You Don't Need a Five- or Ten-Year Plan. You Need A Horizon.
By Jess Pillmore. In the first installment of her new series on Sustainable Artistry, Jess Pillmore encourages readers to think more broadly than a five-year plan.
By Jess Pillmore. In the first installment of her new series on Sustainable Artistry, Jess Pillmore encourages readers to think more broadly than a five-year plan.
By HowlRound TV. The Women in the Arts & Media Coalition and all its member organizations celebrate the winner, honored finalists, and finalists of the 2015 Collaboration Award , designe…
By Manuel Betancourt. Manuel Betancourt on the development journey of Tony-winning Broadway musical Fun Home by Lisa Kron and Jeanine Tesori.
By Matthew Gray. This week I'm speaking to actor Tasso Feldman. We talk about acting books and their traps, the difference between stage and screen acting.
By Matthew Gray. Actor and teacher Cameron Knight is a force. He is also one of the most important acting teachers in the country.
By Michael Lueger, Beth Kattelman. In his second installment, Michael Lueger interviews Dr. Beth Kattleman about her journey in theatre and academia.
By Emily Daly. Emily Daly writes about being a Hyphenate"someone with multiple artistic identities.
By Jennifer Berry. Playwright Jennifer Berry describes her dual roles as a mother and a playwright, and how these roles influence each other.
By Marcina Zaccaria. Marcina Zaccaria on the 72nd Annual Venice Film Festival and the intersection of theatre and film acting.
By HowlRound TV. La MaMa presents a performance of Teatro Patologico's Medea directed by Dario D'Ambrosi livestreaming from New York City on the global, commons-based peer produced HowlRound…
By Katie Naka. Kate Naka discusses the Go Green pop-up experience in Harlem and advocates experimenting with urban green spaces as venues.
By HowlRound TV. ArtsEmerson in Boston presents a public dialogue Exploring the Difference between Real and Imagined Bodies on Stage livestreaming on the global, commons-based peer produced …
By Nelson T. Eusebio III. Nelson T. Eusebio III addresses the argument that the "best" actor must always be cast in a role, regardless of race.
By Matthew Gray. Bethany Caputo is a prolific stage and commercial actor, as well as an extraordinary teacher. Today we talk Michael Chekhov, the need to love auditioning, and how "falling o…
By HowlRound TV. Belarus Free Theatre presents the Staging a Revolution Festival "a two-week festival of ten stage productions and discussions in London featuring some of Belarus Free Theatr…
By Holly L. Derr. Holly Derr reports on the Women's Voices Theater Festival, bringing together more than 50 of the Washington, DC's professional theaters to feature world premieres of new pl…
By Victor Maog, Leah Nanako Winkler. Victor Maog interview Leah Nanako Winkler on her response to the controversy around NYGASP's The Mikado.
By Jake Rosenberg. In the third installment of his series, Jake Rosenberg explores the history of Science fiction in literature, film, and theatre.
By Rehana Lew Mirza. Playwright Rehana Lew Mirza argues that those who defend producing The Mikado using yellowface on the basis of its "historical significance" are supporting centuries of …
By Teresa Simone. In the fifth installment of her Why I Hate Children's Theatre series, Teresa Simone addresses the borders of TFY and work pushing those borders in Arizona.
By Michael Lueger. Michael Lueger on Gordon Edelstein's production of A Moon for the Misbegotten at the Williamstown Theatre Festival in Massachusetts.
By Edward Einhorn. Edward Einhorn, artistic director of Untitled Theater #61, reflects on the Czech playwright and president Václav Havel's contribution to theatre.
By Minna Vallaste. Minna Vallaste argues for the importance of theatre pieces that speak directly to international social issues and inspire change and action.
By Daphnie Sicre. PhD candidate Daphnie Sicre writes about her experience presenting at the Black Theatre Conference.
By Aphra Behn. In the second installment of her series, Guerilla Girl Aphra Behn recalls some memorable moments at the Women Playwrights International Conference.