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2,710 stories by "HowlRound"

Auto-Cours at Art School: A Foundation of Devising Original Work in an Ensemble by HowlRound

By David Taft, John Kendall Wilson. With no assistance from outside their group, several student performance groups devise their own work as a solution to the posted problem. The problem is …

SOURCE: HowlRound at 3:35pm on October 31, 2014

Livestreaming Network of Ensemble Theaters' Intersection: Ensembles + Universities"Fri, Oct 31-Sun, Nov 2 by HowlRound

By HowlRound TV. The Network of Ensemble Theaters presents Intersection: Ensembles + Universities livestreaming from LaMama and New School University in New York City on the global, commons-…

SOURCE: HowlRound at 4:02pm on October 30, 2014

Interweaving Theory and Practice: the Post Natyam Collective's Web-based Collaborative Process by HowlRound

By Cynthia Ling Lee. Over the past seven years, the Post Natyam Collective's creative practice has transitioned from in-person collaboration to web-based collaboration. Often our process is …

SOURCE: HowlRound at 3:51pm on October 30, 2014

Fighting for Love: John Patrick Shanley's Danny and the Deep Blue Sea at the Nuyorican Poets Café by HowlRound

By Emma Wiseman. Founded in 1973 by a group of poets, playwrights, and musicians of color whose work was underrepresented in the mainstream arts community of New York City, the Nuyorican Poe…

SOURCE: HowlRound at 3:45pm on October 30, 2014

Notes from the Latino American Underground by HowlRound

By Julián J. Mesri. The painful step, though, is realizing that to exorcise those demons is to perhaps challenge the very notion of an identity. Perhaps the solution is to do away with tr…

SOURCE: HowlRound at 3:44pm on October 30, 2014

Boston Theater Board Leaders Forum by HowlRound

By Joan Lancourt. Having been an executive coach in a Kennedy School Executive Development program, I had found the Chait, Ryan and Taylor "Governance as Leadership: Reframing the Work of No…

SOURCE: HowlRound at 4:44pm on October 29, 2014

Creating Cultures: Double Edge on University Campuses by HowlRound

By Matthew Glassman. What we really needed"and received"was a place to develop an unfinished work in a professional touring locale with Chicago audiences, and to prototype a student chorus t…

SOURCE: HowlRound at 4:16pm on October 29, 2014

Livestreaming panel: Emerging Writers and Harold Pinter's Legacy: A Conversation"Fri, Oct 31 by HowlRound

By HowlRound TV. Theater Emory, the professional producing organization of Emory University in Atlanta, Georgia, presents a panel discussion on Harold Pinter in conversation with contemporar…

SOURCE: HowlRound at 1:51pm on October 28, 2014

Citizen Theater: Anne Hamburger on Basetrack Live by HowlRound

By Bertie Ferdman. I made the show to bring people who have served together with people who know nothing about war, beyond what they read in the papers. What we wanted to do with "Basetrack …

SOURCE: HowlRound at 10:43am on October 28, 2014

Twitter: Unite a la conversación de #newplay este jueves en español! Tema: Diferencias culturales y de idioma en teatro"Thurs, Oct 30 by HowlRound

By HowlRound. This week's conversation will be in Spanish and topic is: "Diferencias culturales y de idioma en teatro" This conversation will be moderated by Inés Gubba-Tejeira @Ineika"who …

SOURCE: HowlRound at 9:52am on October 28, 2014

Cafesito: Tony Garcia & Su Teatro by HowlRound

By Marisela Orta, Tony Garcia. There is a very gentle story at heart about a boy who wants his mother. We all feel that separation; we all want to return to that place in our lives where our…

SOURCE: HowlRound at 6:32pm on October 27, 2014

Unlocking the Mystery of Writing a Musical: A Conversation with Carson Kreitzer and Matt Gould by HowlRound

By Polly Carl, Carson Kreitzer, Matt Gould. Recently, I spent two days in a convening learning, among other things, about the partnership between Carson Kreitzer and Matt Gould. I was enchan…

SOURCE: HowlRound at 8:30am on October 26, 2014

On Immersive Theater: The Senses to Take the Wall Down"Part 4: The Gentle Touch of Fantasy by HowlRound

By Mikhael Tara Garver. Touch has an important place in open-frame work. It is our most powerful resource"but we must craft it with the care we craft each other element. In fact, with more c…

SOURCE: HowlRound at 8:00am on October 26, 2014

Trucks, Country Music, and Class by HowlRound

By Basil Kreimendahl. I don't want to write an article about how we don't see enough of a certain kind of people on stage. We are all working within an unfortunate system that, for the most …

SOURCE: HowlRound at 8:11am on October 25, 2014

Live Webcast & Twitter Discussions for Beyond the Building: Performing Arts and Transforming Place"#PerformPlace"Mon, Nov 3 by HowlRound

By HowlRound. The National Endowment for the Arts (NEA), with support from ArtPlace America, is hosting a convening that examines how performance-based organizations, and the artists they en…

SOURCE: HowlRound at 2:04pm on October 24, 2014

Queering The Room: Some Beginning Notions For A Queer Directing Practice by HowlRound

By Will Davis. This method of working through the unknown and working with a bit of grace with the imperfect is the only way I have managed to arrive at a sense of self in my life. I've had …

SOURCE: HowlRound at 1:30pm on October 24, 2014

The Trans Artistic Body by HowlRound

By Polly Carl. I'm at the Isabella Stewart Gardner Museum in the women's restroom washing my hands. A woman walks in, "I must be in the wrong place," she says and walks out. Then she walks b…

SOURCE: HowlRound at 10:22am on October 23, 2014

Mu Performing Arts' Lost and Found Middle Brother by HowlRound

By Chris Garza. The night I saw the show, members of Gazillion Voices, a magazine for adoptees, were also in attendance. At the talk back, a Korean adoptee in the audience revealed, "I didn'…

SOURCE: HowlRound at 9:59am on October 23, 2014

Just Say Yes by HowlRound

By Annie Danger. …you begin with hope. Not dependence on false hopes. Not faith in some distant heaven. But real, hard, daily belief that we can make the drastic, bone-deep changes necessa…

SOURCE: HowlRound at 2:19pm on October 22, 2014

Going In: Gender Discovery Through Performance by HowlRound

By Dominic Bradley. I gravitated towards performance art. Many questions emerged from my practice. What am I on fire to do? What gender(s) can I explore? Where is the niche for performers li…

SOURCE: HowlRound at 1:44pm on October 22, 2014

Your Guide to Theater Education: The Theatre School at DePaul University by HowlRound

By David Dudley, John Culbert. The Theatre School at DePaul University has been around for a long time. It's no wonder, given that they offer degree programs in nearly every discipline one c…

SOURCE: HowlRound at 12:42pm on October 22, 2014

The Adventures of a Male-Bodied Transwoman in Drama School by HowlRound

By Bianca Leigh. I was often cast in small roles or the chorus. I learned to watch and listen. Creating a point of view about everything that happens onstage"even when I didn't have a single…

SOURCE: HowlRound at 5:22pm on October 21, 2014

Samuel French Off Off Broadway Short Play Festival: A Big Little Festival by HowlRound

By Martha Steketee. There are many theater festivals and conferences that select participants and winners carefully behind closed doors. Some of these programs have public performances, and …

SOURCE: HowlRound at 11:14am on October 21, 2014

Livestreaming a Staged Reading of Flight by Patrick Gabridge"Liminal Space, London, #newplay"Mon, Oct 27 by HowlRound

By HowlRound TV. Liminal Space Productions in London presents a staged reading of "Flight" by Boston-based writer Patrick Gabridge on Monday, October 27 at 7:30pm GMT (London) / 3:30pm EDT (…

SOURCE: HowlRound at 9:36am on October 21, 2014

Not Here for the Bard: Candor from a Shakespeare Detractor by HowlRound

By Azure D. Osborne-Lee. Imagine, if you will, a slumber party. A group of tweens huddles around a television in the carpeted family room of a two-story house. Most of them stare, mouths sli…

SOURCE: HowlRound at 3:21pm on October 20, 2014
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