Spectacular: The Art of Theatre Spectacle
By Natalie Osborne. Playwright and actor Natalie Osborne distinguishes spectacle from special effects and advocates for spectacle with minimalist staging.
By Natalie Osborne. Playwright and actor Natalie Osborne distinguishes spectacle from special effects and advocates for spectacle with minimalist staging.
By Fran Kumin, Chay Yew. Fran Kumin interviews Chay Yew, Aristic Director of Victory Gardens Theater in Chicago about season planning.
By HowlRound TV. The Ford Foundation hosts Beyond the Hashtag , a conversation on using art and technology to combat the criminalization of our communities. The event will include performanc…
By Eli Keel. In the second installment of his series, writer and actor Eli Keel discusses the lack of representation for artists of color in Louisville's theatre scene.
By Jack Eidson. Producer Jack Eidson writes about the challenges he's faced casting The Lilliput Troupe with little person actors.
By Jeremy Gable. Playwright Jeremy Gable discusses his process and the aftermath for creating his Twitter play The 15th Line .
By Erin Mee. Professor Erin Mee discusses her decision to re-tweet Jeremy Gable's The 15th Line and the dramaturgical questions she has for the project.
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the lobby of The Public Theater in New York City on the global, commons-based peer produced HowlRound TV network at howlround…
By Matthew Gray. In this podcast series, Matthew Gray interviews all kinds of actors to share why they act and how they act, in a world of diminished residuals, rising student loan interest …
By Naomi Elster. Naomi Elster considers the difference and value of curated and open access fringe festivals.
By Jake Rosenberg. In the second installment of his series, Jake Rosenberg traces elements of the Fantasy genre throughout theatre history and proposes more content for adults.
By HowlRound TV. MDC Live Arts presents Conscience Under Fire livestreaming on the commons-based peer produced HowlRound TV network at howlround.tv on Friday, September 11 at 8pm EDT (New Yo…
By HowlRound TV. Sandglass Theater in Putney, Vermont, USA presents six conversations from the Puppets in the Green Mountains Festival livestreaming on the commons-based peer produced HowlRo…
By Teresa Simone. Teresa Simone continues her Why I Hate Children's Theatre series with this post exploring the work of Zarco Guerrero.
By Jose Casas. Playwright José Casas discusses Rising Youth Theatre's process for incorporating hip-hop in its upcoming project for theatre for young audiences.
By Paul Heller. Playwright Paul Heller describes his process for self-producing his current work in living rooms and nursing homes.
By Alyssa Taubin. A brief history of the American musical through America'a racial history, from blackface and minstrel shows, to vaudeville and the Golden Age.
By Sheehan O'Heron. Sheehan O'Heron does an in-depth analysis of the backbone of Mark Antony in Shakespeare's Julius Caesar .
By HowlRound TV. The Women's Voices Theater Festival in Washington, DC"the largest collaboration of theatre companies working simultaneously to produce original works by female writers in hi…
By Carla Della Gatta, Georgina Escobar. Carla Della Gatta interviews Georgina Escobar about her writing process and upcoming projects following Carnaval.
By Matthew Laird. Puppet builder Matthew Laird discusses the joys and challenges of crafting puppets for live performance.
By Pam Arciero. Pam Arciero, Oscar the Grouch's girlfriend Grundgetta Grouch, considers the differences between being a puppeteer on television and on stage.
By Daniel Fine. In the third installment of his media design series, Daniel Fine distinguishes effective ways to utilize media in the rehearsal room.
By HowlRound TV. The VORTEX in Austin, Texas presents Hunger by local playwright and poet Ebony Stewart livestreaming on the global, commons-based peer produced HowlRound TV network at howlr…
By James Godwin. Puppeteer James Godwin explores the philosophical and spiritual implications of puppetry.