate c…

SOURCE: The Arts Fuse at 1:12pm on December 22, 2012

Fuse Theater Review: A Powerful "Ulysses on Bottles" by Ian Thal

Despite being a staged reading with scripts still in hand, the members of the Israeli Stage ensemble were already comfortably inhabiting their roles, striking just the right balance between …

SOURCE: The Arts Fuse at 11:59am on December 4, 2012

Fuse Theater Review: Eighteenth Century Pen Pals " Voltaire and Frederick by Ian Thal

Playwright Gericke-Schönhagen, hoping to avoid the phenomenon of talking heads, deliberately placed emphasis on those letters between Voltaire and Frederick that dramatized personalities ra…

SOURCE: The Arts Fuse at 12:51pm on October 27, 2012

Fuse Theater Feature: A German Stage at the Goethe-Institut Boston by Ian Thal

"The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that…

SOURCE: The Arts Fuse at 7:17pm on October 12, 2012

Fuse Theater Review: Les 7 Doigts de la Main Return to Boston With the Innovative Artistry of "Sequence 8' by Ian Thal

The agility of Les 7 Doigts de la Main's acrobats may be the spectacle that draws audiences in to see "Séquence 8," but it's their decision to treat acrobatics and other types of circus vir…

SOURCE: The Arts Fuse at 9:13am on September 30, 2012

Fuse Interview: The Theater Offensive Brings Lenelle Moïse's "Expatriate" to Boston by Ian Thal

"One of the enormous changes I've seen is that in big city theater scenes, queer work isn't so scarce anymore, which is great. These days, no major theater company in a city like Boston woul…

SOURCE: The Arts Fuse at 11:40pm on September 27, 2012

Fuse Theater Review: "Hand in Hand Together" " The Perils of Political Theater in Translation by Ian Thal

Many historical dramas are content to use the past as a lens through which to view the present, but "Hand in Hand Together" does more than explore how conflicting ideologies influenced the c…

SOURCE: The Arts Fuse at 12:28pm on September 15, 2012

Questioning Myths: Bread & Puppet Theater's Peter Schumann by Ian Thal

A sobering look at Schumann's past and present.

SOURCE: Clyde Fitch Report at 4:41pm on August 24, 2012

Fuse Interview with David Sokol, Lyricist who made "Shylock Sing The Blues" by Ian Thal

"As an artist, you probably know when a project pulls at you, sometimes kicking and screaming. Shylock definitely has me by the back of the neck."

SOURCE: The Arts Fuse at 8:32am on August 18, 2012
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