Playwriting and Parenting: The (Re)Education of Laura
By Catherine Trieschmann. In this installment, Catherine Trieschmann shares what happened when her daughter became addicted to " Frozen" Radio, and a musical re-education became imperative.
By Catherine Trieschmann. In this installment, Catherine Trieschmann shares what happened when her daughter became addicted to " Frozen" Radio, and a musical re-education became imperative.
By Cassidy Dawn Graves. Cassidy Dawn Graves on the Playwrights Horizons production of The Qualms by Bruce Norris.
By HowlRound TV. Urban Bush Women and Junebug Productions with support from the Contemporary Arts Center New Orleans ' Performance Support Program presents "Urban Bush Women and Voices from …
By Tammy Gomez. Poet and playwright Tammy Gomez offers a look at the personal, political, and artistic landscape that poets have navigated to arrive at writing for the stage.
By Carolyn Gage. Playwright Carolyn Gage questions the accepted definition of a "new play" as one that is unpublished and unproduced, arguing that these standards punish entrepreneurial play…
By HowlRound TV. The Bucks County Playhouse in New Hope, Pennsylvania presents a talk with actors Keir Dullea and Mia Dillon of On Golden Pond with producing director Alexander Fraser livest…
By Dan Rider. Dan Rider considers the line between a theatrical play and a live music concert in theatre today by looking at theatre artists who are also bands.
By Guillermo Reyes. Guillermo Reyes reflects on the twentieth anniversary of his play, remembers how it was received, and the challenges he came across making it.
By Catherine Castellani. Playwright Catherine Castellani describes an unsettling experience at her child's elementary school play, and explores the prevailing attitudes around arts education…
By HowlRound TV. The One-Minute Play Festival & Know Theatre Company present the 1st Cincinnati One-Minute Play Festival (#1MPF) livestreaming on the global, commons-based peer produced …
By Candace L. Feldman. Candace Feldman introduces New Gen National Arts Network, a group that seeks to position young arts administrators for leadership in their fields.
By Patrick Gaughan. Patrick Gaughan explores the ideas of fame, talent, and originality in the world of celebrity impersonation.
By HowlRound TV. The Dramatists Guild of America presents the 2015 National Conference: Writing the Changing World in La Jolla, California livestreaming on the global, commons-based peer pro…
By Magda Romanska. Scholar and dramaturg Magda Romanska on the connection between humor and disability.
By Abel Muñoz. Abel Muñoz describes the three plays featured in the 5th Annual Austin Latino New Play Festival.
By Marci R. McMahon. In the third installment of our series on Latina/o theatre in Texas, Marci R. McMahon discusses the work being done in educational institutions in the Rio Grande Valley.
By HowlRound TV. Livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Tuesday, July 7 at 10:30am PDT (Los Angeles) / 12:30pm CDT (Chicago) / 1:30p…
By Lydia Stryk. Lydia Stryk wonders about the limiting nature of a list and questions how helpful they actually are.
By David Bruin. David Bruin on Mondo Bizarro and ArtSpot Productions' Cry You One at the Arts & Ideas Festival in New Haven, Connecticut.
By Addie Gorlin. Addie Gorlin describes the benefits of casting actual teenagers to play the roles of teenagers, despite what common practice is.
By Jonathan Mandell. Jonathan Mandell talks with Producer Tom Kirdahy about celebrating a marriage three times and how theatre can make a difference.
By Jess Applebaum. Jess Applebaum on Sylvia Milo's original solo performance as Nannerl, Mozart's mostly-forgotten sister in The Other Mozart.
By Bob Leonard. Bob Leonard looks at historic duos who don't get along, and compares them to his own experience with his long-time radio partner.
By Kate Kremer. In this installation, Kate Kremer continues her exploration of durational theatre and what it has to do with realism.
By Edward Einhorn. Edward Einhorn on the economics of Money Lab and what it taught him about the relationship of art and money.