Access and Representation on the Border Stage
By Adriana Dominguez, Rebecca Rivas. Our art must reflect the communities we serve. As an institution of higher learning, it is our responsibility to serve our students theater that reflects…
By Adriana Dominguez, Rebecca Rivas. Our art must reflect the communities we serve. As an institution of higher learning, it is our responsibility to serve our students theater that reflects…
By Philippa Kelly. Brains tend eventually to shrink and atrophy, edging us further from"or closer to"our true, instinctual responses. It's a lucky few who, to the very end, are cognitively a…
By Arielle Julia Brown. As a Black woman, millennial, playwright, and producer who is not Latina, I felt acutely aware of the gestures of absolute inclusivity, both small and large, that com…
By Abhishek Majumdar, Gopal Datt, Steve Ginsburg. We are very privileged and we can afford to have these conversations, but most of India cannot. There is no reason why they should have thes…
By Ryan Melia, Arya Shahi, Matt Nuernberger, Corey Ruzicano. A lot of people ask us "how?" when they see our shows. How did you do it, how did you do all of that? How did you write the music…
By Amy Sass. There are a variety of ways people can stay connected. Each year we all step back and assess where we are with our lives, and who needs what. We want people to step in towards t…
By HowlRound TV. Dramatists Guild of America presents the conversation "Beyond Angry Lesbians and Gay Best Friends: Writing Gender and Sexuality in the 21st Century" livestreaming on the glo…
By Chad Lindsey, Carrie Heitman. Our process is open-source, inquiry-based and ever-evolving. We love hyphens. We flirt at the intersection of playmaking and script writing. We believe that …
By Meg Taintor. This week on HowlRound, we're hearing from several ensemble theaters , about both their artistic work and their organizational structures. The participating ensembles represe…
By Davis Robinson. Beau Jest in Boston is thirty years old. Over that time we have seen several transformations, but the impulse that brought us together has never changed. We are actor-driv…
By Rebecca Noon. In this, Strange Attractor's first major process, we put our commitment to the test, and through that difficult process, we became an ensemble. We still worked without a dir…
By Vickie Vértiz. Wearing little more than a white tank top and tiny white shorts in her mother's dressing room, Asún (Abigail Vega) bemoans her engagement. Her fiancée Juan (Tommy Rive…
By Liza Bielby. We've found most artists we come in contact with in Detroit aren't bound to a single discipline"printmakers curate community food-based events, and trained painters build lar…
By HowlRound TV. CultureHub SeoulArts/La MaMa in New York City presents the "Surveillance Salon" curated by Anna Barsan at the art and technology festival Refest 2014 livestreaming on the gl…
By Michael Rohd. Network of Ensemble Theaters just concluded a National Symposium called "Intersections", looking at the relationship between ensembles and universities across the US. It was…
By Ariel Fristoe, Adam Fristoe. We make interactive, innovative, intimate events because we are committed to making work that could not be experienced on a screen of any kind; that literally…
By HowlRound TV. Colectiv A in Cluj-Napoca, Romania presents "Hotel", a non-verbal theater performance representative of the Romanian New Performance Wave. Loosely based on Franz Xaver Kroet…
By HowlRound TV. Brandeis Theater Company presents "The Conference of the Birds" by Peter Brook and Jean-Claude Carrière, based on the poem by Farid ud-Din Attar. This performance will live…
By HowlRound TV. Tulsa, OK! The National Performance Network Annual Meeting in Tulsa, Oklahoma will be streaming on the global, commons based, peer produced HowlRound TV network at howlround…
By David Dower. Today my guest is playwright Will Power. We talk about the impact of actually being in residence on his work. Will is also a person deeply committed to his own personal growt…
By Carol Kearns. The Latino Theater Company has a twenty-six -year history and draws on collaborative methodology. This long standing collaboration can be felt through and through the ensemb…
By Steve Lyons. The overwhelming majority of people in America experience the art of theater at their local community theater. Many of these audience members are in rural communities where t…
By Ashley Sparks. I remember how the stories of this community changed my life. I was shaped artistically, personally, and as an organizer. The community has stayed and made families, create…
By Karen Anzoategui. I call the process of creating and performing trauma "spiritual work," because it feels that way. Embodying trauma is a cathartic experience that transforms specific mem…
By HowlRound TV. ColectivA in Cluj-Napoca, Romania presents "Institute of Change", a non-conventional performance on gender identity, sexual and gender taboos in contemporary Romania, based …