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2,710 stories by "Howlround"

Adolescence, Privilege, and Racial Identity in "Annie Bosh is Missing" by HowlRound

The play is set in Nabers' hometown of Houston, just after Hurricane Katrina sent a flood of mostly Black refugees to seek shelter there in 2005. Racial anxieties simmer and bubble, as the c…

SOURCE: HowlRound at 3:55pm on September 17, 2013

Live on HowlRound TV: The Violence Divide: Race and Class Disparities in the Media's Response to Gun Violence"Thurs, Sept 19 by HowlRound

The Elma Lewis Center for Civic Engagement, Learning, and Research and ArtsEmerson:The World On Stage present a panel discussion on the presence of race and class disparities in media respon…

SOURCE: HowlRound at 1:55pm on September 17, 2013

Weekly Howl on hashtag #newplay: Collective Creation in Theater: Its History and Its Ramifications for Today"Thurs, Sept 19 by HowlRound

The Weekly Howl is a peer produced, open access discussion about theater culture and contemporary performance that happens in real-time on Twitter using the hashtag #newplay .* Join us Thurs…

SOURCE: HowlRound at 10:27am on September 17, 2013

Live on HowlRound TV: "Columbine High School Shooting: The Impact of the Media on Survivors of Trauma" by HowlRound

ArtsEmerson: The World On Stage , Boston presents The Impact of the Media on Survivors of Trauma" a conversation with PJ Paparelli, the co-writer and director of columbinus , Betty Shoels, a…

SOURCE: HowlRound at 3:12pm on September 16, 2013

The Beauty of Complexity: Or the Death of the Pure Aesthetic by HowlRound

We all want to be makers. And the biggest miscalculation of the not-for-profit arts institution in building its infrastructure is its belief that some people make things and some people just…

SOURCE: HowlRound at 4:40pm on September 15, 2013

Techne: Big Data by HowlRound

Analyzing data would let us give audiences, in other words, what they really want, not what they say they want. It would let us look at people's cravings and aspirations and desires and sele…

SOURCE: HowlRound at 12:00pm on September 15, 2013

(Re)Search: Dramaturgical Catharsis by HowlRound

One of the hardest tasks for me to perform as a dramaturg is relinquishing my work to an audience. I've known the time was coming; I've been working towards that first read-through for month…

SOURCE: HowlRound at 12:00pm on September 14, 2013

Why Boards Don't Need to Be Bored: New Challenges and Best Practices for Not-for-Profit Boards, part 3 by HowlRound

One board chair commented, "We cast the board like you cast a play: diversity of skills, people who get the mission, people who have a relationship with the theater."

SOURCE: HowlRound at 3:20pm on September 13, 2013

Minnesota Fringe and Minnesota Nice by HowlRound

The Minnesota Fringe (MN Fringe) Festival is the largest nonjuried festival in the United States where this year an estimated 16,493 people were in attendance. Every applicant pays a non-ref…

SOURCE: HowlRound at 4:00pm on September 12, 2013

Why Boards Don't Need to Be Bored: New Challenges and Best Practices for Not-for-Profit Boards, part 2 by HowlRound

There is a growing recognition that the more board members are engaged and exposed to the artistic life of the theater, the more effective they are as board members, and the more able they a…

SOURCE: HowlRound at 3:20pm on September 12, 2013

Live on HowlRound TV: Write with & Get Advice from Suzan-Lori Parks"The Public Theater, NYC"Thurs, Sept 12 by HowlRound

You're invited to join Suzan-Lori Parks from the lobby of The Public Theater for Watch Me Work which was livestreamed for the global, peer-produced, open-source HowlRound TV network at howlr…

SOURCE: HowlRound at 12:00pm on September 11, 2013

Why Boards Don't Need to Be Bored: New Challenges and Best Practices for Not-for-Profit Boards by HowlRound

Why are so few boards taking advantage of the powerful legitimacy of their governance role to provide proactive leadership to their organizations by engaging in the generative work that is a…

SOURCE: HowlRound at 5:48pm on September 10, 2013

A Drama of Two Cities: Dublin and San Francisco by HowlRound

O'Rowe's play, which is set in Dublin, premiered at the Abbey Theatre in 2007, as Ireland, too, was "perching precarious." The Celtic Tiger era, which began in 1994, was both at its height a…

SOURCE: HowlRound at 4:30pm on September 10, 2013

Drinking from a Firehose: Checking Water Quality by HowlRound

I'd love to hear your thoughts on credibility and how you see that playing a role in your work as artists. For those at larger, established theatres, do your efforts to position yourself to …

SOURCE: HowlRound at 3:30pm on September 10, 2013

What Is Your Mission? by HowlRound

There has been much talk in recent years about the lack of "diversity" in American theater. This four part series is meant to redefine the conversation in a way that will move us past the bu…

SOURCE: HowlRound at 2:23pm on September 10, 2013

A Conversation with Paula Vogel, Teo Castellanos, and Will Power by HowlRound

Teo: So we can't be squeaky clean in everything we do, but I think that what Will said about moving with integrity is the best that we can do and that's all that we can do.. Just like in our…

SOURCE: HowlRound at 4:00pm on September 8, 2013

A Higher Quality of Confusion: How to Make People Disagree by HowlRound

This three-part series chronicles the musings of a twenty-something college grad making theater in London, trying to figure out what to bring home.

SOURCE: HowlRound at 12:00pm on September 8, 2013

Practicing the Art of Freedom by HowlRound

I suppose I expected a lot of adversarial reactions to proposing a libertarian working in community theater (similar to the adversarial reactions I had gotten in person). Instead, I've been …

SOURCE: HowlRound at 12:00pm on September 7, 2013

Wobbling on the Political Lines (in 6 inch heels): Creating Feminist Theater with Girls by HowlRound

On a bare stage, in costumes that hugged every curve, we seemed to invite and demand that the girls' bodies be the center of every moment. I was horrified. I questioned whether the performan…

SOURCE: HowlRound at 1:00pm on September 6, 2013

(Re)Search: Subscription Based Resources by HowlRound

(Re)Search is a six part series by Bree Windham a current graduate student in dramaturgy. It details her experiences as a young dramaturg navigating different resources and the ways she has …

SOURCE: HowlRound at 11:59am on September 6, 2013

Live on HowlRound TV: Boston Mayoral Candidate Forum on Arts, Culture, and Creativity"Mon, Sept 9 by HowlRound

As the Boston Mayoral campaign prompts a citywide discussion of Boston's priorities and needs, the arts, culture, and creative community is poised to bring attention to the issues of our sec…

SOURCE: HowlRound at 11:00am on September 6, 2013

Bathaus, DEAD ART STAR and Abuse of the Document by HowlRound

Underground practice harasses geography. A counter-culture, if it is healthy, refigures the landmarks and locations of its city. For a certain group, it manages to pull the heightened focus …

SOURCE: HowlRound at 3:15pm on September 5, 2013

Applying Liberty & Theater by HowlRound

that socially engaged libertarians can utilize civic practice. I now realize the flaw in my argument was its specificity: anyone with the grievance and spirit can and should use her dramatic…

SOURCE: HowlRound at 11:19am on September 5, 2013

Too Much Theater? The New Marathons by HowlRound

Are theater marathons turning into a kind of Ironman Triathlon Theater? Consider: *In All The Faces of the M oon at the Public Theater, Mike Daisey will deliver a different new monologue sta…

SOURCE: HowlRound at 4:41pm on September 4, 2013

Must you be of a certain political stripe to do community-based theater? by HowlRound

To the extent that politics puts particular policies into effect that govern our lives, art that publicly envisions alternative arrangements of power is political. But what one imagines coul…

SOURCE: HowlRound at 1:05pm on September 4, 2013
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